Tina Aumont Movies

This German documentary offers a tragic profile of the notorious "death angel," Nico. Long after her death in 1988, the German model and entertainer has remained a darkly mysterious cult figure. She was born Christa Paffgen in Cologne and took her professional name from photographer Nico Papatakis. She began modeling in the early '50s, and this led to a brief appearance in Fellini's classic La Dolce Vita. Though Nico was blessed with the rare combination of beauty and intelligence, she was depressive and utterly lacking in ambition; she spent much of her life simply drifting about through various film and commercial appearances until she met artist Andy Warhol. He introduced her to the band the Velvet Underground, which resulted in the tone-deaf beauty occasionally singing with them -- much to the discomfiture of the band members; she became addicted to heroin and eventually could no longer disguise its effects. Nico went on to become a solo act until her death as the result of a brain hemorrhage. Nico -- Icon includes film clips, commercial clips, archival photos, songs, and interviews with those who knew her, including members of the Velvet Underground, Paul Morrissey, ex-Factory members Viva and Billy Name, songwriter Jackson Browne, and avant-garde filmmaker Jonas Mekas. ~ Sandra Brennan, All Movie Guide

Gregor (Maurice Ronet) is a rich, charming womanizer who has been married three times. Perhaps he is not quite charming enough, because his ex-wives have it in for him. They conspire together to find just the sort of girl who will happily ruin him. Once they find her, they make sure the two get together. Things work out just according to plan, except for one thing: Gregor is happy to lose it all for love. ~ Clarke Fountain, All Movie Guide

Fellini's Casanova is played by Donald Sutherland. The film takes great pains to debunk the myth of the Great Lover by presenting him as an ordinary human being swept up in extraordinary circumstances. This Casanova breezes through his various political and amorous adventures with an air of bored detachment, allowing the audience to "fill in the blanks" regarding motivations and emotions. Though the film's plotline hop-scotches all over Europe, Fellini lensed the picture entirely within the lavish confines of Rome's Cinecitta Studios. Danilo Donati won an Oscar for costume design, while Nino Rota (of Godfather fame) should have won for his musical score. A sumptuous visual treat, Fellini's Casanova is something of a chocolate Easter Bunny: delicious going down, but hollow on the inside. ~ Hal Erickson, All Movie Guide

Singer and actress Liza Minnelli teamed up with her father, legendary director Vincente Minnelli, to make this evocative drama. Nina (Liza Minnelli) is a popular film star who, in the midst of a press conference, finds herself remembering her life before her big break, when she worked as a chambermaid at an Italian hotel which had seen better days. In the course of her duties, Nina meets Countessa Sanziani (Ingrid Bergman), an aging and eccentric woman who regales Nina with tales of her glamorous younger days. As the Countessa tells her more stories of her days of wealth and adventure, Nina imagines herself living out the same exciting stories, and soon the Countessa encourages her to find the courage to live out her own dreams. A Matter Of Time also featured another family team-up; Ingrid Bergman's daughter Isabella Rossellini has a small part as a nun attending to the ailing Countessa. ~ Mark Deming, All Movie Guide

Based on a true story, this political thriller/drama explores the ordeal of Linda Murri (Catherine Deneuve), a 19th-century upper-class Italian woman who was caught in an unhappy marriage and who broke the code of behavior for aristocrats by taking a lower-class lover. After her husband was murdered, Murri stood trial for the murder. Her professor father's socialist opinions were clearly the reason for the harshness of the prosecution. The case was widely known throughout Italy at the time, and caused a national furor. Murri did not actually arrange to murder her boorish nobleman husband Count Bonmartini (Paolo Bonacelli); rather, she told her brother how unhappy she was and that she was afraid for her life. He acted on her complaint by taking the drastic step of murder. The trial resulted in her being given a long prison term, along with her brother (Giancarlo Giannini), her lover Carlo Secci (Ettore Manni) and her brother's assistants Pio and Rosa (Corrado Pani and Tina Aumont). The relentlessness of the prosecutor Giudice Stanzani (Marcel Bozzuffi) and the spinelessness of the family patriarch Augusto Murri (Fernando Rey), the professor with the unpopular opinions, are key dramatic features of this complex story. ~ Clarke Fountain, All Movie Guide

