Joe Grifasi Movies

Thirteen-year-old Jenna (Shana Dowdeswell) has had enough with the trials of adolescence. In addition to being saddled with a devoted-but-nerdy best friend, Matt (Sean Marquette), she falls victim to one of the dangers of playing Seven Minutes in Heaven with the coolest kids in school: being stranded without a willing make-out partner. Humiliated, Jenna buries herself in the aformentioned make-out closet, wishing she could skip the whole adolescence bit and move straight into adulthood, and miraculously wakes just weeks away from her 30th birthday. Of course, a lot has changed since going to bed the night before, not the least of which being an impressive set of womanly curves. The new, older Jenna (Jennifer Garner) is a successful magazine editor with friends in high places and a lion's share of potential suitors -- including a hockey-playing boyfriend and a swarthy married man. The problem is that her mind hasn't matured with her body; Jenna not only finds living on her own more terrifying than cool, but is quick to dismiss any male over the age of 14 as "gross." Half excited, half mortified, Jenna seeks out Matt (Mark Ruffalo), whom she learns she had spurned as a teenager in an effort to join the popular crowd. Gary Winick directed, from a script by Josh Goldsmith and Cathy Yuspa; Gina Matthews produced. Choreographer Michael Peters - who died in 1994 - received posthumous credit, as his choreography from the Michael Jackson Thriller video is used in one scene. ~ Tracie Cooper, All Movie Guide

The devastated life of a man haunted by the unsolved murder of his beloved wife is strangely complicated by the mysterious neighbor who loves him from afar in a dark noir thriller directed by Manuel Pradal and starring Norman Reedus, Emmanuelle Béart and Harvey Keitel. Vincent (Reedus)' wife has suffered a most brutal fate, and these days the once happy New Yorker is but a frozen shell of his former self. Vincent is not a man unloved, however, because although he may currently be unaware of her feelings for him, his neighbor Alice (Béart) knows in her heart that she and Vincent were meant to be together. All that needs to happen to make Vincent recognize her love is for the grieving widower to finally be liberated from his tragic past; and Alice is willing to go to any lengths necessary in order to make this happen. If Vincent was finally to find the man responsible for his wife's death, he could finally be free to open his heart to Alice. When Alice hails a cab driven by lonely New York soul Roger (Keitel), the gears of the scheming woman's elaborate plan are slowly set into motion despite the ignorance of both the naïve cabbie, and the somber object of her delusional affections. ~ Jason Buchanan, All Movie Guide

Director Joel Schumacher inherited the Batman franchise from Tim Burton and began steering it in the campier direction of the Sixties television show with this third installment. First-time Batman/Bruce Wayne (Val Kilmer), in his only outing as the Caped Crusader, is effectively brooding as he ponders strange dreams about his parents' death and escapes his own near-demise at the hands of Two-Face (Tommy Lee Jones), a former district attorney driven insane and turned into a master criminal when a gangster throws acid in his face. Meanwhile, as sexy psychologist Chase Meridian (Nicole Kidman) tries to analyze and seduce both Bruce Wayne and Batman, Wayne Enterprises employee Edward Nygma (Jim Carrey) reacts badly to getting fired, using his self-invented mind-energy device to transform into the super-intelligent Riddler. The Riddler teams up with Two-Face to bring down Batman and drain the minds of Gotham City residents with his device, while Batman gets some much-needed help in the form of circus performer Dick Grayson (Chris O'Donnell), out for vengeance after being orphaned by Two-Face. ~ Don Kaye, All Movie Guide

Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, All Movie Guide

The treachery of seduction takes hold when, after manipulating her lover to do away with her faithful husband, a scheming black widow stealthily begins plotting her next deadly move in a steamy erotic thriller starring Susan Lucci and Philip Casnoff. Isabelle Collins (Lucci) has been married to power broker husband Stewart (John O'Hurley) for over a decade, and despite his endless wealth, her eyes have begun to wander. After using her beauty to seduce rich and handsome widower Richard (Casnoff), Isabelle quickly manages to convince her new lover that she is stuck in an abusive relationship with no way out. Soon lead to believe that both of their lives are in immediate danger as a result of their heated affair, Richard is skillfully manipulated into hiring a violent parolee to do away with the unsuspecting Stewart. When the deed is finally done and Isabelle begins to grow increasingly distant to her ever-loyal lover, it doesn't take Richard long to realize that not only has he been manipulated into killing an innocent man, but he may be the next in line to die at the behest of the insatiable Isabelle. ~ Jason Buchanan, All Movie Guide

The seventh cinema adaptation of the venerable stage farce Brewster's Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped "living will"). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he'll be left with nothing (in the earlier incarnations of Brewster's Millions, the hero was required to spend only a million, but this was, after all, the inflationary '80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins). ~ Hal Erickson, All Movie Guide

Director Roger Michell follows up the hit romantic comedy Notting Hill (1999) with this thought-provoking thriller. Ben Affleck and Samuel L. Jackson star, respectively, as Gavin Banek and Doyle Gibson, two New York men whose lives become accidentally intertwined in a Good Friday fender bender on the FDR Drive. Late for a crucial appointment, hotshot lawyer Gavin tosses Doyle a blank check and leaves the scene, while Doyle, whose car is inoperable, is late for a court-appointed custody hearing. A recovering alcoholic, Doyle's tardiness doesn't sit well with the judge, who - sick of waiting for Gipson - grants custody to Doyle's ex-wife in Doyle's absence. The situation worsens when it becomes evident that Doyle has an equally important file belonging to Gavin, which proves that an elderly man gave Banek's firm power-of-attorney over his foundation. So begins an escalating war of words and deeds between the two men. Soon, egged on by an associate (Toni Collette), Gavin hires a "fixer" (Dylan Baker) to destroy Doyle's credit, forcing Doyle to fire back with some cunning moves of his own. Changing Lanes co-stars William Hurt, Sydney Pollack, and Toni Collette. ~ Karl Williams, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

Inspired by actual events, director Chen Shi-Zheng's socially conscious psychological drama follows the journey of an ambitious Chinese scientist working towards his Ph.D. in America, only to be marginalized to the extent that he ultimately loses his way. All Liu Xing (Liu Ye) ever wanted was to study the origins of the universe at a Western university. Upon arriving at the school, Liu immediately rents a modest apartment with a few other Chinese students and begins flirting with the pretty American who works at the local coffee shop. Personally welcomed into Department Head Jacob Reiser's (Aidan Quinn) select cosmology group, Liu remains dedicated to his studies and optimistic about the future. Things continue to look up as Liu becomes close with wealthy university patron Johanna Silver (Meryl Streep) after the two become acquainted at an orientation for foreigners sponsored by a local church.

Eventually, Liu becomes Reiser's protégé, and makes a sizable impression at a prestigious conference attended by the pair. But attitudes start to shift when Liu's studies in dark matter come into direct conflict with his mentor's prominent theories and well-established studies. His excitement about a potential breakthrough causes him to ignore repeated warnings that he must pay his dues, and Liu's findings are eventually eclipsed by that of more studious fellow student Laurence. Determined to have his studies published, Liu goes behind Reiser's back, but he ultimately becomes the target of ire rather than accolades, with Johanna's naïve encouragement prompting him along a dangerous collision course. While Liu remains enamored with the concept of the American dream and optimistic about American science being a free market of ideas, he begins to grow dejected after his dissertation is rejected, the girl at the coffee shop blows him off, and his roommates all find lucrative jobs. Essentially left behind at the university, Liu rejects Johanna's offer for help and vows not to return home to disappointed parents. Now, as he coasts on the fumes of his unrealized dreams, the dishonored student prepares to lash out with one final act of devastating annihilation. ~ Jason Buchanan, All Movie Guide

This character drama, set in a local pub in rural New York State, focuses on the lives, thoughts, and emotions of a group of social outcasts. The lead misfit is Victor, a shy and very rotund man in his '30s who works as a pizza maker in a roadside inn. His mother, Dolly owns the establishment. She dominates his life. The senior waitress there is Dolores, an aging woman with a reputation for being easy. Dolores is resentful when Dolly hires the vivacious teenager Callie, who is in love with Jeff, a garage mechanic. Victor develops a painful crush on Callie and fantasizes about rescuing her from a life with Jeff. To help himself, he begins to diet and enrolls at a chef school. His mother becomes suddenly ill. Then Delores makes a pass at him, but he doesn't respond. He does however, feel emboldened to make a play for Callie. His actions lead him into a new world of expression. ~ Sandra Brennan, All Movie Guide

In this involved send-up of two American icons -- the automobile and the tourist trap -- the tiny Florida town of Ticlaw strives desperately for success after it has been denied the most essential of all tourist amenities -- a freeway exit. The insane, and mostly successful, schemes of the mayor (William Devane) and other distinctly unbalanced citizens interrupt, often hilariously, the lives of various eccentric travellers forced into a place they never intended to be. Critics disagree violently on whether this is a neglected classic or sophomoric nonsense. The winning record of director (John Schlesinger) (Midnight Cowboy, Marathon Man, Cold Comfort Farm, etc.,) and first-class performances by William Devane, Beau Bridges, Beverly D'Angelo, Hume Cronyn, JessicaTandy and a plethora of great character actors -- not to mention the water-skiing elephant and the wild rhino -- argue that it's worth a look. ~ Michael P. Rogers, All Movie Guide

Based on the William Kennedy novel of the same name Ironweed is set in the waning years of the Depression. Jack Nicholson plays Francis Phelan, a washed-up ballplayer (a onetime infielder for the Washington Senators) who deserted his family back in the 1910s when he accidentally killed his infant son by dropping him. Since that time, Phelan has been a shabby barfly, living from drink to drink; he spends his days palling around with Rudy (Tom Waits), with whom he works a motley series of jobs in exchange for a place to lay his head and an occasional jug of wine. Wandering into his hometown of Albany, New York, Phelan blearily seeks out his girlfriend and erstwhile drinking companion of nine years, Helen Archer (Meryl Streep), who has begun prostituting herself for drink and lodging. The two derelicts touch base in a mission managed by minister James Gammon, and later in Fred Gwynne's squalid gin mill. Over the next few days, Phelan takes a few minor jobs to support his habit, while his mind wavers between past and present. Eventually, a chance for a reconciliation with his wife (Carroll Baker) emerges. Directed by Hector Babenco following his enormous success with Kiss of the Spider Woman , Ironweed netted Oscar nominations for Nicholson and Streep. ~ Hal Erickson, All Movie Guide

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide