Joel Grey Movies

American entertainer Joel Grey was the son of Mickey Katz, the famous "gurgler" of the Spike Jones Orchestra and a legend in his own right as a performer/producer of nightclub, resort and Broadway satirical revues. Growing up around some of the best comics, musical performers and second bananas in the business, Joel was all but predestined to enter show business himself. An accomplished singer and dancer, Grey was rather wasted in such early film roles as About Face (1953) and Come September (1961), though he achieved minor fame on TV variety shows and in the lead of a televised musical version of Jack and the Beanstalk; ironically, one of his best TV parts was on an episode of 77 Sunset Strip as a second-rate comic unable to live up to the accomplishments of a famous relative.

Grey's career was boosted in 1966 when he was cast in the Broadway musical Cabaret as the Master of Ceremonies, a white-faced, smirking, sexually ambivalent observer of changing mores and philosophies in pre-Hitler Berlin. Grey won a Tony Award for his brilliant portrayal, and copped an Academy Award for repeating the role in the 1972 film version of Cabaret. Grey enjoyed a second Broadway triumph as George M. Cohan in the 1969 musical George M., a virtuoso performance he recreated on TV in the early 1970s. Thanks to his highly stylized Broadway roles, Joel Grey has not been easy to cast in "normal" movie parts; among his better roles were that of an Austrian petty criminal in The Seven Per Cent Solution (1976) and an ancient and irredeemably sarcastic oriental martial arts master in Remo Williams (1985). On the final episode of the TV serial Dallas in 1991, Grey was a red-eyed satanic chap who showed a suicidal J.R. (Larry Hagman) how much better the world would have been without him. Joel Grey is the father of actress Jennifer Grey, whose breakthrough role was in Dirty Dancing, which coincidentally was set in a Catskills resort not unlike those in which her dad Joel learned his craft. ~ Hal Erickson, All Movie Guide
1952  
 
About Face is a musicalized remake of the old stage and film comedy Brother Rat. The basic story remains the same, as military-school cadet Boff Roberts (Eddie Bracken) tries to keep his forbidden marriage to Alice Wheatley (Phyllis Kirk) a secret. Meanwhile, Boff's roommates Tony Williams (Gordon MacRae) and Dave Crouse (Dick Wesson) do their best to woo and win lovely Betty Long (Virginia Gibson) and Lorna Carter (Ailene Stanley Jr.). Cliff Ferre co-stars as the much-hated Lt. Jones, who turns out to be an accomplished tap-dancer in the film's closing sequence (but that's only after he's been "humanized" when his hair is dyed blue!) Future Cabaret star Joel Grey has a few funny moments as a put-upon "plebe." ~ Hal Erickson, All Movie Guide

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Starring:
Gordon MacRaeEddie Bracken, (more)
1956  
 
This live, full-color musical version of Jack and the Beanstalk was one of NBC's most ambitious productions, costing $300,000 and utilizing 17 sets, all specially constructed at the network's vast Brooklyn studios. Though set in olden times, this version has a decidedly contemporary slant, with Jack depicted as a teenaged layabout who must redeem himself in the eyes of the community by doing "something big"--namely, climbing a beanstalk and conquering a giant. But from that point forward, the story doesn't quite adhere to formula: The so-called giant isn't nearly as fierce (or as big) as he's supposed to be, and there's a climactic surprise delivered by Jack's dyspeptic employer Mr. Poopledoop. Joel Grey, still ten years away from becoming an "overnight star" by virtue of the Broadway musical Cabaret, is cast as Jack, with Billy Gilbert as Poopledoop, Peggy King (then the vocalist on The George Gobel Show) as the Love Interest, Celeste Holm as a local looney, Cyril Ritchard ("Captain Hook" in the Mary Martin version of Peter Pan) as the bean peddler, and scrawny Arnold Stang as one "Mr. Fum." The lively but forgettable score by Jerry Livingston (Hello Dolly, Mame etc.) and Helen Deutsch includes"This is the One", "He Never Looks My Way", "Where Are the White Birds Flying?", "People Should Listen to Me", "Sweet World", "Twelve Feet Tall", "Looka Me", and "I'll Go Along With You". ~ Hal Erickson, All Movie Guide

