Charlotte Greenwood Movies

Producer-director David Butler once listed Glory as among his favorite films. Margaret O'Brien plays her first grown-up role as the owner of the eponymous racing filly. Despite the fact that the horse seems to be a dud, Margaret insists upon entering Glory in race after race. This proves financially draining to Margaret and her grandmother Charlotte Greenwood, but Walter Brennan, trainer for handsome horse breeder John Lupton, helps to raise the necessary funds to enter Glory in--what else?--the Kentucky Derby. The inevitable romance between Margaret and Lupton is less interesting than the combative (but basically affectionate) relationship between ageing ex-sweethearts Greenwood and Brennan. With the uncredited aid of Lawrence Welk Show costar Norma Zimmer, Margaret O'Brien warbles three songs. ~ Hal Erickson, All Movie Guide

Esther Williams stars in this button-cute musical about a health-conscious family of swimmers who fall in with con man Windy Weebe (Jack Carson). The Higgins family decides to swim the English Channel in order to raise money to purchase a prize bull for their Arkansas farm. As she practices for the English Channel swim, Katie Higgins (Esther Williams) gets lost in the fog and is rescued by wealthy wine merchant Andre Lanet (Fernando Lamas), and she falls for him hard. The film is distinguished by a climactic English Channel swim and an animated underwater cartoon sequence with Williams and animated MGM contract players Tom and Jerry reprising the Arthur Schwartz and Johnny Mercer tune "In My Wildest Dreams." ~ Paul Brenner, All Movie Guide

Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide

Allan Dwan directs the family-oriented drama Driftwood, starring nine-year-old Natalie Wood. Orphan Jenny Hollingsworth (Wood) is found in a rural small town in Nevada that is ravaged by Rocky Mountain fever. She meets the local doctor, Steve Webster (Dean Jagger), who is working on a research project. Steve plans on leaving the girl with his girlfriend, Susan Moore (Ruth Warrick), while he goes to San Francisco to do research. However, enny's dog attacks a little boy and gets taken away by Sheriff Bolton (James Bell). Jenny develops Rocky Mountain fever from the dog and gets deathly ill. Also starring Walter Brennan as Murph, Charlotte Greenwood as Mathilda, and Jerome Cowan as Mayor Snyder. ~ Andrea LeVasseur, All Movie Guide

In this touching drama, city-slicker Sparke Thorton goes to live on his aunt and uncle's horse farm in the country. The couple have basically retired from horse-breeding and only have one trotter left. Sparks fly when the young man meets the lovely Char and Cri-Cri, the two farm girls who introduce him to the finer aspects of country life including the cool pleasures of the swimming hole. He soon decides that he wants to raise a filly and become a champion racer. His uncle and the handyman help him. Much of the film was shot on location on racetracks in Kentucky, Indiana, and Ohio. There is also a sequence depicting the filly's birth, but it is sensitively handled. ~ Sandra Brennan, All Movie Guide

Sgt. Andy Mason Jr. (James Ellison) is on the eve of shipping out from New York with his unit -- he's the son of Andrew Mason Sr. (Eugene Pallette), a wealthy, blustery Wall Street financier. While paying respects to his father and the latter's business partner, dithering fuss-budget Peyton Potter (Edward Everett Horton), at the Club New Yorker, he spots chorus girl Eadie Allen (Alice Faye) and turns on the charm and all of the allure that the ne'er-do-well son of a Wall Street millionaire can muster. That, however, doesn't impress Eadie, who ignores his invitation so she can do her patriotic bit helping servicemen at the Stage Door Canteen (or, as it's called here, the "Broadway Canteen"). Realizing how down to earth and genuine she is -- exactly the kind of girl who doesn't care about his money or social position -- Andy shows a bit of the boyish innocence he has hidden beneath the arrogance that comes from his background of wealth and privilege, and also some humility, hiding that background and his real name. Before the night and their "date" on the Staten Island Ferry are over, they're genuinely in love with each other, but that presents a problem -- since age 12, Andy has been unofficially "engaged" to Potter's daughter Vivian (Sheila Ryan), who expects to marry him, and he can't quite bring himself to hurt Vivian by telling her that he's met someone else.

Flash forward a few months, and Andy is on his way home on leave, a hero in the Pacific, and his father is so proud that he has to do something special to honor him, trying to rent out the Club New Yorker for a party but discovering that it's closed for rehearsals of a new production. Suddenly, his fatherly devotion, patriotism, and Wall Street experience all click together -- he brings the entire performing company, plus Benny Goodman's band, up to his and Potter's adjoining estates in Westchester to stage their act for his upscale neighbors and friends as part of the biggest War Bond rally ever seen (minimum admission a new 5,000-dollar War Bond), and in the process giving his son the biggest party he's ever seen. This leads to more comic turns for Horton's Potter, as a man who would make coffee nervous -- especially around show people -- but delights his ex-dancer wife (Charlotte Greenwood). That's also how Eadie and Vivian end up at the Potter mansion together, comparing notes on their remarkably similar respective fiancés. When the show's star, Dorita (Carmen Miranda), lets the cat out of the bag, it looks like Andy may lose Eadie, who can't bear to lose Andy but also won't even try to take him away from Vivian, who loves him too, but has loved him a lot longer. But while they sort out their romance, the show must go on, and go on it does. ~ Bruce Eder, All Movie Guide

