Charlotte Greenwood Movies

Tall, long-legged comic actress Charlotte Greenwood received her first speaking part in a 1907 musical comedy starring the Rogers Brothers, a dialect team. She formed a vaudeville act called "Two Girls and a Piano," then performed solo specialty spots in such revues as The Passing Show, bringing houses down with her wisecracks and high kicks. Her stardom was secured in 1915 with a stage musical uniquely suited for her talents, So Long, Letty--the first of several productions in which Greenwood was cast as the energetic, man-chasing Letty. Also in 1915, she made her film debut in Jane. A Broadway headliner throughout the 1920s, Greenwood made her talkie bow in the 1930 film version of So Long Letty; she went on to co-star with Eddie Cantor in Palmy Days (1931), Bert Lahr in Flying High (1931) and Buster Keaton in Parlor, Bedroom and Bath (1931). By 1940, Greenwood had settled into character roles, usually playing the all-knowing aunt or guardian of the heroine. She brightened many a 20th Century-Fox musical of the 1940s, including Moon Over Miami (1941), Springtime in the Rockies (1942) and The Gang's All Here (1943). Rodgers and Hammerstein conceived the role of "Aunt Eller" in their 1943 Broadway hit Oklahoma with Greenwood in mind, but her film commitments made it impossible for her to appear in the original stage version of that musical. She finally got to play Aunt Eller in the 1955 film version of Oklahoma--one of her last screen appearances before her 1956 retirement. Married twice, Charlotte Greenwood's first husband was actor Cyril Ring, the brother of musical comedy star Blanche Ring and brother-in-law of actors Thomas Meighan and Charles Winninger. ~ Hal Erickson, All Movie Guide
1922  
 
Lily Becker (Hope Hampton) is the musically talented daughter whose mother forces her into a marriage to the son of a wealthy man. Mistreated by the callous husband, she flees to New York to make it in the music business. She gives birth to a child and attempts suicide when she nearly starves to death for lack of work. A sympathetic young songwriter who has been down the same road takes her in and offers her the benefit of his musical experience. Lily becomes a successful opera singer the very night her husband perishes in a train wreck. She also must overcome the tragic death of her beloved baby. Lily overcomes her misfortunes to become a successful singer. After her husband dies, she is free to pursue romance with the young maestro in this routine melodrama. ~ Dan Pavlides, All Movie Guide

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1928  
 
Filmed in 1917 with Frank Morgan and in 1921 with Fatty Arbuckle, Baby Mine was brought to the screen a third time in 1928. This time, the warhorse Margaret Mayo stage play was refashioned into a vehicle for the MGM comedy team of Karl Dane and George K. Arthur. The plot remains as always: Dane's wife Charlotte Greenwood, hoping to win back her husband after an argument, claims that she's delivered a bouncing baby boy. This time around, Dane and Arthur engage in some broad but hilarious byplay concerning diapers. There's also an amusing vignette involving a midget (smoking the inevitable cigar). For reasons unknown, Baby Mine was never remade as a talkie. ~ Hal Erickson, All Movie Guide

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Starring:
Karl DaneGeorge K. Arthur, (more)
1929  
 
In this musical comedy, an oddball wife fears that her husband's rich uncle will not like her and therefore disinherit her spouse, so she engages another woman to play her when the uncle comes to call. Songs include: "One Sweet Little Yes," "Clowning," "Beauty Shop," "Am I Blue?," "Let Me Have My Dreams," "My Strongest Weakness is You," (by Grant Clarke, Harry Akst), "Down Among the Sugar Cane" (by Clarke, Charles Tobias), and "So Long Letty" (Earl Carroll). ~ Sandra Brennan, All Movie Guide

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Starring:
Charlotte GreenwoodGrant Withers, (more)
1931  
 
Robert Montgomery plays an aimless young man who secures a job as a bailiff's deputy. Montgomery is assigned to guard a house under writ, but when he falls for the lady of the house (Irene Purcell), the boy decides to serve as her butler to keep up her family's appearances. Throughout the film, Montgomery assumes several more disguises to keep the family's legal reverses from becoming public. P. G. Wodehouse adapted H. M. Harwood's play The Man in Possession for this brisk film version. The story was Americanized in 1937 as Personal Property, with Robert Taylor and Jean Harlow in the leads. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MontgomeryCharlotte Greenwood, (more)
1931  
 
Two wives catch their husbands with other women and decide to take a vacation of their own in this drama. ~ Sandra Brennan, All Movie Guide

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1931  
 
Flying High was a nonsensical Broadway musical hit of 1930 starring Bert Lahr. The film version, made one year later by MGM, made a few efforts to "cinematize" the stage original, but the focus was on Lahr, re-creating his Broadway performance virtually verbatim -- except for his famous (and notorious) gag sequence involving a urinalysis! Lahr plays the goofy inventor of an "aerocopter" flying machine, who is compelled to prove the efficiency of his invention in a slapstick cross-country airmail delivery race. While Lahr's original Broadway co-star Kate Smith does not appear in the film, he was more than amply matched comedically by Charlotte Greenwood. The musical numbers for Flying High were choreographed by Busby Berkeley; one of his more engaging routines was later excerpted for the 1934 Ted Healy/Three Stooges two-reeler Plane Nuts. ~ Hal Erickson, All Movie Guide

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Starring:
Bert LahrCharlotte Greenwood, (more)
1931  
 
Eddie Cantor plays Eddie Simpson, a shy and jumpy young fellow who spontaneously bursts into song whenever he gets nervous. He works with the sly Yolando, a phony but successful psychic. The trouble in this lively musical farce begins when Yolando attempts to swindle the owner of the local bakery. ~ Sandra Brennan, All Movie Guide

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Starring:
Eddie CantorCharlotte Greenwood, (more)
1931  
 
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Based on the stage comedy by Charles W. Bell and Mark Swan (previously filmed in 1920), Parlor, Bedroom and Bath is a curious mixture of all that was good and everything that was bad in Buster Keaton's talkie features. Keaton plays Reginald Irving, a dimwitted bill-poster who finds himself the pawn in a scheme cooked up by wealthy Jeffrey Haywood (Reginald Denny). It seems that Jeffrey will not be permitted to marry Virginia Embrey (Sally Eilers) until a suitable husband is found for Virginia's older sister Angelica (Dorothy Christy). Since Angelica has rejected all the available suitors, Jeffrey schemes to offer Reginald as an eligible mate. First, however, he has to transform our dopey hero into a gentleman -- and a great lover. Somehow or other, poor Reginald innocently ends up in a compromising situation involving vampish Polly Hathaway (Charlotte Greenwood) and the very married Nita Leslie (Joan Peers) at a posh no-tell hotel. Keaton is permitted a few choice pantomimic moments in Parlor Bedroom and Bath, notably his scenes with the aggressive Charlotte Greenwood and a spectacular sight gag "borrowed" from his 1920 silent classic One Week. On the whole, however, Keaton is lost in a sea of unfunny dialogue and tired farcical situations -- a not untypical pitfall of his MGM talkies. Long unavailable due to legal complications, Parlor, Bedroom and Bath can be purchased from any of the public-domain video companies proliferating in the U.S. (Incidentally, that baronial "upstate New York" mansion in the film's early scenes was actually Buster Keaton's Beverly Hills home) ~ Hal Erickson, All Movie Guide

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Starring:
Buster KeatonCharlotte Greenwood, (more)
1932  
 
This crime drama chronicles the relationship between a jewel thief who has gone straight and his estranged son who is determined to be a criminal. The story is set aboard a ship. The ex-thief is hunting for $375,000 worth of stolen pearls. He also tries vainly to prevent his son from becoming a thief. ~ Sandra Brennan, All Movie Guide

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Starring:
Thomas MeighanCharlotte Greenwood, (more)
1934  
 
Hollywood movie-making is satirized in this comedy. The trouble begins when an American filmmaker decides to us a British army barracks and soldiers to add a realistic touch to his newest Foreign Legion film. The trouble is, the director is neither very good, nor well informed about military life, something that the brigadier general that helps the filmmaker is quick to point out. But this does not stop the director from trying to get the whole British army into the act. The real kicker is that the American film crew does not have permission to use the soldiers or the facilities. ~ Sandra Brennan, All Movie Guide

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Starring:
Charlotte GreenwoodJames Gleason, (more)
1938  
 
Dear Deer (1942), Hotel Anchovy (1934) and Love Your Neighbor (1930) comprise this collection of classic comedy shorts. ~ Kristie Hassen, All Movie Guide

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1940  
 
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Hollywood's handful of Technicolor cameras got a real workout on 20th Century-Fox's Down Argentine Way. Don Ameche stars as Ricardo Quintana, the charming son of a less charming Argentine horse breeder (Henry Stephenson). Betty Grable is vacationing American heiress Glenda Crawford, who "collects" horses as a hobby. Separated by a family feud, Ricard and Glenda must endure all sorts of setbacks and misunderstandings before crossing the romantic finish line. Filmed on location, Down Argentine Way served to introduce Brazilian bombshell Carmen Miranda, performing a variety of sizzling South American numbers with her own band. Also on hand are the Nicholas Brothers, whose show-stopping dance number has been spotlighted innumerable times in various "best of Hollywood musicals" compilations. ~ Hal Erickson, All Movie Guide

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Starring:
Don AmecheBetty Grable, (more)
1940  
NR  
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"Over the hill" at the tender age of 12, Shirley Temple closed out her 20th Century-Fox contract with the musical seriocomedy Young People. After years of trodding the boards in vaudeville, Wendy Ballantine (Temple) and her adoptive parents Joe (Jack Oakie) and Kit (Charlotte Greenwood retire) to a small town so that the youngster can receive a proper upbringing. Alas, the town is full of Babbitt-like bigots who disapprove of "show people", and who make no secret of their desire that Wendy and her family leave town immediately. But when a dangerous storm arises, the courage of Wendy, Joe and Kit-coupled with their rescue of several stranded children-forces the townsfolk to realign their thinking and welcome the family into their fold. The best moments in Young People occur at the very beginning, wherein Shirley Temple literally grows up before the audience's eyes via filmclips from her earlier starring vehicles (watch how Jack Oakie suddenly turns into James Dunn-from the waist down-in a musical number lifted from 1934's Stand Up and Cheer). ~ Hal Erickson, All Movie Guide

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Starring:
Shirley TempleJack Oakie, (more)
1940  
 
17-year-old Linda Darnell received her first big break in the appropriately titled 20th Century-Fox production Star Dust. Discovered by talent scout Thomas Brooke (Roland Young), teenager Carolyn Sayre (Darnell) is brought to Hollywood, where she is turned down for a contract because she is considered too young. Down but not out, Carolyn falls in love with studio contractee Bud Borden (John Payne), who promises to help her achieve her career goals. Teaming up with Brooke, Borden succeeds in winning a screen test for Carolyn, and the rest is gravy. As can be seen, Star Dust draws most of its inspiration from Linda Darnell's real-life rise to fame, which gives the cliched screenplay a bit of added depth and humanity. It's also amusing to watch William Gargan, cast as studio executive Dane Wharton, perform a devastating (albeit affectionate) take-off of 20th Century-Fox head man Darryl F. Zanuck, right down to DFZ's habit of swinging a polo mallet during story conferences. ~ Hal Erickson, All Movie Guide

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Starring:
Linda DarnellJohn Payne, (more)
1941  
 
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The first of several remakes of 1938's Three Blind Mice, the Technicolor musical Moon Over Miami stars Betty Grable and Carole Landis as Kay and Susan Latimer, two Texas carhops who journey to Florida in search of a rich husband. The plan is to have Kay pose as a millionairess, while Barbara and the girls' Aunt Susan (Charlotte Greenwood) pretend to be Kay's domestic staff. The two most likely matrimonial candidates are Miami playboys Phil O'Neil (Don Ameche) and Jeffrey Bolton (Robert Cummings), but when Kay finds out Phil is broke, she reluctantly throws him over for Jeff. Happily, romance wins out over greed, and Kay is reunited with Phil-not that Jeff ends up empty-handed (guess who he gets?). The musical highlights include the hit tune "You Started Something" and an energetic dance specialty by the Condos Brothers. ~ Hal Erickson, All Movie Guide

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Starring:
Don AmecheBetty Grable, (more)
1941  
 
Cesar Romero plays an outwardly tough prohibition-era gangster who in reality wouldn't hurt a fly. He maintains his "killer" reputation by planting evidence of his involvement at the scenes of other crooks' crimes. Romero begins aspiring for respectability when he falls in love with Virginia Gilmore and adopts the orphaned Stanley Clements. Through his own non-homicidal means, Romero redeems himself by wiping out a genuinely nasty gangster boss (Sheldon Leonard). Tall, Dark and Handsome was remade in 1950 as Love That Brute, with Paul Douglas in the Cesar Romero role--and with Romero playing the villain! ~ Hal Erickson, All Movie Guide

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Starring:
Cesar RomeroVirginia Gilmore, (more)
1941  
 
