Everley Gregg Movies

Brilliant plastic surgeon Philip Ritter (Paul Henreid) loses the love of his life, concert pianist Alice Brent (Lizabeth Scott), to her manager, David (Andre Morell). As a balm to his wounded pride, Dr. Ritter Henreid makes over a hideously scarred female criminal into the spitting image of the woman who jilted him (the girl is played by Mary McKenzie "before," and, of course, by Lizabeth Scott "after"). Alas, he cannot make over her personality as well, and soon she's run off with her own crooked crowd. A not-bad precursor to Hitchcock's Vertigo, A Stolen Face was produced by Britain's Hammer Films, and distributed in the U.S. by Lippert. ~ Hal Erickson, All Movie Guide

Gordon Harker stars as a goonish London cabbie who finds himself up to his brimmed cap in espionage. Harker innocently thwarts an assassination attempt on a Middle-Eastern potentate. The perpetrator is a demonic British oil executive who'll stop at nothing to corner the "black gold" market. The villain sets Harker up as the fall guy for his next attempt on the potentate's life, Yeh, we know: Where are the blondes? Well, cast your eye upon leading ladies Enid Stamp-Taylor and Janet Johnson. ~ Hal Erickson, All Movie Guide

The grass is always greener.... In this British comedy, two drunken comrades find out the truth of that saying when they decide to trade places for a while. One of the boozers is a public relations man who knows nothing about sailing, while the other is a captain for the Royal Navy. Riotous comic mayhem ensues as the hapless "captain" tries to run his ship and follow orders. When the bumbling fellow's inadvertence sinks one of the fleet's own ships, he ends up locked in a rubber room until the two manage to extort someone into helping them resume their rightful identities. The film was originally titled The Ship was Loaded, and bears no relation to the popular "Carry On" series. ~ Sandra Brennan, All Movie Guide

Immediately grabbing the audience's attention with a heart-stopping opening scene in a dark graveyard, acclaimed British director David Lean realizes the cinematic potential of Charles Dickens' classic 1861 novel, and the result is considered by many to be one of the finest literary adaptations ever made as well as one of the greatest British films of all time. Crystallized into a tight 118-minute running time by Lean, Ronald Neame, and a corps of uncredited contributors, this is the story of young Pip, a lad of humble means whose training as a gentleman is bankrolled by a mysterious benefactor. Along the way, Pip falls in love with the fickle Estella, befriends the cheerfully insouciant Herbert Pocket, has memorable encounters with the escaped convict Magwitch and the lunatic dowager Miss Havisham, and almost (but not quite) forgets his modest origins as the foster son of kindhearted blacksmith Joe Gargery. The role of Pip is evenly divided between Anthony Wager as a child and John Mills as an adult; Alec Guinness makes his starring film debut as the jaunty Pocket; Jean Simmons and Valerie Hobson are costarred as the younger and older Estella; and Martita Hunt is unforgettable as the mad Miss Havisham ("It's a fine cake! A wedding cake! MINE!") Remade several times, Great Expectations resurfaced in 1989 as a TV miniseries, with Jean Simmons, originally the young Estella, tearing a passion to tatters as Miss Havisham; and in 1998 it was remade again, in a contemporary version, with Ethan Hawke, Gwyneth Paltrow, Robert DeNiro, and Anne Bancroft in the Miss Havisham role. ~ Hal Erickson, All Movie Guide

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide

Leslie Howard and Wendy Hiller star in Anthony Asquith's and Leslie Howard's classic version of George Bernard Shaw's satiric comedy. Henry Higgins (Howard) is an upper class phonetics professor who encounters low-class guttersnipe Eliza Doolittle (Hiller) and bets his friend Colonel Pickering (Scott Sunderland) that he can pass her off as a duchess within three months. Pickering accepts Higgins' bet, with Eliza readily agreeing to the proposal, since she will get to live in Higgins' fancy home. Once in Higgins' house, Eliza is subjected to intensely repetitive phonetics lessons in an effort to transform her Cockney accent into the speech of proper English. Things are a bit rocky at first, with Eliza blurting out "Not bloody likely" at a tea party. But when Eliza is presented at the Ambassador's Ball, she is not only accepted as a princess but is the talk of the ball, everyone in attendance commenting on her charm, beauty, and poise. Relishing his success, Higgins abruptly dismisses her. But Eliza has fallen in love with Higgins and is aghast at her cursory treatment by him. She tells him, "I sold flowers. I didn't sell myself. Now you've made a lady of me, I'm not fit to sell anything else." When Eliza leaves, Higgins realizes that he loves her too, but Eliza has announced to Higgins that she plans to marry high society playboy Freddie Eynsford-Hill (David Tree). ~ Paul Brenner, All Movie Guide

