Pam Grier Movies

The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House.
For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players.
Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s.
In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in films ranging from the indie comedy Jawbreaker (1999), in which she had a supporting role as a detective, to Jane Campion's Holy Smoke (1999), which cast her as the girlfriend and assistant of deprogrammer Harvey Keitel, to Bones (2000), a horror film that saw Grier playing the girlfriend of a murdered man (Snoop Dogg) who comes back from the dead to wreak vengeance on his killers. ~ Jason Ankeny, All Movie Guide
1983  
PG  
Add Something Wicked This Way Comes to QueueAdd Something Wicked This Way Comes to top of Queue
After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Jason Robards, Jr.Jonathan Pryce, (more)
1981  
R  
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Paul Newman stars as an essentially decent cop patrolling that decimated, drug-and-gang-ridden borough known on the city maps as the Bronx, but known to its denizens as "Fort Apache". While Newman tries to hold on to his basic humanity and to treat even the sorriest of the people on his beat with dignity, he can't do much to convince his superiors that blind brutality is not the answer to social blight. When he witnesses fellow-cop Danny Aiello cold-bloodedly murdering a crime suspect, Newman is advised to sweep the whole incident under the rug. He refuses to do so, and as a result becomes "persona non grata" to his former friends on the force. Ed Asner co-stars as the beleaguered captain who has given up trying to treat his job as anything but a necessary evil, while Rachel Ticotin is Newman's love interest. ~ Hal Erickson, All Movie Guide

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Starring:
Paul NewmanEd Asner, (more)
1979  
 
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The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

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Starring:
Georg Stanford BrownOlivia de Havilland, (more)
1977  
PG  
Based on the life story of NASCAR auto racing champion Wendell Scott, this film, starring Richard Pryor as Scott, covers his struggles -- from the end of World War II to 1971-- to overcome racism and gain the freedom to demonstrate his winning auto-racing skills to everyone. He is not without support: he has Mary Jones (Pam Grier), his loving wife, a sense of humor, and quite a few good friends, including the white race-car driver Hutch (Beau Bridges). Filmed in the Atlanta area, this movie features performances by folksinger Richie Havens, Julian Bond (later a Congressman), and Maynard Jackson (at one time Atlanta's mayor). ~ Clarke Fountain, All Movie Guide

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Starring:
Richard PryorBeau Bridges, (more)
1976  
R  
It is hard to get more deliriously fever-pitched than the ending of Mandingo -- in which a plantation master is shot and his main slave gets boiled in oil -- but Drum (Mandingo's mangy sequel) certainly tries. Hammond Maxwell (Warren Oates), the late slave-owner's son (from Mandingo), is trying to follow in his father's footsteps and purchases Drum (Ken Norton) and Blaise (Yaphet Kotto) from bordello hostess Marianna (Isela Vega). Marianna is actually Drum's mother, although her lesbian lover Rachel (Paula Kelly) in fact brought up the boy. Thrown into the package to Hammond is Drum's girlfriend Regine (Pam Grier), who was purchased to satisfy the carnal urges of Mr. Hammond. However, Augusta Chauvet (Fiona Lewis), setting her sites on Hammond, has other plans. Drum is such a perfect specimen of slave that neither men nor women can keep their hands off of him. Drum looks stoic until a climactic slave revolt breaks out, guaranteeing more blood and carnage than Mandingo could ever hope to provide. ~ Paul Brenner, All Movie Guide

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Starring:
Warren OatesIsela Vega, (more)
1975  
R  
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A man moves to the small and racially divided town where his bar-owning brother was murdered after he refused to pay crooked white cops for "protection." When he is threatened himself, he calls in some hefty men to help him, but they instead decide to take over the town. In order to oust the baddies, the hero becomes a one-man army with a mission. This blaxploitationer features the action hero, Fred Williamson. ~ Kristie Hassen, All Movie Guide