Ubiquitous 20th Century-Fox contractee Lynn Bari is the heroine of The Perfect Snob. Carefully raised by her social-climbing mother Martha (Charlotte Greenwood) to seek out a millionaire husband, debutante Chris Mason (Bari) throws herself at wealthy Freddie Browning (Alan Mowbray) during a Hawaiian vacation. But Chris secretly intends to follow the advise of her doctor father (Charles Ruggles) and marry for love rather than money. In this spirit, she pledges her troth to the handsome but apparently impoverished Mike Lord (Cornel Wilde). Much to everyone's surprise and delight, Mike turns out to be the owner of a thriving sugar plantation! Still several years removed from film stardom, Anthony Quinn goes through the "other man"paces generally reserved for Ralph Bellamy. ~ Hal Erickson, All Movie Guide

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Starring:
Charlie RugglesCharlotte Greenwood, (more)
1942  
 
A musical remake of the 1936 comedy Second Honeymoon and the starring debut of Betty Grable, Springtime in the Rockies tells the not unfamiliar story of Vicky Lane (Grable, a Broadway dancer despairing over the tardiness of her partner Dan Christy (John Payne) who, as it turns out, has instead been busily engaged in a bit of extracurricular activities with socialite Marilyn Crothers (Trudy Marshall). In disgust, Vicky teams up with a former partner, Victor Prince (Cesar Romero), and leaves for the great outdoors while Dan attempts to go on without her. Unfortunately, the Commissioner (Jackie Gleason), Dan's harried agent, can only find backing for a new show if Dan and Vicky reunite and soon everyone, including ditzy secretary Rosita Murphy (Carmen Miranda) and Dan's flibbertigibbet valet McTavish ($Edward Everett Horton), descends on the Canadian resort of Lake Louise where Harry James and His Music Makers make their headquarter. The usual complications arise but McTavish suddenly inherits a handsome sum of money and agrees to back a new show starring Vicky and Dan, Victor and Rosita, and the ubiquitous Harry James.Betty Grable performs "Ciribiribin and other popular selections, Carmen Miranda makes mincemeat of "Chattanooga Choo Choo" (in Portuguese, no less!), while band vocalist Helen Forrest and the Music Makers take care of the film's hit tune, Harry Warren and Mack Gordon's "I Had the Craziest Dream". ~ Hans J. Wollstein, All Movie Guide

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Starring:
Betty GrableJohn Payne, (more)
1943  
 
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Sgt. Andy Mason Jr. (James Ellison) is on the eve of shipping out from New York with his unit -- he's the son of Andrew Mason Sr. (Eugene Pallette), a wealthy, blustery Wall Street financier. While paying respects to his father and the latter's business partner, dithering fuss-budget Peyton Potter (Edward Everett Horton), at the Club New Yorker, he spots chorus girl Eadie Allen (Alice Faye) and turns on the charm and all of the allure that the ne'er-do-well son of a Wall Street millionaire can muster. That, however, doesn't impress Eadie, who ignores his invitation so she can do her patriotic bit helping servicemen at the Stage Door Canteen (or, as it's called here, the "Broadway Canteen"). Realizing how down to earth and genuine she is -- exactly the kind of girl who doesn't care about his money or social position -- Andy shows a bit of the boyish innocence he has hidden beneath the arrogance that comes from his background of wealth and privilege, and also some humility, hiding that background and his real name. Before the night and their "date" on the Staten Island Ferry are over, they're genuinely in love with each other, but that presents a problem -- since age 12, Andy has been unofficially "engaged" to Potter's daughter Vivian (Sheila Ryan), who expects to marry him, and he can't quite bring himself to hurt Vivian by telling her that he's met someone else.

Flash forward a few months, and Andy is on his way home on leave, a hero in the Pacific, and his father is so proud that he has to do something special to honor him, trying to rent out the Club New Yorker for a party but discovering that it's closed for rehearsals of a new production. Suddenly, his fatherly devotion, patriotism, and Wall Street experience all click together -- he brings the entire performing company, plus Benny Goodman's band, up to his and Potter's adjoining estates in Westchester to stage their act for his upscale neighbors and friends as part of the biggest War Bond rally ever seen (minimum admission a new 5,000-dollar War Bond), and in the process giving his son the biggest party he's ever seen. This leads to more comic turns for Horton's Potter, as a man who would make coffee nervous -- especially around show people -- but delights his ex-dancer wife (Charlotte Greenwood). That's also how Eadie and Vivian end up at the Potter mansion together, comparing notes on their remarkably similar respective fiancés. When the show's star, Dorita (Carmen Miranda), lets the cat out of the bag, it looks like Andy may lose Eadie, who can't bear to lose Andy but also won't even try to take him away from Vivian, who loves him too, but has loved him a lot longer. But while they sort out their romance, the show must go on, and go on it does. ~ Bruce Eder, All Movie Guide

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Starring:
Alice FayeCarmen Miranda, (more)
1943  
 
Lois Andrews, best known in 1943 as the ex-wife of comedian Georgie Jessel, plays the title character in this cinemadaptation of Joseph P. McEvoy's popular comic strip Dixie Dugan. Swept up in the war effort, Dixie gets a job as secretary to government official Roger Hudson (James Ellison). Though Roger pursues her romantically, Dixie remains faithful to her defense-plant-worker fiancee Matt Hogan (Eddie Foy Jr.) Both Roger and Matt believe that a woman's place is in the home, but Dixie proves that their chauvinism is out of place during the National Emergency. Lois Andrews' inexperience is modified somewhat by the assured performances of Charlotte Greenwood and Charlie Ruggles as Dixie's parents. ~ Hal Erickson, All Movie Guide

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Starring:
James EllisonCharlotte Greenwood, (more)
1944  
 
In this touching drama, city-slicker Sparke Thorton goes to live on his aunt and uncle's horse farm in the country. The couple have basically retired from horse-breeding and only have one trotter left. Sparks fly when the young man meets the lovely Char and Cri-Cri, the two farm girls who introduce him to the finer aspects of country life including the cool pleasures of the swimming hole. He soon decides that he wants to raise a filly and become a champion racer. His uncle and the handyman help him. Much of the film was shot on location on racetracks in Kentucky, Indiana, and Ohio. There is also a sequence depicting the filly's birth, but it is sensitively handled. ~ Sandra Brennan, All Movie Guide

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Starring:
Walter BrennanLon McCallister, (more)
1944  
 
Up in Mabel's Room was one of a mid-1940s series of profitable film revivals of venerable theatrical comedies, all produced by Edward Small and directed by Allan Dwan. Previously filmed in 1925, this rusty-dusty stage perennial was written by Otto Harbach and Willson Collison; Tom Reed was the scenarist hired to bring the play's creaky plot contrivances up to date. The story hinges on the fact that newly-married Gary Ainsworth (Dennis O'Keefe) once gave his former sweetheart Mabel (Gail Patrick) a sexy negligee with his initials embroidered in the lacework. It is Gary's unenviable task to retrieve the incriminating undergarment from Mabel's room before his wife Geraldine (Marjorie Reynolds) gets wise. Most of the film's laughs are generated by Mischa Auer as dour manservant Boris. ~ Hal Erickson, All Movie Guide

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Starring:
Marjorie ReynoldsDennis O'Keefe, (more)
1946  
 
In this adventure, a young woman travels across Europe in search of her brother who was listed as missing in action during WW II. He had earlier told her that should he ever disappear, he could be found on a certain tiny island. She and her brother's girl friend head off and meet a strange old man. Though his boat is 300 miles from the nearest sea, she asks him to take her to this strange "dream" island. Suddenly a violent storm comes up and the land is flooded. The little boat is flushed out to sea. The hapless drifters end up saved by the Coast Guard who returns them to the brother who has at long last returned. Songs include: "Give Me the Simple Life," "I Wish I Could Tell You," "Into the Sun" (Harry Ruby, Rube Bloom), and "Who Knows?" (Don Raye, Gene De Paul). ~ Sandra Brennan, All Movie Guide

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Starring:
John PayneJune Haver, (more)
1947  
 
Allan Dwan directs the family-oriented drama Driftwood, starring nine-year-old Natalie Wood. Orphan Jenny Hollingsworth (Wood) is found in a rural small town in Nevada that is ravaged by Rocky Mountain fever. She meets the local doctor, Steve Webster (Dean Jagger), who is working on a research project. Steve plans on leaving the girl with his girlfriend, Susan Moore (Ruth Warrick), while he goes to San Francisco to do research. However, enny's dog attacks a little boy and gets taken away by Sheriff Bolton (James Bell). Jenny develops Rocky Mountain fever from the dog and gets deathly ill. Also starring Walter Brennan as Murph, Charlotte Greenwood as Mathilda, and Jerome Cowan as Mayor Snyder. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Walter BrennanJames Bell, (more)
1949  
 
Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide

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Starring:
June HaverMark Stevens, (more)

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