Mark Gregory Movies

All Thunder wants is to live peacefully on his native land with his little family. Unfortunately, there are those who are hell-bent on harassing, threatening, and harming him. They go too far when they kidnap Thunder's wife. This actioner chronicles his revenge. ~ Sandra Brennan, Rovi

Thunder (Mark Gregory) is a Native American who is framed for murder by the corrupt deputy Rusty (Raimund Harmstorf) in this action feature. Thunder is chased by Sheriff Roger (Bo Svenson) when he escapes from the Arizona state penitentiary to battle his adversary. An exciting helicopter chase is the highlight of this feature that creates an opportunity for another sequel. ~ Dan Pavlides, Rovi

In this routine sci-fi sequel, Trash (Mark Gregory) is back in action again after his introduction in 1990: The Bronx Warriors, to defend that much-maligned New York burrough from total extinction at the hands of a vicious corporate giant. The General Construction Corporation plans on building luxury high-rises in the Bronx, but since the current Bronxonians are in the way, they have to be exterminated, obviously. Meanwhile, the media are to be spoon-fed the story that the good Bronx citizens have been relocated to New Mexico, apparently quite willingly. The only obstacle to the evil corporation's designs is a brave journalist, Moon (Valeria D'Obici) who is inspired to suggest that if the corporation's CEO could be kidnapped and held for ransom, they just might save the Bronx from all those luxury apartments. The man the fate offers to carry out this project is Strike (Timothy Brent), a king among thieves. The remainder of the story lurches from one gunfight to the next. ~ Eleanor Mannikka, Rovi

In this spaghetti Western, a young Navajo by the name of Thunder (Mark Gregory) takes the lead in trying to stop a sacred burial ground from being plowed under so an observatory can be built. This act not goes against tribal beliefs, but violates a treaty signed by his grandfather. After a visit to the construction site concludes in a fight, Thunder tries to protest at the Sheriff's office and at the bank financing the project, but nothing works. He is beaten and thrown out of the county, and finds no recourse except to fight back in the only way his enemies would understand -- with force. With stunning Monument Valley and the Grand Canyon as backdrops, the visual grandeur of this drama is impressive. Thunder returned in two sequels, one in the works the same year this film was released. ~ Eleanor Mannikka, Rovi

This grim, violent Australian production is an artless mishmash incorporating elements of The Road Warrior, 1984 , and The Most Dangerous Game. The story is set in a dystopian future society where all "deviants" (i.e. anyone whose ideas don't jive with those of the government) are interred in nightmarish re-education camps where they are tortured, beaten, raped and put to death -- mostly on the whim of the psychotic commandant (Michael Craig). Periodically, a handful of particularly defiant inmates will be released unarmed to be hunted down (for the entertainment of the elite) in a free-for-all "Turkey Shoot" (the film's original Australian title). Among the latest batch of potential targets are strong-willed Steve Railsback and Olivia Hussey, who are confronted in the wilderness by the commandant and his goofy mutant cronies -- all of whom carry rocket-launchers, exploding arrows, and flamethrowers. This entire exercise is basically a prolonged excuse for a plethora of cheap, splattery makeup effects, made far more unpleasant by the blatant sadism of the proceedings. Unsuspecting viewers exposed to this film may wish to follow with My Brilliant Career to restore their faith in Australian cinema. ~ Cavett Binion, Rovi