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1957  
 
This lively musical was made to capitalize on the popularity of calypso music and features some excellent production numbers. It all begins when a jukebox magnate tries to force his way into a record company. They succeed and this angers the labels biggest star, who doesn't want to change his style. He disappears and so does all of the company's profits. Musical chaos reigns for awhile, but eventually everything is set to rights and happiness ensues. Look for distinguished poet Maya Angelou singing "Run Joe" and actor Alan Arkin's performance with the folk group the Tarriers. ~ Sandra Brennan, All Movie Guide

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Starring:
Johnny DesmondMerry Anders, (more)
1959  
 
Bret (James Garner) finds himself in the middle of a "convention" held by some of the west's most notorious outlaws, including Jesse James (William Shaw), Belle Starr (Jean Willes), Cole Younger (Gregory Walcott) and Black Bart (George Barrows). To keep himself from being perforated with bullets, Bret allows the desperadoes to mistake him for famous lawbreaker Foxy Smith, who has sent word ahead that he is planning the greatest hold-up in history. Covering himself, Bret claims that he plans to rob the Denver Mint, secure in the belief that the outlaws will merely laugh in his face--but they don't. Featured in the cast is a very young Joel Grey as a petulant, whiny Billy the Kid; and a pre-Beverly Hillbillies Nancy Kulp as a sentimental waitress. ~ Hal Erickson, All Movie Guide

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1961  
 
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Rock Hudson stars in this frothy romantic comedy as filthy-rich American Robert Talbot. Talbot owns an Italian villa, where he traditionally stays only one month out of the year (September), but when Talbot suddenly decides to show up in July, Talbot's major overseer Maurice (Walter Slezak) is shocked out of his skin to see him -- it seems that Maurice has turned Talbot's villa into a hotel for the remaining eleven months of the year. But it's July in Italy, and love is in the air, and Talbot becomes distracted by the beautiful Lisa (Gina Lollobrigida) and soon he is trying to prevent her from marrying another man. Sandra Dee and Bobby Darin (in his first screen role) play young guests of the villa. ~ Paul Brenner, All Movie Guide

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Starring:
Rock HudsonGina Lollobrigida, (more)
1971  
 
Man on a String was a derivation of Tightrope, a 1959-60 TV series starring Mike Connors as an undercover agent. Despite high ratings, Tightrope was forced off the air due to its excessive violence, but its producers held out hopes that someday they'd be able to revive the property. This 1971 TV-movie attempt stars Christopher George as a government undercover man, answerable only to his superior William Schallert. Guest-star Joel Grey plays a psychic criminal, called in to help solve a series of murders. Man on a String was first telecast on February 18, 1972; its ratings were respectable, but a series was not forthcoming. ~ Hal Erickson, All Movie Guide

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Starring:
Christopher GeorgeJack Warden, (more)
1971  
 
Broadway musical star Joel Grey appears in this episode as jockey Eddie Yeager, who is suspected of throwing several horse races. Ironside (Raymond Burr) wonders if Eddie is the real culprit, or if the brains of the operation is a certain Scott Bradley (played by TV's former "Tarzan" Ron Ely). Complicating matters is the fact that Bradley is the ex-fiance of Ironside's assistant Eve (Barbara Anderson). Featured in the cast is future movie-studio executive Sherry Lansing. ~ Hal Erickson, All Movie Guide

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1972  
PG  
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Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, All Movie Guide

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Starring:
Liza MinnelliMichael York, (more)
1974  
 
This animated story tells why Santa Claus won't visit Junctionville, and all because of an insulting letter that was printed in the newspaper. ~ All Movie Guide

