Joe Grifasi Movies

One of several 1978 films dealing with the Vietnam War (including Hal Ashby's Oscar-winning Coming Home), Michael Cimino's epic second feature The Deer Hunter was both renowned for its tough portrayal of the war's effect on American working class steel workers and notorious for its ahistorical use of Russian roulette in the Vietnam sequences. Structured in five sections contrasting home and war, the film opens in Clairton, PA, as Mike (Robert De Niro), Nick (Christopher Walken), and Stan (John Cazale, in his last film) celebrate the wedding of their friend Steve (John Savage) and go on a final deer hunt before the men leave for Vietnam. Mike treats hunting as a test of skill, lecturing Stan about the value of "one shot" deer slaying and brushing off Nick's urgings to appreciate nature's beauty. As Mike ruminates post-hunt, the film cuts to the horror of Vietnam, where the men are captured by Vietcong soldiers who force Mike and Nick to play Russian roulette for the V.C.'s amusement. Mike turns the game to his advantage so they can escape captivity, but the men are permanently scarred by the episode. Steve loses his legs; Nick vanishes in the Saigon Russian roulette parlors. Mike returns alone to Clairton a changed man, as he rejects the killing of the deer hunt and finds solace with Nick's old girlfriend Linda (Meryl Streep). Disgusted by the antics of his male cohorts at home, Mike decides to bring Steve back from a veterans' hospital, and he returns to Saigon to find Nick. As Saigon falls, Mike discovers how far gone Nick is; the survivors gather in Clairton for a funeral breakfast, singing an impromptu rendition of "God Bless America." ~ Lucia Bozzola, All Movie Guide

The relationship between Madeleine Ross (Susan Sarandon), a journalist, and Harris Sloane (David Steinberg), an art theater owner is the focus of this standard love story. Neither protagonist is shown being very active in their respective careers, especially considering how active they are in thinking about and connecting to, or disconnecting from each other. Their relationship is anything but steady, so when Madeleine meets the famous French star Jean-Fidel Mileau (played by the famous French star Jean-Pierre Aumont), he is a potent diversion and catalyst for true love at the same time. ~ Eleanor Mannikka, All Movie Guide

Made for television, The Gentleman Bandit stars Ralph Waite as a popular priest whose life is shattered by a case of mistaken identity. Waite is fingered by a witness as a holdup man; during a lineup, several other witnesses confirm this. Despite his protestations, Waite cannot account for his actions during the crime, and is vilified by the newspapers and by his own superiors. Only the priest's parishioners believe him--but that may not be enough to keep him out of prison. Based on the real-life ordeal of Baltimore priest Fr. Bernard Pagano, Gentleman Bandit was filmed under the title The Bandit Priest. ~ Hal Erickson, All Movie Guide

In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, All Movie Guide

"I'm in love with a mermaid!" read the opening line of Leonard Maltin's original review for Splash. And with the delightful Darryl Hannah in the lead, who could fault Maltin for his public declaration of ardor? The story begins in 1959, when a young boy is rescued from a watery grave by an adolescent mermaid. Twenty-five years later, the boy has grown up--and lo and behold, it's Tom Hanks. Meanwhile, the mermaid, likewise grown up, has surfaced in search of Hanks, her long-lost love. On dry land, the mermaid is able to walk about on legs; any contact with salt water, and she reverts to her half-fish form. Adopting the name of Madison from a New York street sign, the girl manages to win Hanks' heart. Alas, a secret government lab, populated by such smarmy types as Richard B. Shull and Eugene Levy, captures Madison for research purposes--and possible vivisection. Egged on by his brother John Candy, Hanks rescues his beloved, joining her in the ocean depths as a mer-man (mer-fellow? mer-guy?) A captivating confection from the peerless creative team of director Ron Howard and screenwriters Lowell Ganz and Babaloo Mandel, Splash was a winner all the way--especially at the box office, where the $11 million film racked up a huge profit. Historical sidebar: Splash was the first release from Disney's Touchstone Pictures division. ~ Hal Erickson, All Movie Guide

