Jennifer Grey Movies

Francis Ford Coppola is one of the executive producers of this revenge-themed telefilm. After insurance agent Tom Casey (Rob Lowe) reports on the suspicious actions of teens near his apartment building, Tom and his pregnant wife Sally (Jennifer Grey) are threatened by the teens in a series of confrontations. The TV movie premiered January 4, 1998 on ABC. ~ Bhob Stewart, All Movie Guide

Shirley Maclaine stars as a reclusive piano player in this made-for-television movie based on the play by Ernest Thompson. Maclaine plays Margaret Mary Elderdice, a loner-type who befriends her next-door neighbor and violinist Cara Varnum (Liza Minnelli) only so the two can play music together. Margaret's life takes a turn into new territory and expands beyond its small confines though, with the addition of her young, aspiring-actress housemaid (Jennifer Grey). ~ Bernadette McCallion, All Movie Guide

Mindy (Jennifer Grey) asks Rachel (Jennifer Aniston) to be maid of honor at her wedding -- to Rachel's erstwhile fiancé Barry (Mitchell Whitfield). Eventually, the two girls have a heart to heart talk, and Barry gets the worst of it. Elsewhere on the romantic scene, Chandler (Matthew Perry) wants to go out with Danielle (Lynn Clark) again, but doesn't want to come across as too "needy." And what's the lowdown on Mr. Peanut? ~ Hal Erickson, All Movie Guide

This is a modern-day retelling of the Cinderella fairy tale. ~ John Bush, All Movie Guide

This updated version of Cinderella is set in the New York of the 1980s. A very young Kyra Sedgwick stars as Cindy Eller, a shy and awkward teenager burdened with a seemingly insensitive stepmother and two attractive, trendy, and overbearing stepsisters (one of whom is played by Jennifer Grey!). Yearning to attend an upcoming dance with handsome classmate Greg Prince (Grant Show), Cindy receives assistance from an unlikely "fairy godmother" in the form of an all-knowing Central Park "bag lady" named Martha (Pearl Bailey, who won an Emmy Award for her performance). And in the process, our heroine comes to realize that her "new" mother and sisters aren't really so bad after all. ~ All Movie Guide

Tim Allen and Chiwetel Ejiofor co-star in writer/director David Mamet's martial arts drama Redbelt. Ejiofor plays Mike Terry, a jujitsu master who co-runs a very modest martial arts studio in Los Angeles with his bossy wife, Sondra (Alice Braga). Mike demonstrates an unwavering commitment to his craft and draws a cadre of defiantly loyal pupils including Joe (Max Martini), an LAPD cop. All told, it appears that he has chosen a peaceful and conflict-free path in life. The dedicated martial artist's fate takes an unanticipated turn, however, one evening when a young woman named Laura (Emily Mortimer) bursts into the academy in a state of near hysteria, and reaches for a policeman's gun when he tries to restrain her. One thing leads to another, and before long, Laura is regularly receiving martial arts lessons from Mike. As master begins to teach pupil and his martial arts philosophies emerge, his path also crisscrosses with that of a Hollywood movie star, Chet Frank (Tim Allen), when he saves the fellow from a beating at a local club and gets invited (along with Sondra) to Chet's house for dinner. Chet extends gestures of friendship, and Mike's guard breaks down; he speaks openly and candidly of a special martial arts method he employs that requires one of the participants to "assume a handicap." In time, the association with Chet leads to involvement in the motion-picture industry, and relations with a bevy of characters who aren't exactly what they seem -- including a pay-per-view fight mogul (Ricky Jay) and Chet's slimy and manipulative manager (Joe Mantegna). ~ Jason Buchanan, All Movie Guide

In this crime drama, a talented, ambitious young lawyer takes the case when one of his colleagues, jealous of the other attorney's flawless court record, is found murdered. ~ Sandra Brennan, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

In this romantic comedy-drama, two people whose lives were touched by the same tragedy find love. Buddy Amaral (Ben Affleck) is a successful L.A. advertising executive who has a way with the ladies, but inside he longs for a meaningful long-term relationship. One day Buddy sells his seat on a sold-out airline flight to a stranger; he's shocked when the jet crashes and the man is killed. A year later, still haunted by the incident, Buddy looks up Abby Janello (Gwyneth Paltrow), the victim's widow, who is now selling real estate to support her children. Buddy soon finds himself attracted to Abby, and the feeling is mutual, but while he's interested in marriage, he isn't sure how (or if) he should tell her that he was indirectly responsible for her husband's death. Bounce was written and directed by Don Roos, who made a splash with his independent debut The Opposite of Sex; supporting Affleck and Paltrow are Natasha Henstridge, Jennifer Grey, David Paymer, and Joe Morton. ~ Mark Deming, All Movie Guide

A teenage girl learns about love, adult responsibility, and how to do The Dirty Boogie in this romantic drama. In 1963, "Baby" Houseman (Jennifer Grey) is a 17-year-old spending the summer with her family at a resort hotel in the Catskills; she plans on being in the Peace Corps next summer, so this is expected to be her last summer as a carefree adolescent. Baby doesn't get along with her older sister, Lisa (Jane Brucker), and she's bored to tears by most of the older guests at the resort. However, one night Baby hears what sounds like a party going on in the employee's dormitory, and she pokes her head in to discover most of the hotel staff enjoying the sort of close dancing that would get you kicked out of the senior prom in no time flat. Baby is particularly struck by handsome Johnny Castle (Patrick Swayze), a dancer in the resort's floor show, and falls head over heels in love, wanting to be near him. When Johnny's dance partner, Penny (Cynthia Rhodes), finds herself pregnant after a fling with one of the waiters, Baby volunteers to learn her steps and take her place; however, Baby's father, Dr. Jake Houseman (Jerry Orbach), will have none of it, convinced that Johnny is a low life and that his daughter is too young to understand her own feelings. Dirty Dancing was a surprise box-office hit, and the soundtrack album was an even bigger success, spawning several hit singles and inspiring a top-drawing concert tour featuring several of its artists. ~ Mark Deming, All Movie Guide

Set at an indeterminate point in the future, this drama with an overt anti-communist message begins as an ostensible war movie: Russian and Cuban forces have invaded the U.S. and are viciously eliminating the inhabitants of a small town, when a group of teens escapes and plans a counterattack. Jed (Patrick Swayze), Robert (C. Thomas Howell), and six of their friends watch in amazement as soldiers parachute into their town and start shooting. The teens grab a pickup truck, stock up on supplies at the local store, and head for the hills. Meanwhile, the men in the town -- after a minimal resistance -- are rounded up and held at a drive-in theater converted into a concentration camp. The sadistic Soviet military then make them watch acclaimed Russian director Sergei Eisenstein's 1938 classic Alexander Nevsky, as their punishing rehabilitation begins. Meanwhile, after minimal resistance from the adults, a Cuban, Bella (Ron O'Neal), is put in charge and is not certain how he can really defeat the teen army. The Soviets and Cubans have so far defeated the American Army, Navy, Marines, and Air Force, but these teens are really something else. After a successful ambush, the teen guerrillas gear up for future forays, when they are suddenly betrayed by one of their number and by doubts about the morality of what they are doing. Red Dawn is noteworthy for being the first movie released with the PG-13 rating, created by the MPAA after public outcry over violent content in the PG-rated Indiana Jones and the Temple of Doom and Gremlins. ~ Eleanor Mannikka, All Movie Guide

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide