James Griffith Movies
Sharp-featured character actor James Griffith set out in life to be a professional musician. He eased into acting instead, working the little-theatre route in his hometown of Los Angeles. In 1939, Griffith appeared in his first professional production, They Can't Get You Down. Following World War II service, he made his first film, Black Ice (1946). Steadily employed in westerns, James Griffith was generally cast as an outlaw, save for a few comparative good-guy assignments such as Sheriff Pat Garrett in The Law vs. Billy the Kid (1954). ~ Hal Erickson, All Movie Guide- 1958
When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, All Movie Guide
- Starring:
- Guy Madison, Rhonda Fleming, (more)
- 1957
A "Shock Theater" perennial since it was first released to television in the early 1960s (stretch-framed to pad out its running time), The Amazing Colossal Man is firmly in the "So Bad It's Good" category. While overseeing the atomic tests in the Nevada desert, Army colonel Glenn Langan is exposed to extensive amounts of radiation. As a result, Langan grows, and grows, and grows, at the rate of ten feet per day. This sudden height gain adversely affects the poor man's mind, and soon he's as mad as a hatter. Looking for all the world like Mr. Clean in a diaper, the Colossal Man goes on a murderous rampage, laying waste to several Las Vegas landmarks before he is killed by army bullets while standing atop the Boulder Dam. The special effects are adequate, but the dialogue is ridiculous-in fact, if we didn't know better, we'd say that the film was intended to be funny. Our favorite bit: the huge hypodermic needle. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Langan, Cathy Downs, (more)
- 1957
In this western, a cavalryman disobeys his officer's command to massacre Indians at Sand Creek, goes AWOL and heads for his home in Texas where he wants to protect the women who will soon bear the brunt of the Indians' revenge. Because he defected from the cavalry, his friends and neighbors consider him a traitor, but the young man disregards them. With his expert advice, the women become crack shots. He trains them at an abandoned mission. One of the women is a real smart aleck and it is she whom he falls in love with. When the angry Indians arrive, the ladies defeat them. Later, the young deserter is found not-guilty during court-martial proceedings. His C.O. is not so lucky and is charged with the Sand Creek slaughter. ~ Sandra Brennan, All Movie Guide
- Starring:
- Audie Murphy, Kathryn Grant, (more)
- 1957
Rory Calhoun both starred in and put up the money for the Columbia oater The Domino Kid. As the title character, Calhoun's mission in life is to rid the earth of the five outlaws who destroyed his ranch and killed his father. Before the film is ten minutes old, the Domino Kid has killed four of the five miscreants. Before he can mete out retribution to the fifth man, however, Domino must contend with cattle baron Wade Harrington (Andrew Duggan)--not to mention a few romantic entanglements with winsome Barbara Ellison (Kristine Miller) and tempestuous Rosita (Yvette Dugay). Had not Rory Calhoun committed himself to the TV western The Texan, The Domino Kid would have presaged a series of economical western vehicles for Columbia. ~ Hal Erickson, All Movie Guide
- Starring:
- Rory Calhoun, Kristine Miller, (more)
- 1957
While on a fishing trip, Perry Mason (Raymond Burr) and Paul Drake (William Hopper) reel in a most unusual "catch": a beautiful girl named Sally Fenner (Peggy Castle), who had jumped into the ocean while fleeing a pack of guard dogs on the island estate of George Alder (David Lewis). Naturally, Alder turns up murdered, and Sally is charged with the crime. Assuming Sally's defense in court, Perry finds that there is no shortage of people who would liked to have seen Alder dead--including someone who was very, very close to him. This episode is based on a 1950 novel by Perry Mason creator Erle Stanley Gardner, and would be refilmed in 1965 as "he Case of the Impetuous Imp". ~ Hal Erickson, All Movie Guide
- 1957
Frank Freeman Jr., son of the longtime head of Paramount Pictures, made his debut as producer with the opulent but empty Omar Khayyam. Cornel Wilde stars as the legendary Persian poet, here depicted as not only a philosopher but a scientist, politician and great lover. As the Persians gear up for war against the Byzantines, Omar occupies his time by romancing Sharain (Debra Paget), the favorite wife of the Shah (Raymond Massey). He also does his best to foil a plan by Hasani (Michael Rennie), leader of the Cult of Assassins, to murder the royal family. While many of the characters and events are based on fact, it is difficult to believe the story or the dialogue for more than ten minutes at a stretch. Singer Yma Sumac, then famous for her four-and-a-half octave vocal range, is somehow woven into the proceedings. When Omar Khayyam laid an egg at the box-office, a Hollywood wit, taking into consideration the Southern heritage of Frank Freeman Jr., assessed the results as "A loaf of bread, a bottle of coke and you-all." ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Michael Rennie, (more)
