John Gregson

In this violent, grim thriller, a baby-sitter's routine job turns out to be anything but when she and her young charge are terrorized by an escaped mental patient who bursts in and holds them hostage. He claims to be the three-year-old boy's father and has come to murder his ex-wife. Meanwhile to stall for time until the cops can save them, the baby-sitter seduces the fugitive father. A deadly stand-off ensues when the cops finally surround the place and he begins threatening to slice the throats of the girl and his son. ~ Sandra Brennan, All Movie Guide

Military Intelligence officer Major Grau (Omar Sharif) investigates the brutal murder of a Warsaw prostitute in this mystery set during World War II. Grau's only clue is that the murderer was wearing the uniform of a Nazi general. The three suspects include Gabler (Charles Gray), who fears his harridan wife more than anything, the icy General Tanz (Peter O'Toole), and the scheming, resourceful General Kahlenberge (Donald Pleasence). Grau is suspicious when he is taken off the case, but he does his own investigating when the suspects are gathered in Paris two years later. He enlists the help of Inspector Morand (Philippe Noiret), a resistance sympathizer with whom Grau forms an alliance. A side plot involving an affair with the general's daughter is thrown in for distaff interest. ~ Dan Pavlides, All Movie Guide

One of the minor comedy-dramas to come out of Britain, this story by director Jay Lewis and scripter Jack Trevor Story is about an unscrupulous salesman, Albert (Ian Hendry), who is beset by a whole series of problems, all of his own making. In order to advance his career, Albert makes a habit of seducing his female customers to better convince them to buy beyond their means, on credit. Even though he has thus far spawned two progeny with this technique he is not about to change his ways. Albert is also cheating on his girlfriend in the process, and more directly just simply cheating his boss, his real estate agent, and a long list of creditors -- not a good way to insure an auspicious future. ~ Eleanor Mannikka, All Movie Guide

Sean Connery plays one of his early roughneck types in the British gangster picture Frightened City. The story takes place in a rundown section of London, where the citizens are held in the grip of extortionists. After several months of gang warfare, the six major "protection" rings agree to bury the hatchet and combine their efforts under the leadership of a mob boss (Herbert Lom). One of the gangsters opposes the mobster's rule, and is promptly rubbed out. Paddy Damion (Sean Connery), the dead man's best friend, swears revenge. After a bloody confrontation, Damion agrees to provide information to the police -- after plea-bargaining himself into a light sentence. ~ Hal Erickson, All Movie Guide

In this adventure, a variation of the classic Dumas story, a band of 19th-century treasure seekers put together a map and go off to the Italian coast to find a fabulous treasure. ~ Sandra Brennan, All Movie Guide

Although there may be a few minor gaps here and there in the storyline, Faces in the Dark is a suspenseful drama by director David Eady. Richard Hammond (John Gregson) owns a factory, and on the very day his wife Christine (Mai Zetterling ) is coming to his office to tell him she wants a divorce, he is accidentally blinded during an experiment. His wife relents in her decision, but Richard is still as abrasive as ever, and now the bumpy spots in his personality are made worse by self-pity and a suspicion that he is losing his sanity. Meanwhile, Richard begins to suspect that the cool and aloof Christine and Richard's partner conspire against him, but as a blind man he has fewer resources to pinpoint why he is suspicious. ~ Eleanor Mannikka, All Movie Guide

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, All Movie Guide

Sea of Sand was distributed in the US in a shortened version, Desert Patrol. John Gregson plays Captain Williams, a martinet mine expert who vows to whip a lackadaisacal patrol into shape. This brings Williams in conflict with patrol leader Captain Cotton (Michael Craig), but also earns him the respect of hard-bitten trooper Brody (Richard Attenborough). The wisdom of Williams' no-nonsense approach is demonstrated when the patrol is besieged by the highly disciplined members of the German Afrika Korps. The film was produced by Robert S. Baker and Monty Berman, best known to American TV viewers as the creative forces behind the weekly series The Saint. ~ Hal Erickson, All Movie Guide

