William "Pinetop" Perkins Movies

Ken Burns continues his exploration of massive, sweeping subjects with his 15-hour documentary The War; in this case, the conflict in question is World War II. Yet within the scope of that gargantuan subject, Burns and co-director Lynn Novick narrow their scale of emphasis, honing in on four "average" American towns and charting the experiences of individual young men who enlisted to go overseas and fight against the encroaching shadow of fascism. The film covers each major "region" of the U.S. by transporting audiences to the west coast (Sacramento, California); the south (Mobile, Alabama); the east coast (Waterbury, Connecticut) and the Midwest (the farming community of Luverne, Minnesota). Within that geographic framework, Burns uncovers a series of astonishing tales about bravery in the midst of adversity - from the story of a young man who transported 12 American soldiers from the Normandy beach on D-Day, to the accounts of innumerable young men who falsified their ages and enlisted early. Burns and Novick thus repeatedly emphasize the human side of war - an aspect all too often glossed over when documentarians treat WWII on a broader scale. ~ Nathan Southern, All Movie Guide

Eraserhead meets Buck Rogers by way of an MGM musical in this bizarre outer-space saga about Samuel Curtis (Cory McAbee), a galactic truck driver looking to make a killing. The film opens with Curtis landing on the freewheeling, all-male asteroid of Ceres. Before winning a dance contest with his buddy Blueberry Pirate -- who is renowned for smuggling fresh fruit -- Curtis learns from Blueberry about a scheme to give a fetal "real live girl" to the similarly male-dominated planet of Jupiter in exchange for a strapping adolescent known solely as "The Boy Who Actually Saw a Female Breast." He in turn will be sent to the all-female planet of Venus where he will spend his life servicing the planet's occupants. Unfortunately, Curtis is followed by the mysterious self-proclaimed birthday boy Professor Hess, who has a tendency to vaporize any and all who come into contact with him. This film was screened at the 2001 Toronto Film Festival as a part of the Midnight Madness program. ~ Jonathan Crow, All Movie Guide

If Muddy Waters wasn't the greatest artist of post-war electric blues, it's hard to say who else would have been; combing a powerful musical ferocity with a voice that could be sensual, sorrowful, or boastful at will, Waters was a masterful showman, a superb songwriters, and featured only the finest musicians in his band. Muddy Waters: In Concert - 1971 features Waters and his group playing a set of classic tunes in a show recorded during a West Coast tour when both the leader and his sidemen were at the top of their game. Selections include "Mannish Boy," "Hoochie Coochie Man," "Crawlin' Kingsnake," "Got My Mojo Working," "Long Distance Call," and more. ~ Mark Deming, All Movie Guide