Edward Grover Movies

Undercover cop Tony Baretta (Robert Blake) investigates when a blind hot dog vendor is murdered. The only witness is a hungry little girl named Molly (Elizabeth Cheshire), who got a good look at one of the killers. Unfortunately, both of the perpetrators got a very good look at Molly, meaning that her life won't be worth a bottle of mustard unless Baretta comes to the rescue. ~ Hal Erickson, All Movie Guide

In 1970, Elliot Gould was the hottest male star in Hollywood; by 1975, he was making do with indifferent projects like Who?. This interesting British/German sci-fier, also known as Man Without a Face, Prisoner of the Skull and The Man With the Steel Mask, and also under the title Robo Man. Gould's role as an American government official is secondary to the character played by Joseph Bova. While visiting the Soviet Union, scientist Bova is involved in a serious car accident. The Russian surgeons perform emergency life-saving surgery by replacing most of Bova's body parts with electronic devices. Thus when he returns home, Bova is to all intents and purposes a cyborg. It is up to Gould to find out if our reconstituted hero has been transformed into a Soviet spy. After several rondelay dialogue scenes and silly car chases, Who? ends on a quiet, pensive note-perhaps the most effective scene in the whole picture. Adapted from the well-regarded novel by Algis Budrys. ~ Hal Erickson, All Movie Guide

This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, All Movie Guide

Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, All Movie Guide