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Starring:
Fred WilliamsonPam Grier, (more)
1975  
PG  
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After a series of violent, sexy blaxploitation films like Coffy and Foxy Brown, Pam Grier returned in this more sedate PG-rated actioner. Grier plays Chicago P.I. Sheba Shayne, who returns to her hometown of Louisville, Kentucky to save her father's loan business from vicious gangsters. Austin Stoker co-stars with D'Urville Martin (Dolemite) and Charles Kissinger, who appeared in all of director William Girdler's films. Highlights include a chase through a carnival funhouse, but without the usual exploitation elements, there's little to recommend this film except for Grier completists. ~ Robert Firsching, All Movie Guide

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Starring:
Pam GrierAustin Stoker, (more)
1975  
R  
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A woman looking for adventure finds romance, excitement and danger in her viewfinder in this action-packed comedy-drama. Friday Foster (Pam Grier) is a beautiful and ambitious young photographer who is working as an assistant at Glance Magazine, edited by the hard-boiled Monk Riley (Julius Harris). When Riley can't get in touch with his first-call photographer, he calls Foster with a very important New Year's Eve assignment -- reclusive billionaire Blake Tarr (Thalmus Rasulala), often called "the black Howard Hughes," is expected to be coming to Los Angeles, and Riley wants pictures of Tarr's arrival. But Foster gets more than she bargained for when Tarr is ambushed by a gang of assassins disguised as security guards. The next day, Foster is helping to shoot a fashion show introducing new creations from flamboyant designer Madame Rena (Eartha Kitt) when Clorils Boston (Rosalind Miles), a model who has known Friday since childhood, is stabled to death. Colt Hawkins (Yaphet Kotto), a private detective who is on the scene, offers to help Friday track down Clorils' killer after she notices that the same mysterious man (Carl Weathers) was present at both crimes. Foster and Hawkins discover the two killings are connected by a plot hatched by an underground group called "Black Widow" to kill off powerful and influential African-Americans. But who is behind the conspiracy, and can they be stopped in time? Also starring Godfrey Cambridge, Paul Benjamin, Scatman Crothers and Ted Lange, Friday Foster was based on the comic strip by Jim Lawrence and Jorge Longeron; running from 1970 to 1974, it was the first syndicated strip with an African-American woman as the leading character. ~ Mark Deming, All Movie Guide

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Starring:
Pam GrierYaphet Kotto, (more)
1974  
R  
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Blaxploitation icon Pam Grier stars as Foxy Brown, a sexy but streetwise woman whose ne'er-do-well brother Link (Antonio Fargas) is a drug dealer who owes mobsters 20,000 dollars. To get the hoods off his back, Link names Foxy's boyfriend as a government agent trying to wipe out organized crime, and the mob soon has him rubbed out. But Hell hath no fury like Foxy Brown scorned; posing as a hooker to get the inside scoop on the mob, she goes on a crusade to find out who murdered her man, and she exacts revenge with the help of a local activist group. The supporting cast includes cult figure Sid Haig as a bad guy (as usual) and Peter Brown and Kathryn Loder as a seriously kinky couple who rule the local mob. ~ Mark Deming, All Movie Guide

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Starring:
Pam GrierAntonio Fargas, (more)
1973  
 
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Pam Grier and Margaret Markov reteamed a year after Black Mama, White Mama for this similarly crowd-pleasing exploitation effort. They play Roman slaves who eventually rebel against their male oppressors. Mixing elements from the Italian peplum and the Filipino women's prison movies, The Arena also adds some po-faced feminist theory while still managing to exploit its scantily-clad stars. Italian film regulars Lucretia Love and Rosalba Neri look strangely out of place in a movie filmed in their own country, but fans of drive-in movies should be pleased. ~ Robert Firsching, All Movie Guide

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1973  
R  
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Writer-director Jack Hill (Spider Baby, Switchblade Sisters) managed to beat Death Wish to the screens by a year with this violent tale of a citizen touched by crime and deciding to fight back. Her little 11-year old sister is a hopeless addict, the police can't help, and poor Nurse "Coffy" Coffin (Pam Grier) has no choice but to take the law into her own hands. Posing as a Jamaican prostitute, Coffy infiltrates the lairs of pimp King George (Robert DoQui) and kingpin pusher Vitroni (Allan Arbus). Eventually, after her childhood sweetheart is beaten into a coma and she finds out her politician-lover (Booker Bradshaw) is involved, Coffy kills everyone with a shotgun. However, by having a black woman named Coffy get injected with a sugar mixture (the crooks think it's heroin), one can only imagine the filmmakers cackling about Coffy with cream and sugar. In fact, the original ad line promised "Coffy...she'll cream you!" ~ Robert Firsching, All Movie Guide

