Marie Ault Movies

Cheer the Brave is a minor British domestic comedy, good for a few laughs during its scant 62 minutes. Elsie Randolph plays the domineering wife of downtrodden Geoffrey Keen. As if wifey isn't enough of a terror, Keen has to contend with mother-in-law Marie Ault. Keen finally gets the gumption to skeedaddle when Randolph's first husband Jack McNaughton make a return appearance. Cheer the Brave was the first directorial effort of former editor Kenneth Hume, who also wrote and produced it. ~ Hal Erickson, Rovi

Based on the play by Joan Temple, No Room at the Inn takes place in the early stages of WW2, when the children of London were evacuated to the Country. A group of these youthful refugees are taken in by Mrs. Voray (Freda Jackson), who already has several orphans in her charge. Outwardly the soul of Christian charity, Mrs. Voray is actually a drunken harridan who treats the children like her own personal slaves. It is said that when the villainess received her comeuppance, movie audiences were known to stand up and cheer. The most intriguing aspect of this melodramatic exercise is that the screenplay was written by legendary Welsh poet Dylan Thomas! ~ Hal Erickson, Rovi

In this crime drama, three ancient, weird sisters begin planning to kill their half-brother in order to scare up the cash they need to keep their ramshackle mansion running. Poet Dylan Thomas helped write the screenplay. ~ Sandra Brennan, Rovi

Released in Britain in 1944, Man from Morocco made it to American shores the following year. Anton Walbrook plays the title character, the head of an intrepid band of WW2 freedom fighters. The film's heavy is a Nazi-sympathizing French officer of unbounded cruelty. Margaretta Scott portrays Manuela, a patriotic Frenchwoman who poses as a Red Cross nurse to insinuate herself into the villain's lair. In true "Judith of Bethulia" fashion, Manuela romances the fiend, thereby affording her the opportunity to murder him and thus save the lives of 2000 French hostages. It's a good thing that Man From Morocco was a British film; otherwise, the Hollywood production code would have obliged Manuela to be punished for her murder, justified or no. ~ Hal Erickson, Rovi

George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, Rovi

In this British costume musical, Carol Raye plays Empress Maria, a young woman of noble blood who has fallen in love with Count Franz Von Hofer (Peter Graves), one of the men assigned to guard her. Maria's guardians attempt to dissuade her interest in Franz because of his reputation as a Casanova, and when Franz is discovered in a playful conversation with Cenci Prohaska (Patricia Medina), they are convinced that their assumptions are correct. When Maria learns of Franz's behavior, she disguises herself as Cenci for an upcoming costume ball with the hopes of catching Franz in a disloyal act. Waltz Time also features a guest appearance by the celebrated operatic vocalist Richard Tauber, who sings two numbers; it was one of Tauber's final screen appearances, as he passed on in early 1948. ~ Mark Deming, Rovi

The inspiration for this British seriocomedy was Victor Skutezky's stage play She Met Him One Sunday. "She" is Moya Malone (Barbara White), an Irish maid living in Liverpool. "He" is Tom Stevens (Robert Beatty), a Canadian sailor. That "one Sunday" is a busy one, encompassing a few romantic strolls down the dock, Moya's renouncing of her servant status, and a run-in with crooks. Playwright Skutezky also served as producer of It Happened One Sunday. ~ Hal Erickson, Rovi

In this mystery, a millionaire vanishes right before he is to marry. To find him, his sister hires a detective who is, after encountering many corpses, lead to "The Panda," the perpetrator of the crime. The investigator soon discovers that millionaire's fiancee is behind it all. ~ Sandra Brennan, Rovi

Filmed in the North Country of England, this is a film noir set in the 1930s as a family struggles with poverty and unemployment. Depressing and realistic, it portrays the lengths to which a family can go in order to survive., though there is some humor interlaced to keep the bleakness under control. The beautiful, sepia-tinted photography enhances the portrayals, which are excellent. ~ Tana Hobart, Rovi

Alfred Hitchcock directed this disappointing misfire, memorable solely for the fact is that it is the final film from Hitchcock's early British period before he left for the Hollywood studio system and David O. Selznick. In the England of the 1800s, a group of ruthless smugglers, led by Sir Humphrey Pengallon (Charles Laughton), prey on ships by blacking out warning signals. When the ships crash on the rocks, the nefarious group loots the remains and kills the sailors. The plot kicks in when the beautiful orphan Mary Yelland (Maureen O'Hara) goes to visit her uncle Joss Merlyn (Leslie Banks) at a creepy hotel called the Jamaica Inn, the home of the gang of smugglers. Mary doesn't realize that Uncle Joss is one of them. Meanwhile, Lloyd's of London sends one of their ablest men, Jem Trahearne (Robert Newton), to investigate the recurring shipwrecks. Jem checks in to the Jamaica Inn, and when the coven of smugglers finds out who he is, they capture him and attempt to kill him. But Mary comes to his rescue and saves him. Through the inn, the smugglers try to recapture Jem -- along with Mary. Thrown together by dire circumstances, the two fall in love. Meanwhile, all the shenanigans occurring at the Jamaica Inn appear to be driving Pengallon insane. ~ Paul Brenner, Rovi

Bachelor Henry Kendall convinces his friend's wife Kathleen Kelly to pretend to be his fiance in order to collect his inheritance from his wealthy uncle. ~ Rovi

A bungling band of bandits steal a new drug that alters the personalities of those who take it in this comedy. The trouble begins when the gang finds themselves pursued by rivals and the police. A riotous chase ensues. ~ Sandra Brennan, Rovi