The success of the British Q Planes spawned a brief cycle in airborne espionage pictures--at least until all British aircraft was impounded for actual combat use. The title Spies of the Air tells all: The central character is a test pilot who turns out to be in the employ of The Enemy. Since the film is adapted from Jeffrey Dell's stage play Official Secrets, much of the action takes place on the ground. The flight sequences blend stock footage and newly-shot aerial scenes with acceptable expertise. Spies of the Air was filmed in 1939, but not released until 1940--by which time its topicality had increased tenfold. ~ Hal Erickson, All Movie Guide

An 18-month-old baby disappears in London. The parents, US embassy worker David Knight and his wife Julia Arnall, are panic-stricken. Detective David Farrar tries to locate the child, but clues are scarce. At the last possible moment, Farrar rescues the infant from a grueling fate and collars the kidnappers. This nail-biting film is filled to capacity with many of Britain's top supporting players, including Thora Hird, Everley Gregg, Joan Sims, Shirley Anne Field, Joan Hickson, Dandy Nichols, Mona Washbourne, Barbara Winsor and George Woodbridge. Released in the US by Republic, under the title Tears for Simon. ~ Hal Erickson, All Movie Guide

Demi-Paradise stars Laurence Olivier as a Russian inventor (accent and all). In Europe to promote his new propeller device, Olivier is put off by English customs and manners-or, rather, the lack of the latter. No one in 1939 England trusts a foreigner, least of all one of those shifty "Reds", but when Russia and England become allies against the Nazis, the previously persona non grata Olivier is welcomed with open arms. Penelope Dudley Ward co-stars as Olivier's previously suspicious landlady, who ends up falling in love with him. Demi-Paradise was made before the comic quaintness that afflicted Olivier's later performances set in, thus his Russian portrayal is straightforward and most convincing. The film was released in the US as Adventure for Two. ~ Hal Erickson, All Movie Guide

Set in a quiet British village, Franchise Affair details the ramifications of a malicious lie. Schoolgirl Ketty Kane (Ann Stephens) hopes to cover up her own misbehavior by claiming that two local women, Marion Sharpe (Dulcie Gray) and Marion's mother (Marjorie Fielding), have kidnapped and abused her. Though the authorities swallow Ketty's story, village lawyer Robert Blair (Michael Dennison) had his doubts. Risking ostracism from the community, Blair quietly sets about to prove the innocence of the two women. ~ Hal Erickson, All Movie Guide

Wealthy American Joe Martin (Eugene Pallette) purchases an ancient Scottish castle and then has it dismantled and transferred to his Florida estate where he plans to reconstruct the castle brick by brick. Martin is unaware that his new acquisition comes equipped with an 18th-century ghost, played by Robert Donat. As the spectre, who feels as though his honor has been besmirched, flits around haunting one and all, Martin's daughter Peggy (Jean Parker) carries on a romance with the ghost's descendant, also played by Donat. It is only natural that the "live" and "dead" Donat will become mixed up, and this comedy of errors dominates the final scenes of The Ghost Goes West. The film was the first English-language production of French director René Clair -- and almost the last, due to producer Alexander Korda's insistence upon tampering with the original concept as laid down by Clair and screenwriter Robert E. Sherwood. ~ Hal Erickson, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

American FBI agent Dermot Walsh has his hands full when his car is incapacitated in a remote British village. No sooner does Walsh hit the pavement than he's pursued by enemy spies. It seems that our hero is in possession of some valuable secret information, and the only way he'll give it up is over his dead body-which might easily be arranged. Walsh in unexpectedly rescued by the bumbling antics of a local constable. Designed for the lower half of double bills, Night of the Full Moon became a TV staple less than a year after its theatrical release. ~ Hal Erickson, All Movie Guide