Rosamond Greenwood Movies

In Nicolas Roeg's adaptation of Roald Dahl's novel The Witches, a young boy is vacationing at the seaside with his grandmother when he discovers that the hotel he is staying at is hosting a convention of witches. Eavesdropping on the witches, he learns that the Grand High Witch (Anjelica Huston) has devised a plan to turn all of the children in England into mice. With creature-effects by Jim Henson's Creature Shop, The Witches was the last film Henson worked on before passing away in 1990. ~ Matthew Tobey, All Movie Guide

Michael Palin wrote and stars in this comedy as The Reverend Charles Fortescue, an unassuming missionary called back to England after spending ten years in Africa teaching children in a native village. Upon arriving in London, he finds that his new assignment is to take charge of a slum mission for prostitutes. He obtains money for the running of the mission from a wealthy woman, Lady Ames (Maggie Smith), whom he meets on the boat sailing to England from Africa. Lady Ames guarantees Fortescue the money on the condition that he take it upon himself to add a little spice to her dormant sex life. ~ Paul Brenner, All Movie Guide

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, All Movie Guide

This drama features a lonely woman who obsesses about her dead brother and when she finds a dead bike rider, she takes the body in and treats it as her brother. ~ All Movie Guide

Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide

The otherwise routine story and themes of this comedy are greatly balanced by talents of Anthony Newley as Jeep Jackson, a singing idol called up to serve in the British army and Lionel Jeffries as Bertie, a fussbudget adjutant. One of Jackson's superior officers is the brash Sgt. Lush (William Bendix) whose bark is much worse than his bite. Aside from the usual army types, Caroline (Anne Aubrey), the commander's daughter, adds a romantic nuance to the story when she falls for Jackson. And as in any story about a pop singer anywhere, Jackson manages to belt out a few songs. ~ Eleanor Mannikka, All Movie Guide

The title of the Anglo-American The Prince and the Showgirl could well have alluded to the genuine stations in life of stars Sir Laurence Olivier and Marilyn Monroe. Based on the Terence Rattigan play The Sleeping Prince, the film casts Olivier as Charles, prince regent of Carpathia, who is in London to attend the 1911 coronation of King George V. Monroe is deceptively dizzy American chorus girl Elsie Marina, who while performing in a West End revue catches Charles' eye. The prince arranges for Elsie to attend an "intimate supper" at his hotel suite. Though Elsie successfully wards off Charles' advances, she drinks too much bubbly and ends up falling asleep. Comes the dawn, and Prince Charles is anxious to show the awkward Elsie the door. She, however, has fallen in love with the prince, and sticks around long enough to upset a plan to overthrow the Carpathian throne, and to patch up a feud between Charles and his son Nicholas (Jeremy Spencer). Olivier directed as well as starred in The Prince and the Showgirl; he knew he had his work cut out for him in dealing with the mercurial Marilyn Monroe, but he managed to hold his temper and to extract a delightful comic performance from the actress. Alas, the film was a box-office disappointment, leading many Hollywood insiders to moan and wail that Monroe was "washed up" in films -- at least until her spectacular comeback in Billy Wilder's Some Like It Hot (1959). ~ Hal Erickson, All Movie Guide

The special appeal of Scots comedian Will Fyffe might be lost to American viewers unable to fathom Fyffe's bog-thick accent. Nonetheless, his "regional" British films of the 1930s and 1940s were extremely popular, and Heaven is Round the Corner is no exception. Fyffe plays a farmhand who, with several of his mates and a handful of opera singers and music-hall performers, show up in newly liberated Paris. When the group "invades" the British Embassy, an impromptu musical programme commences. The title song of Heaven is Round the Corner is rendered by Vera Lynn, the sweetheart of the British army during World War II, whose signature tune "We'll Meet Again" has entered into folklore (not to mention the apocalyptic closing scenes of Dr. Strangelove). ~ Hal Erickson, All Movie Guide

In this comedy, a work-aholic husband pacifies his complaining, neglected wife by buying her the fabulous Peterville Diamond while they are on vacation in Mexico. He then returns to his work. Meanwhile, a jewel thief learns of her acquisition and begins courting the lonely wife so he can steal the stone. ~ Sandra Brennan, All Movie Guide

Something of a precursor to 1947's A Double Life, Men Are Not Gods takes its title from a line in Othello -- aptly so, as that play figures prominently in the film. Actress Barbara Halford (Gertrude Lawrence) is married to Edmond Davey (Sebastian Shaw), a classical actor whose new production of Othello is about to open. Aware that influential critic Skeates has written a vociferously negative review, Barbara pleads with his secretary Ann (Miriam Hopkins) to rewrite the notice. She does so, and the production becomes a hit - and Ann becomes a hit with Davey, which fact sits well with neither Barbara nor Ann's boy friend Rex Harrison. Barbara, who is also playing Desdemona in the production, warns Ann to keep her hands off of her husband. But that night, as Othello chokes Desdemona, it seems suspiciously real, prompting Ann to scream out in horror from the audience. Afterward, Barbara reveals that she is pregnant; as she and Davey embrace, Ann quietly exits from the scene. ~ Craig Butler, All Movie Guide