Joe Grifasi Movies

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, All Movie Guide

Following up the goofy big-screen comedies Dragnet and Delirious, director Tom Mankiewicz delivered this made-for-cable thriller starring Tony Goldwyn and Lynn Whitfield. After witnessing a murder, Goldwyn finds himself pursued by a group of thugs led by mafia boss Alan Arkin. Whitfield stars as the detective assigned to ensure that Goldwyn not only doesn't flee out of fear for his life, but stays alive long enough to testify at the murder trial. Along the way, as the two spend more time together, a romance ensues. Peter Boyle, George Segal and Will Patton round out the cast, and the film was scripted by Dan Gordon who would later gain noteriety as a scribe on 1999's The Hurricane. ~ Matthew Tobey, All Movie Guide

Frank Pierson's made-for-cable adaptation of Nicholas VonHoffman's biography, Citizen Cohn stars James Woods as the controversial lawyer Roy Cohn. The film is structured as a series of flashbacks while Cohn lies in a New York hospital dying of AIDS. In the 1940s and early '50s, Cohn became one of the most powerful men in the country after becoming an important associate of Senator Joseph McCarthy (Joe Don Baker) and his Communist witch hunts. The film recounts those turbulent times and features portrayals of such real-life figures as J. Edgar Hoover (Pat Hingle), Dashiell Hammett (Frederic Forrest), Cardinal Spellman (Daniel Benzali), and Walter Winchell (Joseph Bologna). ~ Perry Seibert, All Movie Guide

College sophomore Andrea Fermi (Noelle Parker) claims she was gang-raped after attending a Halloween party at a boys' fraternity house. Anxious to bring those responsible to justice, Assistant D.A. Robinette (Richard Brooks) utilizes questionable tactics to nail a confession. This may prove to be the Prosecution's undoing -- and the rapacious college boys may well escape scot-free. ~ Hal Erickson, All Movie Guide

Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him. ~ Nick Sambides, Jr., All Movie Guide

Based on a novel by Thomas Berger, The Feud is a lampoonish look at 1950s manners and mores. There is no love lost between the neighboring communities of Milville and Hornbeck. This is largely due to the animosity between two large and demonstrative families: the Bullards and the Bealers. In the tradition of the Hatfields and McCoys (and also Laurel and Hardy), minor irritations slowly escalate into all-out warfare. The humor is very dark at times, sometimes bordering on the "sick": this is Norman Rockwel as filtered by Hieronymus Bosch. Because the actors play their roles in a broad, slapsticky manner, The Feud is liable to turn off as many viewers as it attracts, but that's the peril of being a "cult film." ~ Hal Erickson, All Movie Guide

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide

We know we're in a 1988 film when we're invited to laugh at O.J. Simpson in an opening slapstick sequence. We can also pinpoint the year of production when hard-nosed cop Frank Drebin (Leslie Nielsen), during a scuffle with the world's leading dictators, wipes the wine-colored birthmark off the head of Soviet president Mikhail Gorbachev. Those wacky ZAZ boys -- David Zucker, Jim Abrahams, and Jerry Zucker -- serve up a feature-length spin-off of their cult favorite TV show Police Squad!. Seeking vengeance when his partner (Simpson) is shot full of holes by drug dealers, dead-pan and dead-brained Lt. Frank Drebin searches for the Mister Big behind it all. Drebin suspects above-reproach shipping magnate Vincent Ludwig (Ricardo Montalban), but he can't prove a thing. Bumped from the force by the mayor (Nancy Marchand), Drebin, with the unexpected assistance of Ludwig's ex-girlfriend (Priscilla Presley), manages to nab the bad guy at a baseball game, where Reggie Jackson has been programmed to assassinate Queen Elizabeth. MGM mogul Irving Thalberg once reportedly told the Marx Brothers, "You can't build jokes on top of jokes." The producers of Naked Gun prove otherwise; indeed, one could develop writer's cramp just listing the gags in the film's first 20 minutes. Naked Gun: From the Files of Police Squad was followed by two lesser but still hilarious sequels, Naked Gun 2 1/2: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). ~ Hal Erickson, All Movie Guide

Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, All Movie Guide

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, All Movie Guide

Robert Conrad stars in One Police Plaza as a New York homicide detective. A case on which he's working, involving the murder of a beautiful woman, is ordered closed by Conrad's superiors. Refusing to give up, the detective probes deeper, and unearths a hotbed of crooked cops, dirty "brass" and illegal weapons. Made for television, One Police Plaza was initially telecast on November 29, 1986, easily outrating a Jack Paar "comeback" special. The film was based on the bestselling novel by William J. Caunitz. ~ Hal Erickson, All Movie Guide

The seventh cinema adaptation of the venerable stage farce Brewster's Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped "living will"). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he'll be left with nothing (in the earlier incarnations of Brewster's Millions, the hero was required to spend only a million, but this was, after all, the inflationary '80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins). ~ Hal Erickson, All Movie Guide