A widower falls in love with the new housekeeper (Laura Antonelli) he has hired for his three sons, but later realizes he's not the only man in the household wishing to have an affair with her. The film, originally released in Italy as Malizia, appears in dubbed English. ~ John Bush, All Movie Guide

This comic Italian melodrama recounts the story of a friendship which develops out of a romantic obsession. The Italian communist party was largely independent of the Eastern Bloc, and has played a large political role in that country, particularly on the local level. This story tells of Annibale Pezzi (Adriano Celentano), a hospital patient who is also the local communist party boss, and of Sister Germana (Sophia Loren), the nursing nun who is treating him. Annibale successfully invents one ailment after another in order to avoid having to leave the delightful ministrations of this special woman. Though she is at first antagonistic to him and his beliefs, their mutual respect grows until he is finally able to accept the idea of being discharged. ~ Clarke Fountain, All Movie Guide

This symbolic satire of modern morality finds a young bride-to-be (Tina Aumont) leaving her perfect square fiance (Nino Segurini) to run away with a stranger (Luigi Proietti). The two take a strange journey through a myriad of bizarre themes such as cannibalism, gang rape, necrophphilia and auto erotic activities. ~ Dan Pavlides, All Movie Guide

This Italian avant-garde underground film features Viva, Tina Aumont, Pierre Clementi, and Carmelo Bene. Lengthy shots of stationary figures such as Frankenstein, Attila the Hun, Montezuma, and the Devil represent centuries of sublimation that have created civilization. ~ Iotis Erlewine, All Movie Guide

The famous Italian lover Casanova is portrayed by Claudio De Kunert as a child and by Leonardo Whiting as an adolescent on the verge of manhood. Planning to help the poor by going into religious law, he quickly is smitten by a bevy of beauties and by Millescudi (Senta Berger) in particular. After his first sermon as an aspiring abbot, the collection plate is flooded with love letters to the handsome young man. Casanova soon abandons his religious pursuits for more worldly pleasures. The gravely voiced Lionel Stander and Wilfred Brambell also appear in this 2 million dollar production. ~ Dan Pavlides, All Movie Guide

Bernardo Bertolucci was obviously influenced by the films of Jean-Luc Godard and the worldwide political upheavals of 1968 while assembling his feature-film Partner. This unorthodox adaptation of Dostoevsky's The Double studiously avoids traditional linear storytelling and exposition techniques. Pierre Clementi stars as a repressed young student who concocts a radical alter ego for himself. As the student's two faces argue polemics, Bertolucci uses the opportunity to take freewheeling critical potshots at all forms of political ideology. Not all of Partner makes sense, but the film will command the viewer's interest from beginning to end. ~ Hal Erickson, All Movie Guide

A popular British comic strip series served as inspiration for this light-hearted espionage adventure, which if nothing else certainly shows the marks of its origins in the mid-1960s. A large departure for director Joseph Losey, better known for brooding interpretations of Harold Pinter works (The Servant, Accident), the film is emphatically bright and colorful, taking on at times a nearly psychedelic feel. The strangeness is emphasized by the unusual casting, including Italian star Monica Vitti in her first English-speaking role as the title character and Dirk Bogarde, playing against type as her arch-nemesis. Essentially everything is played for its camp value, including the rather convoluted, James Bond-like plot, which concerns the hijacking of a shipment of diamonds heading for the Middle East. Like its mod-era sets and costumes, this unusual, inconsistent effort is certainly intriguing and attractive, but might seem rather dated to some. ~ Judd Blaise, All Movie Guide

Under the tutelage of one-time husband, director Roger Vadim, Jane Fonda plays the much-younger wife of stuffed-shirt millionaire Michel Piccoli. When Piccoli's handsome young stepson Peter McEnery comes to visit, Fonda is immediately smitten. When Piccoli forces McEnery into a marriage of convenience, she contemplates committing suicide over returning to her barren but lavish lifestyle. The Game is Over was inspired by the Emile Zola novel La Curee (the film's European title). ~ Hal Erickson, All Movie Guide