Small-town doctor Paul Beecher (John Beal) is given some strange pills by a dying elderly researcher. Later, when Paul gets a severe headache, his young daughter accidentally gives him the mystery pills. He's later puzzled by a series of strange deaths in which all the blood was drained from the bodies of the victims and then discovers the old researcher was working on a project involving vampire bats. The horrified Paul gradually begins to suspect that he himself is the killer. ~ Bill Warren, All Movie Guide
- Starring:
- John Beal, Coleen Gray, (more)
- 1957
Conceived as a Gone With the Wind for the CinemaScope generation, Raintree County wasn't quite as successful as its role model, but it still proved a moneyspinner for MGM. Elizabeth Taylor stars as a spoiled Southern belle who falls in love with pacifistic Indiana youth Montgomery Clift. Though Clift is engaged to Eva Marie Saint, what Taylor wants, Taylor gets, and she isn't above using the dirtiest of deceptions to win Clift's affections. When the Civil War break out, Clift, a staunch abolitionist, joins the Union, much to the dismay of true-to-Dixie Taylor. While Clift is off fighting the war, Taylor descends into a depression that deepens into insanity. At war's end, Clift tries to come to terms with Taylor's lunacy for the sake of their child. But the strain proves too much for both of them, leading to an operatic climax which curiously segues into a happy ending (happy for some of the characters, anyway). If Montgomery Clift's performance--and appearance--seems to fluctuate wildly throughout the film, it is because he was involved in a serious auto accident during shooting, one that left both physical and emotional scars from which he never completely recovered. The 187-minute Raintree Country (reduced to 168 minutes after its initial roadshow engagements) was adapted by Millard Kaufman from the best-selling novel by Ross Lockridge, Jr. (whose own life story was infinitely more tragic than anything in his book). ~ Hal Erickson, All Movie Guide
- Starring:
- Montgomery Clift, Elizabeth Taylor, (more)
The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and small-timers who find themselves in way over their heads despite their supposed cleverness. None of the participants is more pathetic than George Peatty (Elisha Cook Jr.), who is goaded into the robbery by his covetous and far-from-faithful wife (Marie Windsor). As in a Greek tragedy, Johnny's best-laid schemes go awry. Prominently featured in the cast of The Killing are offbeat character actors Tim Carey and Joe Turkel, who'd show up with equally showy roles in future Kubrick productions. The Killing is based on the novel Clean Break by Lionel White. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Coleen Gray, (more)
- 1956
Cashing in on the popularity of TV's Davy Crockett and the jukebox favorite "Yellow Rose of Texas", Allied Artists came up with the CinemaScope biopic The First Texan. The title character is Sam Houston, played with rugged assuredness by Joel McCrea. The film begins when Houston leaves Tennessee for Texas, where at first he keeps to himself and avoids politics. As events overwhelm him, however, Houston evolves into the territory's most conspicuous patriot. His efforts to thwart Mexican general Santa Ana's efforts to recapture Texas for Mexico culminate in the battle of the Alamo, which is recreated in brisk, economical fashion. Somewhat perversely, Davy Crockett is reduced to a bit part in The First Texan. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Felicia Farr, (more)
- 1956
Rebel in Town was the third issue from Bel-Air Productions, a firm co-founded by film execs Howard W. Koch and Aubrey Schenck. While the title character is played by John Smith, top billing goes to John Payne as ex-Union officer John Willoughby. When Willoughby's young son (Bobby Clark) snaps his cap pistol at Confederate veteran Wesley Mason (John Smith), Wesley instinctively whirls around and shoots the boy dead. Despite the fact that he and his offspring are fugitive bank robbers, Wesley's father Bedloe Mason (J. Carroll Naish) insists that his son turn himself over to authorities. Instead, Wesley escapes, whereupon he is killed by the grief-stricken Willoughby. Though it hardly seems possible at this point, Willoughby's wife Nora (Ruth Roman) struggles valiantly to bring the crisis to a nonviolent resolution. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Ruth Roman, (more)
- 1956
The catch-all title Tribute to a Bad Man had been floating around MGM for years (at one point, it was the working title for The Bad and the Beautiful) before it was finally affixed to this big-budget western. Originally intended as a vehicle for Spencer Tracy, the film was recast with James Cagney when Tracy walked out of his MGM contract. Cagney stars as no-nonsense land baron Jeremy Rodock, who plays by his own rules, his own sense of justice and his own code of honor. Young cowhand Steve Miller (Don Dubbins) learns the hard way what it means to incur Rodock's wrath when he falls in love with Jocasta Constantine (Irene Papas), whom Rodock considers his own personal property. Through the example of the even-tempered Miller, however, Rodock rediscovers his own essential humanity. The film's "money scene" takes place when Rodock punishes a group of scraggly horse thieves by forcing them to march barefoot through the sagebrush. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Don Dubbins, (more)
Anything Goes is a Technicolor-and-Vistavision remake of the 1936 film of the same name, which in turn was based on Cole Porter's hit 1934 Broadway musical. The 1956 bears little relationship plotwise to its predecessors, except for the fact that most of the story takes place aboard a luxury liner. Bing Crosby and Donald O'Connor star as Bill Benson and Ted Adams, a pair of top Broadway tunesmiths who agree to collaborate on their next musical just as soon as they complete their respective vacations. Complications arise when, unbeknownst to one another, Bill and Ted each sign up a potential leading lady; Bill's choice is ballerina Gaby Duval (Zizi Jeanmaire), while Ted's selection is brassy chanteuse Patsy Blair (Mitzi Gaynor). Retained from the original Cole Porter score are such standards as "You're the Top", "I Get a Kick Out of You" (with appropriately laundered lyrics), "Blow, Gabriel Blow", and the title tune. New songs, penned by Sammy Cahn and Jimmy Van Heusen, include "You Gotta Give the People Hoke" and "A Second-Hand Turban and a Crystal Ball". To avoid confusion with the 1956 adaptation of Anything Goes, the 1936 version was for many years retitled Tops is the Limit for television. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Donald O'Connor, (more)
- 1955
In this drama, a divinity student endeavors to help the police break up the rackets by impersonating his jailed brother, a gangster. In his disguise, he gets into his brother's gang and cons them into to uniting with other gangs to improve efficiency. He then coerces them into keeping careful records of their various rackets. Trouble ensues when the real gangster brother busts out of jail and threatens to expose his brother. Fortunately, he is accidently killed by one of his own men. The good brother's actions bear fruit when all the racketeers are exposed, rounded-up, and sent to jail. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sean McClory, Joanne Jordan, (more)
- 1955
A robbery has occurred, and Friday (Jack Webb) and Smith (Ben Alexander) arrive on the crime scene. The victim tells the detectives that he manage to shoot and wound both robbers, further adding that he thinks he killed one of them. Only one problem, Frank. What's that, Joe? There's no body. (DUM-DE-DUM-DUM!) Featured in the cast is comedienne Arlene Harris, who achieved radio stardom as "the human chatterbox."This episode was adapted from the Dragnet radio broadcast of November 30, 1954. ~ Hal Erickson, All Movie Guide
- 1955
Convinced by Matt Dillon (James Arness) to hang up his weapons, reformed gunman Andy Travis (Adam Kennedy) settles down to an honest job in Dodge City. Unfortunately, Travis' violent past catches up with him when Joe Kite (James Griffith) saunters into town, determined to collect the $1000 bounty on Andy. It is up to Matt to make sure that justice is served--and that the reprehensible Kite leaves empty-handed. This episode is based on the Gunsmoke radio broadcast of March 5, 1955. ~ Hal Erickson, All Movie Guide
- 1955
In this adventure, set in the dark African jungles, visiting American scientists inadvertently enrage the local natives when they steal a sacred golden tablet. Fortunately a jungle dwelling doctor helps the insensitive brutes return the tablet before they are killed by the natives. ~ Sandra Brennan, All Movie Guide
- 1955
Dale Robertson stars as the Son of Sinbad in this tongue-in-cheek Arabian Nights romp. Hoping to rescue Bagdad from the forces of the dreaded Tamerlaine, Sinbad Jr. enlists the aid of the Khalif (Leon Askin) by promising to deliver the secret of "Greek Fire". To expedite this, he enlists the aid of the lovely Kristina (Mari Blanchard), who has memorized said secret. When the bad guys threaten the safety of hero and heroine, slave girl Ameer (Sally Forrest), who heads the all-female descendants of the original Forty Thieves, come galloping to the rescue. Personally produced by Howard Hughes, Son of Sinbad seems to be a clearing house for all of Hughes' voyeuristic fetishes; at one point, stripteaser Lili St. Cyr performs an exotic (and erotic) dance wearing the equivalent of a postage stamp, earning a Condemned rating from the Catholic Legion of Decency. The overabundance of feminie pulchritude gets a little wearing after a while, and it is up to Vincent Price to steal the show as Omar the Tentmaker, improvising passages of his unpublished "Rubiyat" (with a few anachronistic Shakespearean quotes thrown in) as he tries to keep apace with the hero. Also on hand is an uncredited (and fully clothed) Kim Novak as a handmaiden. More silly than sexy when seen today, Son of Sinbad is acceptable nonthink entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Dale Robertson, Sally Forrest, (more)
- 1955
One of the best of the High Noon derivations, At Gunpoint is the story of reluctant hero Fred MacMurray. When a band of gunmen invade a small frontier town, storekeeper MacMurray fires off a lucky shot and kills the leader. Hailed as a hero, MacMurray realizes deep down that he's a coward. When the surviving gunmen return to town, thirsting for revenge, the townsfolk expect MacMurray to singlehandedly stand up to the villains. When he asks for help, his neighbors turn their backs on him, ordering him to get out of town to avoid further trouble. Only doctor Walter Brennan and MacMurray's wife Dorothy Malone remain loyal. Facing certain death,MacMurray discovers that he's not as yellow as he thought he was-a revelation that brings about a change in the rest of the town. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Dorothy Malone, (more)
- 1955
This laid-back western manages to deliver a full quota of action, an agreeable dash of sentiment, and quite a few three-dimensional characterizations. Van Heflin plays Luke Fargo, a Civil War veteran who returns to his Southern homeland to find his house destroyed, his crops burned out, and the local town under the thumb of "white trash" Vancey Huggins (Raymond Burr). In addition, Fargo is on the outs with the townsfolk because he fought for the Union instead of the Confederacy. Having grown weary of death and killing, Fargo hopes to start life anew as a minister, and to that end intends to rebuild the town's only church. Complicating matters is the presence of unkempt, hoydenish teenager Lissy (Joanne Woodward, in her film debut). Though Fargo's feelings for Lissy are basically paternal, the townsfolk, stirred up by Huggins, suspect the worst and prepare to drive the novice minister out of town. A happy--or at least satisfying--ending is reached through a series of logical events not often seen in "formula" westerns. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Heflin, Joanne Woodward, (more)
- 1954
The best way to described the economically assembled religious picture Day of Triumph is "sincere". Though the film details the Last Days of Jesus Christ (Robert Wilson), top billing is bestowed upon Lee J. Cobb as Zadok, leader of the Zealots. The all-character-actor cast includes James Griffith as Judas, Tyler McVey as Peter, Lowell Gilmore as Pilate and veteran western heavy Anthony Warde as Barabbas. The biggest "name" in the cast is Joanne Dru as Mary Magdalene, while relative newcomer Touch (later Michael) Connors appears as Andrew. The film was directed by Irving Pichel, who'd previously helmed the independently produced religious drama Martin Luther. Once an annual Easter TV attraction, Day of Triumph has in recent years been relegated to limited exposure on America's UHF religious stations. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee J. Cobb, Robert Wilson, (more)
- 1954
The title doesn't tell all in Jesse James vs. the Daltons. For one thing, hero Joe Branch (Brett King), is suspected of being Jesse James' son. Not knowing the truth of the situation, Joe joins the Daltons, hoping they'll lead him to Jesse -- but only if rumors are true that the elder James is still alive. Producer Sam Katzman manages to toss in stock footage from several earlier westerns, while director William Castle endeavors to bring coherence to this patchwork affair. The best performance is delivered by James Griffith as the sharkish Bob Dalton. ~ Hal Erickson, All Movie Guide
- Starring:
- Brett King, Barbara Lawrence, (more)
- 1954
Reminiscent of Destry Rides Again, this feature is about peaceable young lawyer Tom Brewster (Will Rogers Jr.), who sets up shop in a rowdy western town. Though perfectly able to wield a six-gun, Brewster refuses to use brawn when brain will do. He is galvanized into action when his old pal Wallace Ford is murdered by the villains. Brewster cleans up the town and wins the heroine (Nancy Olsen) in the bargain. One of two Will Rogers Jr. vehicles produced at Warner Bros. (the other was the life story of Rogers' famous father), The Boy From Oklahoma served as the basis for Warners' later TV series, Sugarfoot. Watch for a supporting appearance by a young and callow Merv Griffin! ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Jr., Nancy Olson, (more)
- 1954
Long before he devoted his life to gimmicky horror epics, director William Castle turned out a series of compact westerns for Columbia. One of the best of the batch was Masterson of Kansas, starring George Montgomery as dandified gunslinger Bat Masterson. The screenplay, by future Maverick mainstay Douglas Heyes, contrives to unite Masterson, Wyatt Earp (Bruce Cowling) and Doc Holliday (James Griffith) together in a common cause. The three protagonists intend to protect an impending land exchange between honest rancher Merrick (John Maxwell) and peace-seeking Indian chief Yellow Hawk (Jay Silverheels) against the crooked chicanery of land baron Clay Bennett (David Bruce). The most interesting characterization is provided by James Griffith, who portrays Doc Holliday as a borderline psychotic with a death wish. Nancy Gates provides the feminine angle as Merrick's daughter Amy. ~ Hal Erickson, All Movie Guide
- Starring:
- George Montgomery, Nancy Gates, (more)