Dr. Cheryl Kinsey (Andrea Martin) hosts her new live special "Loving, Learning, and Letting Go" from the ballroom of the Statler Hilton. Nerdish Ed Grimley (Martin Short) stars in the SCTV Family Classic "Oliver Grimley," with Sid Dithers (Eugene Levy) as Fagin and Tommy Lasorda (Joe Grifasi) as The Artful Dodger. Hostess Yolanda Devillbis (Andrea Martin) welcomes Sandler and Young (Short, Levy) to "Melonville Calender." And burned-out kiddie hosts Mrs. Falbo (Martin) and Happy Marsden (Jim Hemphill) are the guests in a promo for "The Sammy Maudlin Show: Just for Kids." ~ Hal Erickson, All Movie Guide

A couple of med-school wannabes (Steve Guttenburg and Julie Hagerty) can't get admitted to any U.S. medical schools so they end up in a small Central American school run by a dictator director (Alan Arkin). When the students become aware of the medical needs of the local peasants, they swipe drugs and pills from their college lab and set up an underground clinic to serve the needy. ~ All Movie Guide

A man who simulates death for a living finds himself unwittingly tied into the real thing in this New York-based suspense drama. Special effects man Rollie Tyler (Bryan Brown) makes his living simulating gory mayhem and photogenic violence for movies such as "I Dismember Mama." Tyler is given a chance to expand his professional horizons when he's approached by Lipton (Cliff DeYoung), who introduces himself as an FBI agent and makes an unusual proposal. Mob kingpin Nicholas DeFranco (Jerry Orbach) is willing to testify against his fellow gangsters, but the investigators are worried about his safety. Lipton wants Tyler to help him and his staff fake DeFranco's assassination; if everyone is convinced DeFranco is dead, people will be a lot less likely to look for him. Tyler grudgingly takes the assignment, and while he's able to realistically simulate DeFranco being shot in a crowded restaurant, after the "gag," he discovers that he's been double crossed, and he's wanted for the murder of the man he just "shot." Tyler hides out with his girlfriend Ellen (Diane Venora), but he realizes that whoever set him up wants him dead after she's killed by a bullet meant for him. With the help of fellow effects artist Andy (Martha Gehman), Tyler goes underground and tries to unravel the truth behind the Lipton murder. Meanwhile, police detective Leo McCarthy (Brian Dennehy) is convinced that something is not right when he's called to the scene of DeFranco's murder and is certain that the dead body is not the gangster. F/X was followed by a sequel, and later a short-lived TV series. ~ Mark Deming, All Movie Guide

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, All Movie Guide

We know we're in a 1988 film when we're invited to laugh at O.J. Simpson in an opening slapstick sequence. We can also pinpoint the year of production when hard-nosed cop Frank Drebin (Leslie Nielsen), during a scuffle with the world's leading dictators, wipes the wine-colored birthmark off the head of Soviet president Mikhail Gorbachev. Those wacky ZAZ boys -- David Zucker, Jim Abrahams, and Jerry Zucker -- serve up a feature-length spin-off of their cult favorite TV show Police Squad!. Seeking vengeance when his partner (Simpson) is shot full of holes by drug dealers, dead-pan and dead-brained Lt. Frank Drebin searches for the Mister Big behind it all. Drebin suspects above-reproach shipping magnate Vincent Ludwig (Ricardo Montalban), but he can't prove a thing. Bumped from the force by the mayor (Nancy Marchand), Drebin, with the unexpected assistance of Ludwig's ex-girlfriend (Priscilla Presley), manages to nab the bad guy at a baseball game, where Reggie Jackson has been programmed to assassinate Queen Elizabeth. MGM mogul Irving Thalberg once reportedly told the Marx Brothers, "You can't build jokes on top of jokes." The producers of Naked Gun prove otherwise; indeed, one could develop writer's cramp just listing the gags in the film's first 20 minutes. Naked Gun: From the Files of Police Squad was followed by two lesser but still hilarious sequels, Naked Gun 2 1/2: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). ~ Hal Erickson, All Movie Guide

Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, All Movie Guide

Based on a novel by Thomas Berger, The Feud is a lampoonish look at 1950s manners and mores. There is no love lost between the neighboring communities of Milville and Hornbeck. This is largely due to the animosity between two large and demonstrative families: the Bullards and the Bealers. In the tradition of the Hatfields and McCoys (and also Laurel and Hardy), minor irritations slowly escalate into all-out warfare. The humor is very dark at times, sometimes bordering on the "sick": this is Norman Rockwel as filtered by Hieronymus Bosch. Because the actors play their roles in a broad, slapsticky manner, The Feud is liable to turn off as many viewers as it attracts, but that's the peril of being a "cult film." ~ Hal Erickson, All Movie Guide

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide