Taryn Manning

A thinly veiled, unsanctioned biopic of author Phillip K. Dick, first-time writer/director inventive feature debut follows the story of acclaimed science fiction author William J. Frick as he experiences a massive stroke that sends him on a fantastic journey into his own imagination. It's the summer of 1974, and author Bill Frick (Bill Pullman) is living in squalor. Despite having a sizable reputation as a sci-fi visionary, Bill doesn't have so much as a penny to his name. Nevertheless, he's determined to finish his latest masterpiece - an ambitious tome inspired by beautiful actress Nikki Principal (Taryn Manning). Bill has formed something of an obsession with Nikki as of late, and after ducking a meeting with a persistent IRS agent, he suffers a sudden stroke that renders him trapped in a limbo world with his favorite actress. There, Nikki informs Bill that his latest literary work has the power to change the world. Upon gazing out his window to see murals and statues of himself spread out across the sprawling cityscape, Bill realizes that he has finally achieved his goal of becoming a God among mortals. But not everyone worships the pages that Bill writes on; there are those like the nefarious Maurice Kroger (M. Emmet Walsh) who would wield Bill's knowledge and power as a weapon designed to help them further their own malevolent agenda. Just then Bill begins to realize that he's not living in reality at all, but in a wondrous world of his own making. Harold Perrineau, Charles Napier, and Traci Lords co-star. ~ Jason Buchanan, All Movie Guide

A man learns about life and love from someone who has only so much of each to spare in this romantic comedy-drama. Jack (Freddie Prinze Jr.) is an advertising executive in his early Thirties who has grown jaded before his time; he devotes his life to his work but doesn't believe in it, and is trapped in a cycle of habits and routines. One day, Jack meets Jill (Taryn Manning), a beautiful young woman who clearly has no idea how to get around New York; Jack helps give her directions and is soon taken by her charm and enthusiasm for life, even if he's too cynical to share her sunny optimism. Learning that Jill needs a place to stay, Jack offers to let her stay at his place, and while the arrangement is meant to be platonic, it doesn't take long for a romance to blossom between them. Jill encourages them to develop a manifesto for responsible and compassionate living and Jack's heart begins to open up, but when Jill begins disappearing in the evenings he suspects that something is wrong. While Jack imagines at first that Jill's met someone else, the truth is more serious -- she's living with cystic fibrosis and despite regular treatments has only so much time left. Jack and Jill Vs. The World was written, produced and directed by Vanessa Parise, who also appears in the supporting cast with Robert Forster and Charles Martin Smith. ~ Mark Deming, All Movie Guide

An amalgam of Death Race 2000 and Lost with CGI effects thrown in, the quasi-fantasy action series Drive centered around a strange, exclusive, strictly secret and highly illegal cross-country race, wherein the contestants were all but shanghaied into participating for a winning purse of $32,000,000--assuming they lived that long. The first contestant was Alex (Nathan Fillion), who was desperately searching for his missing wife. A mystical race promoter named Mr. Bright (Charles Martin Smith) lured Alex to Florida by implying that he'd never see his wife again unless he agreed to become a driver. Alex was then teamed with wild blonde Kristin (Corinna Wiles), who acted as if she knew what it was all about. In truth, NO one knew what it was all about--not the woman just released from a hospital, nor the two siblings who were driving a "cursed" Cadillac, nor the paroled criminal, nor the Iraq veteran and his girlfriend, nor the scientist and his teenaged daughter. Though everyone knew that the race began in Florida, none of the racers had the slightest idea where it was headed, nor the remotest clue as to the location of the finish line. And how about the fact that none of the vehicles were actually sports cars? Only one thing was certain: Those who lost the race faced the direst of consequences. As was often the cast in enigmatic exercises of this nature, the course of the race and the backstories of the contestants were revealed bit by bit, episode by episode, on a need-to-know basis. Drive first parked itself on the Fox network on April 15, 2007. ~ Hal Erickson, All Movie Guide

A female car thief becomes the target of a notorious serial killer after stealing his mint-condition '66 Dodge Charger in this made for cable thriller from director Kari Skogland (Zebra Lounge, The L Word). Sage Rion (Taryn Manning) is a car thief who's so proficient at her profession that she's earned the nickname Banshee in certain criminal circles. Her skill for stealing cars is unmatched, and when she stumbles across the Dodge Charger of her dreams the temptation proves too powerful to deny. Unfortunately this particular muscle car belongs to a genuine "Badass" (as indicated on the license plate), a fact that Sage discovers all too late after arriving home and finding her boyfriend's severed ear along with a threatening note. Should Sage fail to return the car to its rightful owner by midnight, her recently-hearing impaired boyfriend will meet a grisly demise. But Sage isn't up against your typical murderous madman, because this particular psycho (Christian Campbell) is a popular local DJ who records the screams of his victims, mixes them with the sound of his accelerated hearbeat, and uses the resulting sounds to keep local clubbers on their feet all through the night. ~ Jason Buchanan, All Movie Guide

One man's struggle to rise above his circumstances prompts him to try a career in music in this acclaimed drama from writer and director Craig Brewer. Djay (Terrence Howard) is a low-level pimp and drug dealer who scraped together a living in the ghettos of Memphis, TN. Djay isn't happy with his life, and the realization that he's reached the same age when his father unexpectedly died has made him start thinking about changing his ways. Djay has always had a gift for spinning stories, and after picking up a cheap keyboard, he begins picking out beats to go along with his rhymes. After bumping into an old high-school buddy who works in gospel music, Key (Anthony Anderson), Djay decided to take the plunge and remake himself as a rapper. With the technical know-how of Key and the musical input of a local beat maker named Shelby (DJ Qualls), Djay begins turning his way with words and his first-hand knowledge of the street life into music, as his two live-in girlfriends, Lexus (Paula Jai Parker) and Shug (Taraji P. Henson), add their musical input and emotional support and Nola (Taryn Manning) continues to turn tricks to pay the bills. When local boy-turned-nationwide hip-hop star Skinny Black (Ludacris) comes to town to pay a visit to Arnel (Isaac Hayes), a club owner friendly with Djay, he sees an opportunity to put his demo in the hands of someone who can bring his music to the masses, though it turns out to be far more difficult than he expected. Hustle & Flow had its world premiere at the 2005 Sundance Film Festival, where it received a number of rave reviews and took home the Audience Award. ~ Mark Deming, All Movie Guide

Based on the novel by Charles Frazier, Anthony Minghella's star-studded Cold Mountain is a sweeping tale set in the final days of the American Civil War. Jude Law stars as Inman, a young soldier who, despite an injury, is struggling to make his way home to Cold Mountain, NC, where his beloved Ada (Nicole Kidman) awaits. In Inman's absence, Ada befriends Ruby (Renée Zellweger), who helps her keep up her late father's farm. Meanwhile, in his travels, Inman encounters a menagerie of interesting folks. Also starring Natalie Portman, Giovanni Ribisi, Donald Sutherland, and Philip Seymore Hoffman, Cold Mountain features original music by Jack White of the White Stripes. ~ Matthew Tobey, All Movie Guide

The Oprah Book Club best-seller by Janet Fitch makes it to the big screen in this adaptation from British director Peter Kosminsky. White Oleander recounts the traumatic adolescence of Astrid Magnusson (Alison Lohman), who finds herself an orphan after her short-fused, enigmatic artist mother Ingrid (Michelle Pfeiffer) is carted off to prison on murder charges. Astrid first finds herself in the care of Starr (Robin Wright Penn), a garish, born-again mother of two with a gruff but sensitive boyfriend (Cole Hauser). From there, she's shunted back to a state-run facility, where she tangles with other troubled teens and finds temporary solace in the arms of Paul (Patrick Fugit), a dough-faced comic book artist with dreams of moving to New York City. Astrid then lucks into a living arrangement with a successful but insecure actress (Renee Zellweger) who offers her unconditional love. But Ingrid's stifling influence continues to haunt her daughter, whether through the occasional prison visit or via manipulative letters to Astrid's caretakers. White Oleander received a Gala North American premiere at the 2002 Toronto Film Festival before reaching multiplexes later that fall. ~ Michael Hastings, All Movie Guide

The Romeo and Juliet story has been modernized to a high school setting previously, but this romance from director John Stockwell turns the tale inside out. Jay Hernandez stars as Carlos Nunez, a poor but athletically gifted Latino teenager who endures a two-hour bus ride every day from East L.A. to attend the posh, wealthy Pacific Palisades High School in Los Angeles on a football scholarship. A straight-A student, Carlos is focused and driven, but his future is cast in doubt when he becomes the flirtation target of spoiled, self-destructive bad girl Nicole Oakley (Kirsten Dunst), who's the daughter of a prominent congressman (Bruce Davison). When his friends, family, and even Nicole's own father oppose the romance for Carlos' sake, he chooses to ignore their advice and stubbornly pursues his relationship with Nicole, whose feelings grow from simple physical attraction to something much deeper. Crazy/beautiful is directed by writer, actor, and director John Stockwell, who also penned the same year's Rock Star. ~ Karl Williams, All Movie Guide