Clark Gregg Movies

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide

This is the third film based on Tom Clancy's high-tech espionage potboilers starring CIA deputy director Jack Ryan. Harrison Ford, returning to the Ryan role after his first go-round in 1992's Patriot Games, is assigned to a delicate anti-drug investigation after a close friend of the President (a Reaganesque Donald Moffat) is murdered by a Colombian drug cartel. When Ryan discovers that the President's wealthy friend was in league with the cartel, the President's devious national security adviser (Harris Yulin) and an ambitious CIA deputy director (Henry Czerny) send a secret paramilitary force into Colombia to wipe out the drug lords. The force is captured and then abandoned by the President's lackeys. It falls to Ryan to enter Colombia and rescue them, aided only by a renegade operative named Clark (Willem Dafoe), with both his life and career on the line. ~ Don Kaye, All Movie Guide

Near the end of The Usual Suspects, Kevin Spacey, in his Oscar-winning performance as crippled con man Roger "Verbal" Kint, says, "The greatest trick the Devil ever pulled was convincing the world he didn't exist." This may be the key line in this story; the farther along the movie goes, the more one realizes that not everything is quite what it seems, and what began as a conventional whodunit turns into something quite different. A massive explosion rips through a ship in a San Pedro, CA, harbor, leaving 27 men dead, the lone survivor horribly burned, and 91 million dollars' worth of cocaine, believed to be on board, mysteriously missing. Police detective Dave Kujan (Chazz Palminteri) soon brings in the only witness and key suspect, "Verbal" Kint. Kint's nickname stems from his inability to keep his mouth shut, and he recounts the events that led to the disaster. Five days earlier, a truckload of gun parts was hijacked in Queens, NY, and five men were brought in as suspects: Kint, hot-headed hipster thief McManus (Stephen Baldwin), ill-tempered thug Hockney (Kevin Pollak), flashy wise guy Fenster (Benicio Del Toro), and Keaton (Gabriel Byrne), a cop gone bad now trying to go straight in the restaurant business. While in stir, someone suggests that they should pull a job together, and Kint hatches a plan for a simple and lucrative jewel heist. Despite Keaton's misgivings, the five men pull off the robbery without a hitch and fly to Los Angeles to fence the loot. Their customer asks if they'd be interested in pulling a quick job while out West; the men agree, but the robbery goes horribly wrong and they soon find themselves visited by Kobayashi (Pete Postlethwaite), who represents a criminal mastermind named Keyser Soze. Soze's violent reputation is so infamous that he's said to have responded to a threat to murder his family by killing them himself, just to prove that he feared no one. When Kobayashi passes along a heist proposed by Soze that sounds like suicide, the men feel that they have little choice but to agree. ~ Mark Deming, All Movie Guide

Writer, director, and producer Adam Bernstein followed up the disastrous comedy It's Pat: The Movie (1994) with this black comedy that mixes elements of Psycho (1960) and Goodfellas (1990). Former male model Norman Reedus stars as Harry Odum, a henpecked, 18-year-old momma's boy in Youngstown, Ohio, who -- with his violent temper -- impresses a local boss of the Jewish Mafia. Soon he's found his calling as a hit man alongside his crack addict partner Arnie Finklestein (Adrien Brody), and he discovers that his rage and complicated psychosis fuel his murderous abilities. Harry also falls for the organization's limping, Hungarian-born maid Iris (Elina Lowensohn), a romance complicated by Harry's Oedipal, sexual relationship with his domineering mother Kate (Deborah Harry).Six Ways to Sunday (1997) was based on the Charles Perry novel Portrait of a Young Man Drowning. ~ Karl Williams, All Movie Guide

Echoing the themes of Living in Oblivion and Irma Vep, David Mamet's seventh feature centers on the havoc wrought on the inhabitants of a small town by a troubled film production. After its leading man's propensity for teenage girls gets them banished from their New Hampshire location, a film crew relocates to the small town of Waterford, VT, to finish shooting "The Old Mill." As its title suggests, the film depends on the presence of a genuine mill, something the town is reported to possess. Unfortunately, with only days before principal photography begins, it becomes apparent that the mill in fact burned down decades ago. Unfazed, the film's director, Walt Price (William H. Macy), places his faith in the ability of first-time screenwriter Joseph Turner White (Philip Seymour Hoffman) to alter the script; what he doesn't count on is White's apparently bottomless reserve of angst-fueled writer's block. The film's leading lady (Sarah Jessica Parker) refuses to do her contracted nude scene unless she's give an ungodly sum of cash, while a foreign cinematographer offends the locals by messing with an historic firehouse, and the leading man, Bob Barrenger (Alec Baldwin), dallies with Carla (Julia Stiles), a crafty local teen. Everything comes to a head after Barrenger and Carla are injured in a car accident, which leads White to another emotional quandary and into the arms of Ann Black (Rebecca Pidgeon). ~ Rebecca Flint Marx, All Movie Guide

Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the "son" of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O'Connor). David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking "super toy" bear named Teddy. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator, Professor Hobby (William Hurt) reveals the secrets of the boy's creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick's treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977). ~ Karl Williams, All Movie Guide

Based on a true story, My Sister's Keeper stars Kathy Bates as Christine, who since childhood has suffered from a debilitating mental illness. Spending most of her life in and out of various institutions, Christine has long yearned for independence, but is unable to wrest free of her controlling mother, Helen (Lynn Redgrave). Upon Helen's death, her other daughter, Judy (Elizabeth Perkins), a successful, self-absorbed art director who has deliberately distanced herself from her family, is appointed trustee of the troubled Christine. The rest of the film chronicles Judy's frustrated efforts to balance her sister's needs with her own, and Christine's ongoing ambition to stand on her own two feet. Though the filmed studiously avoids false sentiment and pathos, it still manages to touch even the hardest of hearts. Adapted from a book by Margaret Moorman, My Sister's Keeper was first seen as a CBS "Hallmark Hall of Fame" presentation on January 27, 2002. ~ Hal Erickson, All Movie Guide

What was once a brave frontier town has become a haven for enlightened oddballs in this unusual drama from director Michael Polish, written in collaboration with his twin brother, Mark Polish. Northfork is a small town in Montana which, in 1955, is soon to disappear in the name of progress; a massive hydroelectric dam is to be put in nearby, which will flood the entire village. A group of six men sent by the power company -- led by Walter O'Brien (James Woods) and his son Willis (Mark Polish) -- arrive in Northfork to evacuate the few remaining residents. If the men are successful, they'll each be given parcels of land on the banks of the new lake which will be where Northfork once stood. Most of the townspeople have already left, but a few remain, among them Father Harlan (Nick Nolte), a man of the cloth who is caring for Irwin (Duel Farnes), a strange, scarred boy apparently on his deathbed, and a handful of enchanted eccentrics who have taken over a local bar, including Flower Hercules (Daryl Hannah), Cup of Tea (Robin Sachs), Happy (Anthony Edwards), and Cod (Ben Foster). As Walter and Willis try to persuade the stubborn stragglers to move on, Walter must search for a new final resting place for his late wife, whose coffin is the last to be relocated after Northfork's cemetery is dug up. Northfork received its world premier at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

For his first film since 1998's Twilight, acclaimed director Robert Benton helmed this tense drama written by Fatal Attraction co-scribe Nicholas Meyer and based on the novel of the same name by Philip Roth. Set in the late '90s at the height of the Clinton sex-scandal, The Human Stain stars Anthony Hopkins as Coleman Silk, a respected professor at a New England college who suddenly finds his life unraveling after a comment he makes about some African-American students is misinterpreted as a racial slur. As the scandal heats up, Nathan Zuckerman (Gary Sinise), a writer researching a biography of Silk, begins to dig deeper and deeper into Silk's life. Eventually, matters are made worse when an affair with a young married janitor named Faunia Farley (Nicole Kidman) is exposed. But amid the controversy, Silk must struggle to keep his greatest secret, a secret he's held for the majority of his life, from becoming public. Ed Harris, who previously worked with Benton in 1984's Places in the Heart, also stars. ~ Matthew Tobey, All Movie Guide

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura's kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura's death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004. ~ Andrea LeVasseur, All Movie Guide

Reclusive college freshman Bickford Schmeckler (Patrick Fugit) is a virtual fountain of cool ideas, and he records every single one of them in his prized, steel-bound notebook. When the notebook is stolen by hedonistic sorority girl Sarah (Olivia Wilde) during a toga party and subsequently comes into the possession of schizophrenic campus eccentric Spaceman (Matthew Lillard), the desperate Bickford embarks on a frantic quest to recover his most prized possession and prevent his life's work from being credited to someone else. John Cho and Fran Krantz star in a cinematic labor of love from writer/director Scott Lew - an ambitious first-time feature filmmaker who worked for eight years to bring his creative vision to the big screen. ~ Jason Buchanan, All Movie Guide