Mischa Auer Movies
The screen's foremost "Mad Russian" (though he was more dour than demented in most of his movie appearances), Mischa Auer was the son of a Russian navy officer who died in the Russo-Japanese war. Auer's family scattered during the Bolshevik revolution, forcing the 12-year-old Mischa to beg, borrow, and steal to survive. Orphaned during a typhus epidemic, Auer moved to New York where he lived with his maternal grandfather, violinist Leopold Auer. Inspired by the elder Auer to become a musician, Mischa entered the Ethical Culture School in New York, where he developed an interest in acting. Playing small parts on Broadway and with Eva LeGalleine's company, Auer persisted until his roles increased in size and importance. While appearing with the Bertha Kalich Company in Los Angeles, Auer was hired by Hollywood director Frank Tuttle for a minor role in the Esther Ralston comedy Something Always Happens (1927). During his first nine years in films, the tall, foreboding Auer was typecast as sinister foreigners, often playing villainous Hindu priests, Arab chieftains, and feverish anarchists. His comic gifts were finally tapped by improvisational director Gregory La Cava, who cast Auer as society matron Alice Brady's free-loading "protege" in My Man Godfrey (1936). Thereafter, the actor flourished in eccentric comedy roles in such films as 100 Men and a Girl (1937), You Can't Take It With You (1938) (in which he popularized the catchphrase "Confidentially, it stinks!"), Destry Rides Again (1939), and Hellzapoppin' (1941). During the 1940s, Auer starred in the radio series Mischa the Magnificent and headlined several Broadway flops. The following decade, he spent most of his time in Europe, playing aging oddballs in films like Orson Welles' Mister Arkadin (1955). Among Mischa Auer's last professional engagements was a 1964-1965 revival of The Merry Widow -- one of his few successful stage ventures. ~ Hal Erickson, All Movie Guide- 1945
Ernst Lubitsch was the original director for A Royal Scandal, but illness forced him to bow out; his replacement was Otto Preminger, who did his utmost to retain the "Lubitsch touch." Based on a play by Lajos Biro and Melchior Lengyel, the film dwells upon a fictional incident in the life of Russia's Catherine the Great, here played with blue-blooded bawdiness by Tallulah Bankhead. Catherine falls in love with a handsome young army officer (William Eythe), who turns out to be an insurrectionist planning her downfall. At the last moment, Catherine relents, allowing the officer to escape with his true love, lady-in-waiting Anne Baxter. A bit too cute for its own good, Royal Scandal has some choice moments: Most notable are Tallulah Bankhead's pained reaction upon being hailed as "The Mother of All Russias," and supporting actor Grady Sutton's southern-accented reference to the "U-ral Mountains". ~ Hal Erickson, All Movie Guide
- Starring:
- Tallulah Bankhead, Charles Coburn, (more)
- 1944
Freely adapted from a successful Broadway musical by Moss Hart, this story stars Ginger Rogers as Liza Elliott, the editor of a popular fashion magazine. Despite her beauty, wealth, and success in business, Liza is unhappy and out of sorts. And while three men are vying for her affections -- advertising director Charley Johnson (Ray Milland), newly single Kendall Nesbitt (Warner Baxter), and youthful and handsome Randy Curtis (Jon Hall) -- Liza has been unlucky in love, and she feels that she's come to the end of her emotional rope. She begins seeing Dr. Brooks (Barry Sullivan) in hopes of resolving her emotional crises and finding happiness, and her self-searching explorations of her past take the form of a handful of musical numbers. While the stage version of Lady in the Dark featured songs written by the estimable team of Kurt Weill and Ira Gershwin, several of them were replaced for this screen adaptation; "The Saga of Jenny", "One Life to Love", and "Girl of the Moment" were the most notable among the Weill/Gershwin tunes that survived the editing process. ~ Mark Deming, All Movie Guide
- Starring:
- Ginger Rogers, Ray Milland, (more)
- 1944
Up in Mabel's Room was one of a mid-1940s series of profitable film revivals of venerable theatrical comedies, all produced by Edward Small and directed by Allan Dwan. Previously filmed in 1925, this rusty-dusty stage perennial was written by Otto Harbach and Willson Collison; Tom Reed was the scenarist hired to bring the play's creaky plot contrivances up to date. The story hinges on the fact that newly-married Gary Ainsworth (Dennis O'Keefe) once gave his former sweetheart Mabel (Gail Patrick) a sexy negligee with his initials embroidered in the lacework. It is Gary's unenviable task to retrieve the incriminating undergarment from Mabel's room before his wife Geraldine (Marjorie Reynolds) gets wise. Most of the film's laughs are generated by Mischa Auer as dour manservant Boris. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Reynolds, Dennis O'Keefe, (more)
- 1943
In this '40s film Kay Kyser parades an entertainment group all over the globe providing laughs for the boys in battle. This film realistically portrays the role of the USO during the WW II time period. ~ All Movie Guide
- Starring:
- Mischa Auer
- 1942
In this comedy, a slightly addled young advertising executive works for his father's radio-advertising agency. His first job is to hire a famous big-game hunter for an upcoming show. Unfortunately, the man he chooses proves to be a fake and mayhem ensues. ~ Sandra Brennan, All Movie Guide
- 1942
This third film version of the hectic Margaret Mayo-Salisbury Field stage farce Twin Beds officially stars George Brent and Joan Bennett, but it's Mischa Auer's picture all the way. Newlyweds Mike and Julia Abbott (Brent and Bennett) can never be "alone at last" thanks to the unwelcome drop-ins by their friends, including flamboyant Russian musician Nicolai Cherupin (Auer) and his wife Sonya (Glenda Farrell), and by Julia's ex-beau Larky (Ernest Truex) and his wife Lydia (Una Merkel). Seeking to escape their well-meaning but intrusive chums, Mike and Julia move into a luxury apartment, only to discover that their next-door neighbors are?.you guessed it. The fun begins when the drunken Nicolai wanders into Julia's boudoir by mistake. Attempting to hide Nicolai's presence from Mike, Julia gets deeper and deeper in trouble when Sonya shows up demanding to know her husband's whereabouts. Just when it seems that things can't get any worse, who should arrive on the scene but Larky, in hot pursuit of a nonexistent burglar. Twin Beds is one of several screwball comedies (Nothing Sacred, Rage of Paris, My Man Godfrey) currently available on the Public Domain video circuit. ~ Hal Erickson, All Movie Guide
- Starring:
- George Brent, Joan Bennett, (more)
One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide
- Starring:
- Humphrey Bogart, Ingrid Bergman, (more)
- 1941
Acclaimed French filmmaker Rene Clair made his American debut with this period comedy/drama. Claire Ledeux (Marlene Dietrich) leaves her native France and arrives in New Orleans, Louisiana in 1841, with one goal in mind: marrying a wealthy man. Posing as a pillar of society and a woman of means, Claire sets her sights on Charles Giraud (Roland Young), who is good looking and rich, but she soon discovers that ship captain Robert Latour (Bruce Cabot) is also vying for her hand. However, when Zoltov (Mischa Auer), who knew Claire from the old country, starts dropping heavy hints about her scandalous reputation in Europe, Claire tries to convince everyone that he's really talking about her cousin, even going so far as to disguise herself as the phantom cousin to add weight to her ruse. Three Stooges fans should keep an eye peeled for a brief appearance by Shemp Howard, who plays a waiter; Andy Devine, Franklin Pangborn, and Clarence Muse also appear in the supporting cast. ~ Mark Deming, All Movie Guide
- Starring:
- Marlene Dietrich, Bruce Cabot, (more)
- 1941
