Stanley Grover Movies

In this action thriller, a group of Islamic terrorists, led by Nagi Hassan (David Suchet), highjacks a 747 jetliner with 400 passengers aboard, but Lt. Col. Austin Travis (Steven Seagal), a United States intelligence agent, is convinced that this isn't an ordinary case of air piracy. His suspicions are soon confirmed; Hassan's men have obtained a large cache of stolen Soviet nerve gas, and they are using the 747 to smuggle the deadly gas into the United States, where they intend to use it to wipe out Washington D.C. and possibly the entire East Coast. As the jet approaches the U. S., engineer Dennis Cahill (Oliver Platt) designs a plan in which a military plane will be able to transfer U.S. soldiers onto the 747 and regain control of the plane and its deadly cargo. However, when Travis dies in the course of the mission, intelligence agent Dr. David Grant (Kurt Russell) is forced to take his place alongside explosives expert Cappy (Joe Morton), commando Rat (John Leguizamo), and stewardess-turned-anti-terrorist Jean (Halle Berry). Executive Decision was the first directorial assignment for veteran film editor Stuart Baird; he cut the film as well. ~ Mark Deming, Rovi

Confessions: Two Faces of Evil is a "ripped from today's headlines" TV movie. Jason Bateman and James Wilder play a couple of mixed-up youths, both of whom confess to killing a cop. Investigator James Earl Jones is assigned to separate fact from fancy. Commendably, the film avoids concentrating on the scuzzier elements of the story; the emphasis is on the police, as they endeavor to see that justice is served. Confessions: Two Faces of Evil originally aired on January 17, 1994. ~ Hal Erickson, Rovi

When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, Rovi

The Second City comedy ensemble reunites for this camp story of a motorcycle gang trying to take home the body of a dead member (James Belushi). Problem is, they must also outrun a pesky lawyer (Ray Baker) who is trying to bring the group to justice for breaking their probation. John Candy, Dan Aykroyd and George Wendt make small appearances. ~ John Bush, Rovi

Jessica (Angela Lansbury) serves as narrator for tonight's story, which centers around working-class private eye Frank Albertson (a pre-Politically Incorrect Bill Maher) and his wife Sunny (Faith Ford). After years of sponging off Frank and Sunny, Frank's uncle Charlie (John Finnegan) suddenly inherits a fortune--and just as suddenly disappears. Later on, a mangled corpse is found on a local railroad track, whereupon Frank attempts to claim the body as that of Uncle Charlie.. However, there seems to be several other people interested in claiming the corpse--and the aforementioned inheritance--themselves. ~ Hal Erickson, Rovi

When a suicidal woman meets up with a wayward young man, the two develop a strong relationship as they find comfort and sympathy in one another. ~ Iotis Erlewine, Rovi

Gena Rowlands won an Emmy for her towering portrayal of former first lady Betty Ford. After surviving breast cancer, the feisty Ford earns the love and admiration of the entire country. This makes it all the harder for her to keep private her biggest personal battle -- against alcohol and prescription-drug addiction. Josef Sommer and Nan Woods co-star respectively as Gerald and Susan Ford in this sensitive but candid adaptation of Betty Ford's autobiography The Times of My Life. Made for television, The Betty Ford Story was first telecast on March 3, 1987. ~ Hal Erickson, Rovi

Werewolf was the pilot film for the Fox network TV series of the same name. John J. York plays Eric, a handsome young man who is bitten by a werewolf. He must find the source of the lycanthropic bloodline if he's to save himself from a lifetime of requiring sudden shaves and baying at the moon. Offering to help Eric is sea captain Chuck Connors, who turns out to be the centuries-old wolfman whom York seeks. Adding to our hero's travails is a bounty hunter by the name of Alamo Joe (Lance Le Gault). We're tipped to the fact that we shouldn't take Werewolf all that seriously by the character name given Chuck Connors: Janos Skorzeny, the same name as the vampire portrayed by Barry Atwater in the classic 1971 TV movie The Night Stalker. Werewolf premiered on July 11, 1987. ~ Hal Erickson, Rovi

John Schlesinger directed this fact-based drama - adapted from Robert Lindsay's bestseller of the same title -- about two Californians, friends since boyhood, who are caught selling government secrets to the Soviet Union. Christopher Boyce (Timothy Hutton) is an all-American boy, studying for the priesthood in a seminary. But Boyce decides to drop out of school, and with the help of his father (Pat Hingle), a FBI agent, he gets a job working for the CIA in a message-routing center. While reading the messages, Boyce is shocked to learn that the CIA is involved in fixing Australian elections. Watching the Watergate hearings on television, he feels an ever-mounting sense of outrage at the arrogance of the U.S. government and decides to do something about it. Deciding to supply the CIA messages to the Russians, he enlists his childhood friend Daulton Lee (Sean Penn) to help him. Lee is to deliver the CIA secrets to a Russian operative (David Suchet) at the Soviet Embassy in Mexico City. But Lee is an unreliable drug dealer, and his sloppy spy trail leads the two old friends into more trouble than they bargained for. ~ Paul Brenner, Rovi

In a society in which major league sporting events have replaced Sunday worship as the religion of choice, North Dallas Forty appears like a desecration at the altar. In this film, directed by Ted Kotcheff (The Apprenticeship of Duddy Kravitz), the National Football League is revealed to be more about the money than the game. Nick Nolte is North Dallas Bulls pass-catcher Phillip Elliott, whose cynicism and independent spirit is looked upon as troublesome by team coaches Johnson (Charles Durning) and Strothers (G.D. Spradlin) and team owner Conrad Hunter (Steve Forrest). Elliot, at the end of his career and wise to the way players are bought and sold like cattle, goes through the games pumped up on painkillers conveniently provided by the management. His teammates include savvy quarterback Maxwell (Mac Davis) and lunk-headed defensive lineman Jo Bob Priddy (Bo Svenson), who deal with the impersonality and back-biting of the game through off-field diversions. When the Bulls management benches Elliot after manipulating him to help train a fellow teammate, Elliot has to decide whether there is more to life than the game that he loves. ~ Paul Brenner, Rovi

Having lived his life as the gardener on a millionaire's estate, Chance (Peter Sellers) knows of the real world only what he has seen on TV. When his benefactor dies, Chance walks aimlessly into the streets of Washington D.C., where he is struck by a car owned by wealthy Eve Rand (Shirley MacLaine). Identifying himself, the confused man mutters "Chance...gardener," which Eve takes to be "Chauncey Gardiner." Eve takes him to her home to convalesce, and because Chance is so well-dressed and well-groomed, and because he speaks in such a cultured tone, everyone in her orbit assumes that "Chauncey Gardiner" must be a man of profound intelligence. No matter what he says, it is interpreted as a pearl of wisdom and insight. He rises to the top of Washington society, where his simplistic responses to the most difficult questions (responses usually related to his gardening experience) are highly prized by the town's movers and shakers. In fact, there is serious consideration given to running Chance as a presidential candidate. Both a modern fable and a political satire, Being There was based on the novel by Jerzy Kosinski and costars Melvyn Douglas, who won a Best Supporting Actor Oscar as Eve's aging power-broker husband. ~ Hal Erickson, Rovi

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, Rovi