Daniel Franzese Movies

Eighteen years after making his feature directorial debut with the satanic telephone shocker 976-Evil, screen legend Robert England steps back behind the camera to call the shots for this story of a Hollywood Hills home with a particularly dark past. When three best friends score a big insurance claim, they decide that it's time to purchase their own place and finally fly away from the nest. Though rumors persist that they may be getting more than they bargained for, youthful enthusiasm wins out over good judgment and their initial excitement soon gives way to inescapable terror. Daniel Franzese, Eric Jungman, and Shane McRae star in a film featuring Joey Lawrence, Andy Milonakis, and Lin Shaye. ~ Jason Buchanan, Rovi

Television takes a turn towards the terrifying as a disgruntled contestant who was recently dismissed from a high profile reality shows takes a group of frightened co-eds hostage on the set of his own imaginary show in director Kelsey T. Howard's savage satire of the popular TV trend. Edward Furlong and Jaime Pressly lead a talented cast of rising stars that also includes Aimee Garcia, Susan Ward, and Andrew Keegan. ~ Jason Buchanan, Rovi

Directed by Reverge Anselmo, Stateside revolves around the unique love story of two very different teens -- namely, the rich but lonely Mark Deloach (Jonathan Tucker) and Dori Lawrence (Rachael Leigh Cook), a schizophrenic singer and actress -- whose lives spiral out of control in separate but nonetheless connective ways. After Mark's prank on a local girl (Agnes Bruckner) results in a deadly drunk-driving accident, and Dori's mental health continues to deteriorate, Mark is forcibly sent to the Marines as Dori is admitted into a mental hospital. Despite the state of havoc in their lives, however, Dori and Mark are drawn to each other -- it would appear that their mutual need for love and some semblance of understanding has bonded them more tightly together than all of their more traditional relationships combined. Of course, those very relationships are insisting the young couple stay as far apart as possible; Mrs. Hagen (Diane Venora), head of Dori's halfway house, is particularly insistent. When Mark is deployed to a combat unit overseas, it looks as though Mrs. Hagen's wishes have been granted. Unable to forget each other, Mark and Dori do their best to heal one another in spite of the distance between them. Stateside features supporting performances from Ed Begley Jr., Carrie Fisher, Val Kilmer, and Joe Mantegna ~ Tracie Cooper, Rovi

Photographer and filmmaker Larry Clark, who made a controversial feature debut with the disturbing drama Kids, returns with another disquieting look at amoral and sexually precocious youth. Bobby (Nick Stahl) is a high school student growing up in southern Florida in the early '90s. Bobby is also a borderline psychotic; he frequently lashes out with brutal violence against those around him and especially enjoys humiliating his best friend Marty (Brad Renfro). While Bobby professes to hate and fear homosexuals, he goads Marty into performing phone sex with men, makes Marty and his friends watch hardcore gay porn films with him, and may have sexually abused Marty. But Marty is hardly the only victim of Bobby's abuse; Bobby has sexually assaulted Marty's girlfriend Lisa (Rachel Miner) and more than once has barged in on the couple while they were making love. Lisa's best friend Ali (Bijou Phillips) has also been raped by Bobby, and he has mistreated nearly everyone in their circle of friends. One night, Marty, Lisa, Ali, and several others decide Bobby's cycle of abuse must stop. But their solution is as ugly as the problem -- the teens stab Bobby, slit his throat, crush his head with a baseball bat, and throw his body into the bay, where the remains will be eaten by alligators. Bully is based on a book by journalist Jim Schutze, which recounted the facts of the 1993 murder of Bobby Kent, who after years of abusing his friends and classmates, was killed by seven of his acquaintances in Ft. Lauderdale, FL. As with Kids, Larry Clark's startlingly graphic depiction of sex, violence, and drug use among teenagers crossed the boundaries of what the MPAA could permit in an R-rated film, and the picture's distributors chose to release the film without a rating. ~ Mark Deming, Rovi