London's colorful but rundown Soho district is the setting for this thinnish romantic comedy. John Gregson plays a Soho roadworker who has little hopes of finding happiness in life. Belinda Lee is a like-minded barmaid in a tiny pub. Gregson and Lee discover each other, and the "miracle" happens. The script was written by Emeric Pressburger, who apparently was so accustomed to "big" projects like The Red Shoes (47) that he couldn't scale himself down to the genuine emotions of normal people. Too, Miracle in Soho cries out for location filming, but the producers insisted upon lensing the story in the most unconvincing of studio sets. ~ Hal Erickson, All Movie Guide

Time is of the essence in this comedy when an American cabaret singer learns that she is in line for a large inheritance. The money will be hers if her ex-husband cannot produce a son by a given date. She immediately takes off to London to find him. Unfortunately, she discovers that his new wife is due to give birth any day. The situation grows complicated as they deal with the unborn's unknown gender, and the fact that neither the man's new marriage, nor the divorce may be legal. The time difference between New York and London is also a factor. At the last possible minute, the new wife bears twins: one girl, and one boy. The singer still gets the money, as the newlyweds did not consider the ramifications of Daylight Savings Time. Fortunately, she shares the wealth. Songs include "Give Me a Man" and "You're the Only One." ~ Sandra Brennan, All Movie Guide

Widely regarded as one of the best and most intelligent British war dramas of the 1950s, The Battle of River Plate is the story of Britain's first significant naval victory in WW2. John Gregson heads the cast as Captain Bell, skipper of the Exeter, one of several vessels engaged in pursuit of the "indestructable" Geman battleship Graf Spee. Taking refuge in the neutral harbor of Montevideo, the Graf Spee is covertly protected by the Uruguayan government. Eventually, however, German captain Langsdorff (Peter Finch) is faced with a difficult decision: either stand his ground and fight a losing battle against the Exeter and its sister ships, or scuttle the Graf Spee and save the lives of his crew. Battle of the River Plate was released in the US as Pursuit of the Graf Spee. ~ Hal Erickson, All Movie Guide

The British omnibus thriller, Three Cases of Murder includes two supernatural tales and a straight whodunit. The first segment, "The Picture," was directed by Wendy Toye, based on a short story by Roderick Wilkinson. A museum tour guide, Jarvis (Hugh Pryse), is plagued by artworks going missing, and by the mysterious repeated breaking of the protective glass over a gloomy landscape painting. Jarvis is fascinated by the dark, foreboding house in the painting. One day while he's admiring it, he bumps into a stranger (Alan Badel, who appears in all three segments). Jarvis ends up following the stranger into the world of the painting with terrifying consequences. Eddie Byrne (General Willard in Star Wars) plays the demented taxidermist, Snyder. In the second segment, "You Killed Elizabeth," written by Sidney Carroll (who co-wrote The Hustler), and directed by David Eady, lifelong friends fall in love with the same woman. George (Emrys Jones) has always stood in Edgar's (John Gregson) shadow. The two have a falling out when they realize they both love Elizabeth (Elizabeth Sellars), and when she later turns up dead, it affects the friendship in a surprising way. Badel plays the friendly bartender, Harry. The final story, "Lord Mountdrago," was based on a story by W. Somerset Maugham. Directed by George More O'Ferrall, the segment stars Orson Welles as Lord Mountdrago, the officious secretary of state for foreign affairs. Mountdrago uses his oratory powers to destroy the career of a charismatic political opponent, Owen (Badel again). Mountdrago then finds himself tormented by the vengeful Owen, who seems to have found a way to enter his dreams. Andre Morrell (Bridge on the River Kwai) plays Mountdrago's baffled psychiatrist. ~ Josh Ralske, All Movie Guide

Had the women-behind-bars drama The Weak and the Wicked been made in Hollywood, the cast would probably have included the likes of Ida Lupino, Marie Windsor, Peggie Castle and Hope Emerson. Instead, the film was lensed in Britain, with Glynis Johns and Diana Dors heading the cast. Framed on a charge of fraud, "good girl" Glynis is tossed into prison. Her cellmates include hard-boiled Ms. Dors, murder suspect Jane Hylton, blackmailer-poisoner Dame Sybil Thorndyke and shoplifter Olive Sloane. Each of their stories is detailed in a series of flashbacks. Downplay the potential sensational elments of the storyline, The Weak and the Wicked takes great pains to point out the positive values of a special rehabilitation program, wherein the main characters are given the opportunity to make themselves useful members of society. ~ Hal Erickson, All Movie Guide