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1974  
 
Man on a Swing, purportedly based on a true case, is a puzzling crime thriller concerning a clairvoyant who helps find a murderer. After a murder is committed, supposed clairvoyant Franklin Wills goes to police Chief Lee Tucker (Cliff Robertson) and gives him details of the crime that he has seen in visions. The details are startlingly correct and could only have been known to the killer. Tucker, not convinced that Wills is indeed clairvoyant, begins to suspect him of the murder. Man on a Swing, directed by Frank Perry, over-complicates its central theme, distracting the viewer from the film's strong central theme, the ambiguity of Wills. Joel Grey gives an outstanding, scene-stealing performance in that role, giving Wills both menace and a surprising vulnerability. Cliff Robertson is far-less successful in his portrayal of the no-nonsense police chief. The film's ambiguous ending should increase the suspense of the film but instead further confuses the viewer. However, because of the superb performance of Grey, Man on a Swing is worth a view. ~ Linda Rasmussen, All Movie Guide

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1976  
R  
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"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

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Starring:
Paul NewmanJoel Grey, (more)
1976  
PG  
Nicholas Meyer based his screenplay for the "retro" Sherlock Holmes adventure The Seven Percent Solution on his own best-selling novel. As any Baker Street Irregular will tell you, the title refers to the dosage of cocaine taken by Sherlock Holmes (Nicol Williamson). The Great Detective's friend and chronicler Doctor Watson (Robert Duvall), concerned that Holmes' drug dependency is getting out of hand, suggests a cure under the auspices of Viennese psychoanalyst Sigmund Freud (top-billed Alan Arkin). While undergoing treatment, Holmes comes to the realization that his archival Professor Moriarty (Laurence Olivier) is not the Napoleon of Crime, but instead a somewhat pathetic philanderer. Not yet completely cured, Holmes recharges his deductive batteries by undertaking a tricky conspiracy case involving another ex-addict, beautiful actress Lola Devereaux (Vanessa Redgrave). The traditional Holmesian sleuthing and split-second rescues of the film's second half are not as innovative as the Holmes-Freud scenes at the beginning of The Seven Percent Solution, but they provide this largely cerebral effort with a rousing climax. A success with both critics and filmgoers, The Seven Percent Solution opened the floodgates for subsequent TV and movie "reprises" of Conan Doyle's immortal literary figure. ~ Hal Erickson, All Movie Guide

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Starring:
Alan ArkinVanessa Redgrave, (more)
1982  
 
In this first episode of a two-part story, Mel (Vic Tayback) agrees to finance a musical revue starring Alice (Linda Lavin). Dropping into the diner at this moment, guest star Joel Grey decides to help Alice out by starring in the revue--but first he must audition with a plaintive rendition of "Swanee". Trouble is, Mel has no idea who Joel Grey is, and thus hands the leading role to his own bookie Jimmy (Tom Williams)...and this will not be the last bonehead decision made by the stagestruck restauranteur. ~ Hal Erickson, All Movie Guide

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1982  
 
In the conclusion of a two-part story, guest star Joel Grey has agreed to headline the musical play starring Alice (Linda Lavin) and bankrolled by Mel (Vic Tayback). But Grey ankles the project when Mel transforms the show from a sophisiticated Manhattan revue to a desert "folk opera", repleted with a line of cowboy-clad chorines and such deathless tunes as "Ramona from Arizona" (this is Alice's big solo, much to her dismay). As indicated by the episode's title, Joel Grey WILL save the day...but not until the very, very last minute! ~ Hal Erickson, All Movie Guide

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1982  
 
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Claire Powell stars as Phoebe Meryll in this production of one of Gilbert & Sullivan's more serious operas, which revolves around the impending execution of Colonel Fairfax. Phoebe's father, who has twice saved Fairfax's life, devises a plan to disguise him as a yeoman to help him escape. Meanwhile, the jester Jack Point arrives with his sweetheart Elsie, and both are caught up in the escape plans with results unlike any other Gilbert & Sullivan opera. Conducted by Alexander Faris, the London Symphony Orchestra provides the music. The Yeoman of the Guard also features Joel Grey, David Hillman, Alfred Marks, and Elizabeth Gale. ~ Tracie Cooper, All Movie Guide

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Starring:
Elizabeth GaleJoel Grey, (more)
1985  
PG13  
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Adapted from the "Destroyer" series of novels and comic books (not exactly the level of Ian Fleming), Remo Williams (Fred Ward) is a New York cop who works for a top-secret government agency accountable directly to the President of the U.S. After his reluctant induction into this agency, Remo is trained in a near-magical Korean martial arts form by Chiun (Joel Grey) in great sequences where walking on water is taken in stride. After his training, Remo goes after a corrupt arms manufacturer with connections in the U.S. military and acquires the necessary help-mate in the form of Major Rayner Fleming (Kate Mulgrew). Antics at the Statue of Liberty and other stunts enliven the action, but cannot make up for comic-book level characters. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Fred WardJoel Grey, (more)
1987  
 
Wolfgang Puck began his illustrious career as a pioneer of the fusion of California and French cuisine. Since then he has opened several successful restaurants and has authored many cookbooks. In this video, Puck presents recipes for appetizers, pizza and pasta, entrees, and desserts. The video features step-by-step preparation and close-up shots of the finished dishes. ~ Madeline Cavalieri, All Movie Guide

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1987  
 
This documentary presents the evidence against Nazi war criminal Adolf Eichmann. Eichmann rose to power in the Nazi Party, in which he served as head of a special unit in charge of abducting and exterminating Jewish people. Eichmann implemented Hitler's "final solution to the Jewish question", which he deemed necessary for racial cleansing and the establishment of a pure, superior Aryan race. At the end of the war, Eichmann fled to Argentina. He was tracked down, and brought to Israel, where he stood trial for his savagery. The eyewitness accounts provided the world with its first view of this appalling event in history. He was found guilty, and hanged, on May 31, 1962. ~ Rose of Sharon Winter, All Movie Guide

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1987  
 
The two-part TV movie Queenie was adapted from the roman a clef by Michael Korda. This is the story of Queenie Kelly,an English girl (Mia Sara) from the slums of Calcutta who is kept from full knowledge of her Indian heritage by her protective mother (Jean Simmons). As a means of bettering herself, Queenie moves to London, where she works as an exotic dancer. Later on, Queenie, using an assumed name, becomes a famous movie star and marries a powerful producer. At the point, we should observe that "Queenie" was the nickname of Michael Korda's aunt: actress Merle Oberon, who was married to British film mogul Alexander Korda. Any resemblance to actual persons living or dead is purely...well, you know. And any resemblance between awkward newcomer Mia Sara and the ultra-sophisticated Merle Oberon is...well, accidental. Queenie originally aired May 10 and 11, 1987. ~ Hal Erickson, All Movie Guide

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Starring:
Mia SaraKirk Douglas, (more)
1991  
 
With Marilyn Monroe permanently unavailable for comment, everybody and his uncle has come out of the woodwork since 1962 claiming an intimate relationship with the legendary film star (how did she ever find the time to be a film star?) Marilyn and Me is based on the reminiscences of one Robert Slatzer, who claimed to have been secretly married to Monroe back in her Norma Jean days. Jesse Dobson manages to keep a straight face as he recites his lines as Slatzer, while Susan Griffiths is as good a Monroe impersonator as any. Better still is Joel Grey as Marilyn's first and most influential agent Johnny Hyde, whose own close relationship with La Monroe is a bit easier to believe. Actress Terry Moore, who in the early 1950s was briefly groomed as a Monroe "substitute," plays a bit as Johnny Hyde's widow. Marilyn and Me is about as convincing as the Bugs Bunny cartoon What's Opera, Doc?, and not nearly as entertaining. ~ Hal Erickson, All Movie Guide