A musical remake of the 1936 comedy Second Honeymoon and the starring debut of Betty Grable, Springtime in the Rockies tells the not unfamiliar story of Vicky Lane (Grable, a Broadway dancer despairing over the tardiness of her partner Dan Christy (John Payne) who, as it turns out, has instead been busily engaged in a bit of extracurricular activities with socialite Marilyn Crothers (Trudy Marshall). In disgust, Vicky teams up with a former partner, Victor Prince (Cesar Romero), and leaves for the great outdoors while Dan attempts to go on without her. Unfortunately, the Commissioner (Jackie Gleason), Dan's harried agent, can only find backing for a new show if Dan and Vicky reunite and soon everyone, including ditzy secretary Rosita Murphy (Carmen Miranda) and Dan's flibbertigibbet valet McTavish ($Edward Everett Horton}), descends on the Canadian resort of Lake Louise where Harry James and His Music Makers make their headquarter. The usual complications arise but McTavish suddenly inherits a handsome sum of money and agrees to back a new show starring Vicky and Dan, Victor and Rosita, and the ubiquitous Harry James.Betty Grable performs "Ciribiribin and other popular selections, Carmen Miranda makes mincemeat of "Chattanooga Choo Choo" (in Portuguese, no less!), while band vocalist Helen Forrest and the Music Makers take care of the film's hit tune, Harry Warren and Mack Gordon's "I Had the Craziest Dream". ~ Hans J. Wollstein, All Movie Guide

Cesar Romero plays an outwardly tough prohibition-era gangster who in reality wouldn't hurt a fly. He maintains his "killer" reputation by planting evidence of his involvement at the scenes of other crooks' crimes. Romero begins aspiring for respectability when he falls in love with Virginia Gilmore and adopts the orphaned Stanley Clements. Through his own non-homicidal means, Romero redeems himself by wiping out a genuinely nasty gangster boss (Sheldon Leonard). Tall, Dark and Handsome was remade in 1950 as Love That Brute, with Paul Douglas in the Cesar Romero role--and with Romero playing the villain! ~ Hal Erickson, All Movie Guide

Hollywood's handful of Technicolor cameras got a real workout on 20th Century-Fox's Down Argentine Way. Don Ameche stars as Ricardo Quintana, the charming son of a less charming Argentine horse breeder (Henry Stephenson). Betty Grable is vacationing American heiress Glenda Crawford, who "collects" horses as a hobby. Separated by a family feud, Ricard and Glenda must endure all sorts of setbacks and misunderstandings before crossing the romantic finish line. Filmed on location, Down Argentine Way served to introduce Brazilian bombshell Carmen Miranda, performing a variety of sizzling South American numbers with her own band. Also on hand are the Nicholas Brothers, whose show-stopping dance number has been spotlighted innumerable times in various "best of Hollywood musicals" compilations. ~ Hal Erickson, All Movie Guide

17-year-old Linda Darnell received her first big break in the appropriately titled 20th Century-Fox production Star Dust. Discovered by talent scout Thomas Brooke (Roland Young), teenager Carolyn Sayre (Darnell) is brought to Hollywood, where she is turned down for a contract because she is considered too young. Down but not out, Carolyn falls in love with studio contractee Bud Borden (John Payne), who promises to help her achieve her career goals. Teaming up with Brooke, Borden succeeds in winning a screen test for Carolyn, and the rest is gravy. As can be seen, Star Dust draws most of its inspiration from Linda Darnell's real-life rise to fame, which gives the cliched screenplay a bit of added depth and humanity. It's also amusing to watch William Gargan, cast as studio executive Dane Wharton, perform a devastating (albeit affectionate) take-off of 20th Century-Fox head man Darryl F. Zanuck, right down to DFZ's habit of swinging a polo mallet during story conferences. ~ Hal Erickson, All Movie Guide

Hollywood movie-making is satirized in this comedy. The trouble begins when an American filmmaker decides to us a British army barracks and soldiers to add a realistic touch to his newest Foreign Legion film. The trouble is, the director is neither very good, nor well informed about military life, something that the brigadier general that helps the filmmaker is quick to point out. But this does not stop the director from trying to get the whole British army into the act. The real kicker is that the American film crew does not have permission to use the soldiers or the facilities. ~ Sandra Brennan, All Movie Guide

Robert Montgomery plays an aimless young man who secures a job as a bailiff's deputy. Montgomery is assigned to guard a house under writ, but when he falls for the lady of the house (Irene Purcell), the boy decides to serve as her butler to keep up her family's appearances. Throughout the film, Montgomery assumes several more disguises to keep the family's legal reverses from becoming public. P. G. Wodehouse adapted H. M. Harwood's play The Man in Possession for this brisk film version. The story was Americanized in 1937 as Personal Property, with Robert Taylor and Jean Harlow in the leads. ~ Hal Erickson, All Movie Guide