Another cookie-cutter Universal minimusical, Moonlight in Hawaii gathered together the usual suspects-Johnny Downs, Leon Errol, Jane Frazee, Mischa Auer, Sunny O'Dea et. al.--in their usual roles. Downs plays a young man named Pete, who shepherds a group of sightseers to Honolulu. Pete's greatest ambition is to star on radio with his pals the Merry Macs, and to this end he curries favor with potential sponsors Spencer (Leon Errol) and Lawton (Richard Carle), partners in a pineapple-juice factory. The complications begin piling up when Spencer and Lawton have a falling out over the affections of wealthy dowager Mrs. Floto (Marjorie Gateson), forcing Pete and his pals to play matchmaker. Superstar-to-be Maria Montez shows up in a bit role as a hula-hula dancer. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Frazee, Leon Errol, (more)
- 1941
No relation to the Cracked Nuts he directed in 1931, this hokey sci-fi-comedy from director Edward F. Cline stars Stuart Erwin as Lawrence Trent, a country rube who wins a refrigerator-slogan contest and gets some money for his efforts. Meanwhile, mad scientist Boris Kabikoff (Mischa Auer) builds a silly-looking robot in his own image and hooks up with a New York patent attorney (William Frawley from I Love Lucy) to bilk Trent out of his prize money. Shemp Howard plays the robot as a lusty creature with a penchant for skirt-chasing and is used by black servant Chloe (Hattie Noel) to do housechores and frighten her husband Burgess (Mantan Moreland), who has a gambling problem. Una Merkel co-stars with Astrid Allwyn and Pierre Watkin. ~ Robert Firsching, All Movie Guide
- 1941
Three different Universal pictures made between 1922 and 1941 bore the catchall title Don't Get Personal. The 1941 film stars Hugh Herbert as a ditzy pickle manufacturer whose favorite radio program stars Jane Frazee and Robert Paige. The couple plays a bickering husband and wife on the air, and Herbert mistakes their scripted bouts for the real thing. He heads to the radio station to patch up their differences, but succeeds in embroiling the actors in a real battle. Don't Get Personal seems to have been made at the same time as Universal Hellzapoppin' (41), with at least four actors (Hugh Herbert, Robert Paige, Jane Frazee and Mischa Auer) appearing in both films. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Herbert, Mischa Auer, (more)
- 1941
Hold That Ghost was the second of Abbott and Costello's starring films, but was held back from release in favor of their third picture, the more "topical" In the Navy. In Ghost, Bud and Lou play a couple of service-station owners who happen to be hanging around when gangster Moose Mattson (William B. Davidson) is killed. According to the terms of Mattson's will, whosoever is present when "the coppers dim my lights for the last time" will inherit his estate, which consists of a deserted mansion in the middle of nowhere. Crooked attorney Russell Hicks, who knows that Mattson has hidden hundreds of thousands of dollars somewhere in the lodge, dispatches sinister Charlie Smith (Marc Lawrence) to escort Abbott and Costello to the house, with instructions to "take care" of the trusting boys once they've arrived. Charlie charters a bus to take A&C out to the mansion; also on board, going off to various other destinations, are handsome Dr. Jackson (Richard Carlson), lovely Norma Lind (Evelyn Ankers) and professional radio screamer Camille Brewster (Joan Davis). It is inevitable that this disparate group is stranded along with Abbott and Costello in the forbidding mansion on a dark and stormy night. Charlie Smith is promptly murdered by parties unknown; throughout the rest of the film, Charlie's body pops up at the most inopportune moments, reducing the already tremulous Costello to a quivering mass of jello. The plot is merely an excuse to showcase Abbott and Costello's superbly timed cross-talking routines, a riotous impromptu dance performed by Costello and Joan Davis, and, of course, the legendary "moving candle" bit, which may well be Costello's funniest-ever screen scene. Hold That Ghost was originally designed and previewed as a 65-minute programmer title Oh, Charlie, but Universal decided to expand the length and throw in a few guest stars to secure top-of-the-bill bookings. This is why Hold That Ghost begins and ends with barely relevant musical numbers featuring Ted Lewis and the Andrews Sisters. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1941
In this musical, an idealistic college graduate is bitten by the show business bug after he finds success writing and producing the campus variety show. Wanting to launch his career, he convinces his father to allow him to create a production using the workers at the old man's clothing factory. Unfortunately, the young man is naive and an unscrupulous producer bilks his father's advance money from him. Fortunately, the loyal and clever employees help out and the show is a tremendous success. Songs include "Two Weeks Vacation with Pay," "Mister Yankee Doodle," "Rug-Cuttin' Romeo," "Boogie Woogie Man," "Dancing on the Air," "Walk with Me," "We Too Can Sing" (Milton Rosen, Everett Carter). ~ Sandra Brennan, All Movie Guide
- Starring:
- Johnny Downs, Jane Frazee, (more)
- 1941
Hellzapoppin' is the film version of the "anything goes" Broadway hit starring Ole Olsen and Chic Johnson. The original production was part musical comedy, part "blackout" revue, with wild sight gags, zany props, audience participation sequences, dirty jokes, and never-ending gunshots. There was no plot, and in fact no two performances were exactly alike. When Hellzapoppin' was optioned by Universal, the original intention was to film the play as it stood (minus the more ribald one-liners), but the studio got cold feet and grafted on a conventional plot and romantic interest. The film's story concerns a musical show being staged at a fancy estate, and the romantic triangle of the show's producer (Robert Paige), the wealthy girl who lives at the estate (Jane Frazee), and the girl's erstwhile fiance (Lewis Howard). The show's stars are Olsen, Johnson, and Martha Raye. Martha is mistaken for the wealthy girl by a penniless Russian aristocrat (Mischa Auer), and the entire proceedings are "investigated" by a goofy private detective (Hugh Herbert). Olsen and Johnson are thus reduced to supporting players in their own film, but when they do manage to command the screen, the results are hilarious. The best moments range from a throwaway gag about Citizen Kane (Johnson finds a sled marked "Rosebud" and mutters "I thought they burned that!") to the more elaborate special-effects routines involving the mixed-up projectionist (Shemp Howard) who's ostensibly running Hellzapoppin for the benefit of the film audience. While the movie version fails to completely capture the spirit of the original play (except in a bizarre opening sequence), and the finale is a major disappointment, Hellzapoppin remains one of the few sustained filmic examples of the "nut humor" exemplified by Olsen and Johnson. ~ Hal Erickson, All Movie Guide
- Starring:
- Ole Olsen, Chic Johnson, (more)
- 1940
Margie is one of the fast and funniest of Universal's pocket musicals, though its two-director dichotomy hardly seems necessary. Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon). And just in case anyone should take this thing seriously, Andy Devine bursts onto the set in full cowboy regalia, guns at the ready--only to withdraw apologetically a few seconds later, explaining that he's in the wrong movie. ~ Hal Erickson, All Movie Guide
- 1940
Set in the South Seas, Seven Sinners stars Marlene Dietrich as a cabaret singer whose reputation as a troublemaker has gotten her kicked out of one port of call after another. Once more causing a riot, Dietrich takes refuge on the first ship out, together with her underhanded cohorts Broderick Crawford and Mischa Auer. During her next stopover at the Seven Sinners Cafe, Dietrich meets handsome Naval officer John Wayne. He falls in love with her, much to the consternation of island governor Samuel S. Hinds, who knows that any romantic entanglement with Dietrich invariably results in dissension, disarray and brawls. He tells her to lay off Wayne or she'll be deported. But Dietrich insists upon performing one last song for the Duke...and sure as shootin', a battle royal ensues. This time, however, Wayne works tirelessly behind the scenes to solve everyone's problems. Maintaining the fascination level of Seven Sinners is a limitless array of top character actors, including Oscar Homolka, Billy Gilbert, Albert Dekker and Reginald Denny. The film was remade in 1950 as South Sea Sinner, starring Shelley Winters and--are you holding on to something?--Liberace. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlene Dietrich, John Wayne, (more)
- 1940
In this light and lovely romantic musical, a Hungarian woman (Deanna Durbin) attends a fair in Austria and buys a card from a gypsy fortune teller. It says that she will meet someone important and is destined for a happy marriage. Afterward she gets a job as a baker's assistant. She then meets a handsome army drummer (Bob Cummings) who secretly dreams of becoming a famous composer and conductor. Unfortunately the military forbids the young corporal to create his own music. But then Ilonka (Durbin) secretly sends one of the drummer's waltzes to the Austrian Emperor with his weekly order of pastries. Her act paves the way toward the tuneful and joyous fulfillment of the gypsy's prediction. ~ Sandra Brennan, All Movie Guide
- Starring:
- Deanna Durbin, Robert Cummings, (more)
- 1940
Radio humorist Bob Burns plays the title role in Alias the Deacon. Based on a stage play by John B. Hymer and LeRoy Clements (previously filmed in 1927 with Jean Hersholt), the story concerns a philosophical drifter named Deke Caswell (Burns) who is mistaken for the new deacon of a small town. A gambler by nature, Caswell decides to continue the clerical pose so that he can divest the locals of their hard-earned dollars. Instead, he turns honest, eventually solving all of the town's problems. A subplot concerns the "scandalous" (but wholly innocent) relationship between truck driver Johnny Sloan (Dennis O'Keefe) and hitchhiker Phyllis (Peggy Moran). This being a Universal film of the early 1940s, it was all but mandatory for Mischa Auer to show up in an incongrous but amusing supporting role. ~ Hal Erickson, All Movie Guide
- Starring:
- Mischa Auer, Peggy Moran, (more)
- 1940
The mystery surrounding the gender of infant film star Baby Sandy was finally solved in her penultimate vehicle, Sandy is a Lady. The plot involves the efforts of Sandy's parents Mary and Joe Phillips (Nan Grey and Tom Brown) to improve their financial status, which are alternately aided and endangered by the antics of two-year-old Sandy. The film's climax plays like something out of a "Sweepea" cartoon, with the toddling heroine perilously perambulating atop an unfinished skyscraper. Also on hand for a bit of adolescent deviltry are Butch and Buddy, better known for their appearances in W. C. Fields' Never Give a Sucker an Even Break and Abbott & Costello's In the Navy. And as was often the case in the Baby Sandy films, Sandy is a Lady is enhanced by the presence of such reliable character players as Mischa Auer (who was in all of Sandy's pictures), Edgar Kennedy, Billy Gilbert and Friz Feld. ~ Hal Erickson, All Movie Guide
- Starring:
- Baby Sandy, Butch and Buddy, (more)
- 1940
Communism-the American variety-is given a hilarious going-over in 20th Century-Fox's Public Deb No. 1. Spoiled society girl Penny Cooper (Brenda Joyce) impulsively lends her voice to a Communist rally, which earns her a public spanking by 100% All-American waiter Alan Blake (George Murphy). Impressed by Blake's boldness, Penny's ulcerated father, soup tycoon Millburn Cooper (Charlie Ruggles), hires the young man as a vice-president, hoping in this way to keep his daughter in line. Murphy manages to win Joyce from her socialite boyfriend Bruce Fairchild (who else but Ralph Bellamy?), but she refuses to abandon her Communist ideology until she is disillusioned by Russia's invasion of Finland. The heroine's rejection of the Red cause is symbolized by an (implicit) act of defecation performed by a passing dog on a crumpled Communist pamphlet. When originally released, the film was titled Elsa Maxwell's Public Deb No. 1, in recognition of the presence in the cast of famed New York social arbiter and partygiver Elsa Maxwell, who in the film's silliest scene shows up at a costume party dressed as Benjamin Franklin! ~ Hal Erickson, All Movie Guide
- Starring:
- George Murphy, Brenda Joyce, (more)
- 1940