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Starring:
Pam GrierBooker Bradshaw, (more)
1973  
 
Add Black Mama, White Mama to QueueAdd Black Mama, White Mama to top of Queue
Two female prisoners, one black and one white attempt to escape a women's reformatory in this violent exploitation film that is a cheap knock- off of The Defiant Ones. The black woman is in for prostitution while her blonde counterpart was involved with a radical group. They escape after lesbian guards make passes at them. Though chained together, the two manage to make their way through the Filipino jungle to a camp filled with revolutionaries and drug smugglers. There more action ensues as the crooks engage in a climactic battle with a crooked cop. ~ Sandra Brennan, All Movie Guide

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1973  
PG  
Add Scream, Blacula, Scream! to QueueAdd Scream, Blacula, Scream! to top of Queue
In this horror sequel from the director of Count Yorga, Vampire, a member of an American voodoo cult revives the fanged Prince Manuwalde (William Marshall), only to become his slave. Manuwalde then puts the bite on various victims, but finds himself fixating on pretty Lisa (Pam Grier), a voodoo princess whom he believes can finally put his soul to rest. Lynne Moody, Nicholas Worth, and Bernie Hamilton are among the familiar cast, but the various occult trappings seem somewhat out of place in the modern Los Angeles setting and the production values are pretty shabby. Blaxploitation and camp fans should still find it mildly amusing, however, and Shakespearean actor Marshall is a lot of fun as the obsessive vampire. ~ Robert Firsching, All Movie Guide

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Starring:
William MarshallPam Grier, (more)
1972  
R  
Featuring an all-African American cast, this crime drama is basically a retread of the movie Get Carter. It is the story of a former football player who has become involved with pornographers and seeks revenge upon the gangster who killed his brother, who in turn was out to avenge the rape of his daughter. ~ Sandra Brennan, All Movie Guide

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1972  
 
This is a remake of The Asphalt Jungle with an all black cast. In it a paroled convict plans to steal $3 million work of jewels, sell them, and use the bread to start a bank to back black businesses. He is assisted by two pals, his half-brother, and a preacher who also works as a thief. The operation is ultimately backed by a man who cheats on his wheelchair-bound wife with a sexy woman. ~ Sandra Brennan, All Movie Guide

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1972  
PG  
Dashing adventurer Matt Farrell (John Ashley) is captured and taken to a remote island in the South Pacific, where he is meant to become the newest victim of Dr. Gordon (Charles Macaulay), a mad scientist who is crossing humans and animals in an attempt to create a race of "superbeings." The doctor's daughter, Neva (Patricia Woodell), is assisting in the nefarious experiments, though she has begun to doubt the legitimacy of her father's scientific work. Gordon's main henchman, Steinman (Jan Merlin), would like nothing more for Farrell to escape, as he views the handsome captive as a worthy adversary and longs to track him through the jungle as human prey. When Neva falls in love with Farrell, she betrays her father and frees him, fleeing with a group of Gordon's experiments, bestial homo sapiens who have been crossed with bats, panthers, antelopes, and other animals. Meanwhile, Farrell captures the doctor and makes his way through the jungle to meet up with Neva on the island's dock, where they intend to make their way to freedom. ~ Fred Beldin, All Movie Guide

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1972  
PG  
John Ashley stars in Twighlight People. Eddie Romero is director of Twilight People. Applying Socratic logic, we can conclude that Twighlight People was lensed in the Philippines. And we're right; but what we don't know is why the title is mispelled (at least in many sources). Oh, the plot? A mad doctor, working on a remote tropical island, wants to create a super race of mindless zombies. Pat Woodell, who once upon a time was one of the Bradley gals on TV's Petticoat Junction, costars. ~ Hal Erickson, All Movie Guide

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1972  
 
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In this exploitative women's prison drama, the "birds" in "the big bird cage" are, clearly, women. With the help of an outside revolutionary, the girls of at a rural prison stage an escape attempt. They have little to lose, as the prison is a site of incredible decadence and brutality. Only two of the covey of beautiful young women prisoners survive the attempt. ~ Clarke Fountain, All Movie Guide

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1971  
 
In this prison melodrama set in a women's reformatory, a sadistic lesbian guard takes great pleasure in tormenting her inmates in the grim confines of "The Playpen." The film is called Women's Penitentiary III on video. ~ Sandra Brennan, All Movie Guide

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1971  
 
Jack Hill directed this alternately brutal and campy look at desperate women behind bars. An American named Collier (Judy Brown) has been convicted of murder in the Philippines and is sentenced to a grim women's prison in the jungle, where a mysterious German woman, Miss Deitrich (Christiane Schmidtmer), is the warden, and her head guard, sadistic Lucian (Katheryn Loder), keeps her charges in line through intimidation and violence. Collier shares a cell with tough-talking bisexual prostitute Grear (Pam Grier), hard-boiled political prisoner Bodine (Pat Woodell), thick-skinned but good-humored Alcott (Roberta Collins), drug-addicted Harrad (Brooke Mills), and tight-lipped Ferina (Gina Stuart). Bodine's boyfriend is the leader of an underground revolutionary faction, and when she learns he and his comrades are in danger, she begins to plot an escape for herself and her cellmates, with travelling peddlers Harry (Sid Haig) and Fred (Jerry Frank) becoming her unwitting collaborators. Meanwhile, Lucian is stepping up her torture of the prisoners at the behest of a mysterious masked stranger, and Collier is determined to find out who is behind the systematic brutality. The Big Doll House was the first "Women In Prison" exploitation epic produced for Roger Corman's New World Pictures; it was a big hit on the dive-in and grind house circuit, and spawned dozens of imitations (which are still being produced today). By the way, that's Pam Grier singing the theme song! ~ Mark Deming, All Movie Guide

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1970  
NC17  
After nearly a decade as one of America's most successful independent filmmakers, legendary sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroom) are the three members of an all-girl rock band called "the Kelly Affair" who pull up stakes for Hollywood in search of stardom; they're accompanied by their manager, Harris Allsworth (David Gurian), who also happens to be Kelly's boyfriend. Kelly has an aunt in Hollywood, fashion mogul Susan Lake (Phyllis Davis), who takes Kelly under her wing and informs her she's entitled to a share of a recent family inheritance, much to the chagrin of Susan's lawyer, the shifty Porter Hall (Duncan McLeod). Susan arranges for Kelly and her bandmates to attend a wild party thrown by Ronnie "Z-Man" Barzell (John La Zar), a flamboyant and very successful record producer; Z-Man renames the band "the Carrie Nations," signs them to a record deal, and they're one of the biggest acts in America practically overnight. However, Harris is pushed out of the picture as the band's manager by Z-Man, and as Kelly's boyfriend by actor and gigolo Lance Rocke (Michael Blodgett), sending Harris into a deep depression even after he becomes the new boy-toy of adult film star Ashley St. Ives (Edy Williams). Meanwhile, Petronella finds love with law student Emerson Thorne (Harrison Page) until her head is turned by heavyweight boxing champion Randy Black (Jim Iglehart), and Casey explores her sexual boundaries with Roxanne (Erica Gavin), a beautiful lesbian designer. This nonstop train of decadence, drugs, and betrayal finally comes off the rails during a drug-fueled orgy at Z-Man's mansion, which erupts into violence when the rock mogul's darkest secret is revealed. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future blaxploitation icon Pam Grier, Beyond the Valley of the Dolls proved to be Meyer's biggest box-office success, though after his next film (The Seven Minutes) bombed at the box office, he returned to independent production in 1973. ~ Mark Deming, All Movie Guide

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Starring:
Dolly ReadCynthia Myers, (more)

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