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1991  
PG13  
Steve Soderbergh did a 180 degree turnaround from his debut film sex, lies, and videotape with Kafka, a stark art-film fable for literature majors. Jeremy Irons plays a fictional Franz Kafka, living in Prague in 1919. By day, Kafka works in a massive, impersonal insurance company. At night, he spends his time alone writing stories about men who turn into giant cockroaches. Although quiet and solitary, he becomes a suspect in a murder investigation conducted by Inspector Grubach (Armin Mueller-Stahl) when a friend of his turns up dead. Rather than being harassed by Grubach, Kafka decides to investigate his friend's murder on his own. Kafka speaks to his dead friend's girlfriend, Gabriela (Theresa Russell) and talks with gravestone carver Bizzlebek (Jeroen Krabbe). Kafka follows the clues to the Castle, a menacing tower that casts its shadow over the city and houses files on everything. He winds his way through the cellars and tunnels of the Castle, where he encounters the evil and insidious Dr. Murnau (Ian Holm), whom he hopes holds the solution to the murder. ~ Paul Brenner, All Movie Guide

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Starring:
Jeremy IronsTheresa Russell, (more)
1992  
R  
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Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide

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Starring:
Tim RobbinsGreta Scacchi, (more)
1993  
R  
Documentary filmmaker Philip Haas made his dramatic feature film debut with The Music of Chance, adapted from Paul Auster's terse, existential novel. The film follows the plight of two hapless drifters -- Jim Nashe (Mandy Patinkin), who is escaping family and responsibility with an inheritance and a red BMW, and Jack Pozzi (James Spader), a down-on-his-luck gambler and world class manipulator. Pozzi convinces Nashe to shoot the works and put his remaining $10,000 into a high stakes poker game against two rich suckers -- reclusive lottery winners Willie Stone (Joel Grey) and Bill Flower (Charles Durning), who share a lavish but isolated country estate, using the remains of their lottery fortune to construct a self-contained world on the grounds of their mansion. Instead of bilking the two millionaires, however, Pozzi and Nashe lose their windfall and find themselves indebted to Stone and Flowers, who compel them to work off their losses by constructing a stone monument on their estate, a chore that results in deception, flight, and possibly murder. ~ Paul Brenner, All Movie Guide

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Starring:
James SpaderMandy Patinkin, (more)
1994  
NR  
Filled with plenty of fisticuffs and karate, this actioner follows a tough New Orleans police officer on his personal quest to solve a series cop killings. The cop hires a mercenary biker to help with his private investigation. Their research reveals that the culprit is the town's biggest drug lord and his reason for the killings is revenge for the death of his henchmen. Things get more complex when the good guys realize that the drug lord has made a mistake. The cops aren't killing his thugs, but someone else certainly is. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert DaviMichael ParĂ©, (more)
1995  
PG  
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The longest-running show in the history of the American theater (it opened at an off-Broadway theater in the spring of 1960, where it remained until the production finally closed in early 2002) finally arrives onscreen. Hucklebee (Brad Sullivan) and Bellamy (Joel Grey) are a pair of small town fathers who are scheming to bring their children Matt (Joseph McIntyre) and Luisa (Jean Louisa Kelly) together in a romance. As a carnival arrives to bring some excitement to the sleepy village, the fathers persuade a mysterious interloper named El Gallo (Jonathan Morris) to stage a mock abduction of Luisa, which will hopefully prompt Matt to come to her rescue. However, while El Gallo's plan succeeds, he also awakens his innocent charges to the darker and more disappointing side of love. The Fantasticks was shot and edited in 1995, but beyond a few preview screenings, it went unreleased until the fall of 2000. The film marked the dramatic debut of former New Kids on the Block vocalist Joseph McIntyre, and features Teller (of the magic/performance art duo Penn & Teller) in a rare speaking role. ~ Mark Deming, All Movie Guide

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Starring:
Joel GreyBarnard Hughes, (more)

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