Constantine Gregory Movies

Michael Radford (Il Postino and The Merchant of Venice) directs screenwriter Edward Anderson's script about an aging janitor and an American executive who form an unlikely alliance in order to carry out an elaborate jewel heist. Set in 1960s-era London, the tense crime thriller stars Michael Caine as the scheming maintenance man who longs to relieve his employers at the London Diamond Corporation of their valuable inventory, and Demi Moore as the savvy executive who is completely perplexed by the wealthy diamond magnates. ~ Jason Buchanan, All Movie Guide

This ambitious, four-hour cable miniseries stars Jeremy Sisto (taking time off from his regular series Six Feet Under) as Roman general-turned-emperor Julius Caesar. Expensively filmed in Malta and Bulgaria, the production vividly traces Caesar's rise to prominence as a brilliant military tactician (with remarkably accurate battle scenes); his complex relationships with his mentor General Pompey (Chris Noth) and his second wife Calpurnia (Valeria Golino); his ideological tiltings with Senator Cato (Christopher Walken), who advocates democracy over Caesar's dictatorial ambitions; and his bloody (but inevitable) murder at the hands of former friends and allies. Taking some dramatic license with the facts, the film is basically sympathetic to its subject, although Caesar is depicted as a flawed man, both physically and morally. Giving Caesar points for being fundamentally honorable, in full possession of his faculties, and possessing the "common touch" with the Roman citizenry, the teleplay does not shrink away from the man's violent epileptic seizures, his megalomania, his casually calculated cruelties, and his bigamous relationship with Egyptian queen Cleopatra (Samuela Sardo). Interestingly enough, however, the miniseries downplays his notorious bisexuality ("Every man's woman and every woman's man"). In his final performance, Richard Harris appears as Caesar's wily bête noire, Roman dictator Sulla. Caesar was first telecast in the U.S. on June 29-30, 2003, by the TNT cable network. ~ Hal Erickson, All Movie Guide

This British biopic attempts to chronicle the life of 17th-century tunesmith Henry Purcell. The filmmakers have had to do much speculating about Britain's first great composer, as little is known about his life back then. It is known that Purcell had been a chorister as a child and then became the court composer for three kings: Charles, James and William. Before his death at age 37, Purcell penned over 1,000 songs and sired a few children, most of whom died at birth. While little is actually known of Purcell, the film successfully recreates the tumultuous era in which he lived. Also running parallel to Purcell's story is a set in the 1960s when English society and values seemed to be rapidly eroding, just as they were in the composer's time. The story concerns a playwright's attempts to research the life of Purcell for his next play. In the last part of the film, several lavish musical numbers from Purcell's vast repertoire are presented. ~ Sandra Brennan, All Movie Guide

In this first American film to be shot entirely in Moscow, young vacationing American Archer Sloan (Frank Whaley) gets involved in the theft of a rare religious icon. The "hot-potatoed" icon lands in Sloan's possession and one of the underworld bad guys involved in the theft is murdered. Sloan becomes a suspect and is forced into fleeing the Moscow police while trying to locate the people who can vindicate him. This Glasnost-era film will probably be better remembered for its glimpse into a molting Soviet Union, than for intrigue as an actioner. Included in the cast is Polish producer Roman Polanski. ~ All Movie Guide

"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., All Movie Guide

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, All Movie Guide