Trail of the Vigilantes was conceived as a straight action picture, but was reshaped during filming into a comedy western in the Destry Rides Again mode. Franchot Tone is the unlikely hero, an undercover agent sent west to halt the activities of rustler Warren William. The object of ridicule thanks to his dudelike ways, Tone makes a couple of powerful friends in the form of saloon brawlers Broderick Crawford and Andy Devine. The film proceeds in a comic vein for several reels (including setpieces featuring Mischa Auer, who'd also been in Destry) before getting down to business with a lengthy, straight-faced action finale. Trail of the Vigilantes didn't do as well as Destry Rides Again, perhaps because there was no counterpart to Destry's Marlene Dietrich (leading lady Peggy Moran is appealing, but hardly in Dietrich's league). ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Warren William, (more)
- 1939
Bing Crosby plays a tune-happy cab driver who finds himself the reluctant recipient of an abandoned baby. Together with his roommate, dour doorman Mischa Auer, Crosby offers care and shelter to the infant until he can locate the parents. The baby brings in some unwanted publicity for Crosby, which costs him his job--no real problem, in that a happy ending is obviously in the offing. East Side of Heaven was the first of a two-picture deal between Bing Crosby and Universal Pictures, which turned out to be a smart move money wise for both parties. Crosby's leading lady is the vivacious Joan Blondell, who later characterized her costar as "Aloof...I think he was born that way." The infant in the story is played by Baby Sandy (Sandra Henville), who was subsequently launched into a brief "B" series of her own before retiring at the advanced age of four. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Joan Blondell, (more)
- 1939
Unexpected Father was designed as a showcase for Universal's infant "star" Baby Sandy (Sandy was a girl, but she played a boy here). Dancer Dennis O'Keefe resigns himself to being stuck with his late partner's baby, but when trying to adopt a child he faces a tough court custody battle. Lovely Shirley Ross is the other applicant, so figure out the ending yourself. The highlight in Unexpected Father is a tense process-screen sequence wherein Sandy toddles around a high skyscraper ledge. Mischa Auer, who'd played a comic doorman in the previous Baby Sandy film East Side of Heaven, repeats the role for Unexpected Father. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Ross, Dennis O'Keefe, (more)
Tom Destry (James Stewart), son of a legendary frontier peacekeeper, doesn't believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck, the personal fiefdom of the crooked Kent (Brian Donlevy). His detractors laugh even louder when Destry signs on as deputy to drunken sheriff Wash Dimsdale (Charles Winninger). But the laughter subsides when Destry casually proves himself a crack shot, despite his abhorrence of firearms. Later, when saloon chanteuse Frenchy (Marlene Dietrich), Kent's gal, takes umbrage at Destry's indifferent reaction to her charms, she vows to make a fool of the new deputy. A huge moneymaker, Destry Rides Again served as a spectacular comeback for Marlene Dietrich, who two years earlier had been written off as "box office poison." ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Marlene Dietrich, (more)
This late-30s gem is an engaging spoof that features the U.S. film debut of the French acting beauty Daniell Darrieux. She appears as a French model who's come to New York to find a job. Things go a little awry in her first interview when she applies for a nude modeling position and gets the addresses mixed up. When she shows up at the wrong place and starts disrobing, the man at the desk (Douglas Fairbanks) thinks she's a trouble-causing hussy and orders her to leave. Things look up for the frustrated model when she teams up with an ex-actress and a clever waiter who together convince her that as her agents, they'll be able to make things happen for her. And they do. ~ All Movie Guide
- Starring:
- Danielle Darrieux, Douglas Fairbanks, Jr., (more)
