Leon Greene Movies

Richard Lester returned to his double-barreled successes of the 1970s, The Three Musketeers and The Four Musketeers, with Return of the Musketeers, a film that was inexplicably shelved for several years, making its belated premiere on cable television. Based on Alexandre Dumas's novel Twenty Years Later, the film takes place (appropriately enough) two decades after the death of Milady de Winter. Though Milady may have died, her nefarious schemes have been taken up by her daughter Justine (Kim Cattrall), who maneuvers with the conspiring Cardinal Mazarin (Philippe Noiret) to gain control of the crown through Queen Anne (Geraldine Chaplin). D'Artagnan (Michael York) calls for his old compatriots Porthos (Frank Finlay), Athos (Oliver Reed), and Aramis (Richard Chamberlain) to once again go "one for all and all for one." But complications set in when Athos and Aramis take sides with the crown and Athos' adopted son Raoul (C. Thomas Howell) falls in love in Justine. The film is dedicated to character actor Roy Kinnear who plays Planchet, who died in an equestrian accident during the production. ~ Paul Brenner, All Movie Guide

This routine espionage drama is based on a novel by Graham Greene about a low-level British informant who is caught in a trap. Castle (Nicol Williamson) has a desk job in British intelligence. Around him are heavyweights like Col. Daintry (Richard Attenborough), Sir John Hargreaves (Richard Vernon), and Percival (Robert Morley) who will cold-bloodedly stop at nothing to do their jobs as they see fit. And Castle certainly is a nobody compared to them. One day when a friend of his in Africa needs some help, Castle is conned into supplying the Eastern block countries with info on demand. No one suspects him because of his low position, but when his office partner is hauled off, Castle begins to rethink his situation. This was director Otto Preminger's last film. ~ Eleanor Mannikka, All Movie Guide

Here's another the raunchy British "Adventures" series, released on the heels of Adventures of a Private Eye. Christopher Neil plays the title character, a bloke named Sid South. In course of his job, Sid runs up against thieves, would-be spies, motorcyle salesmen, and a bevy of cute female tennis players. It was perhaps a "given" that he'd also run across a character named Crapper. The delightful Anna Quayle lends a bit of comic dignity to proceedings. Star Neil also wrote the film's incidental music. ~ Hal Erickson, All Movie Guide

Nicholas Meyer based his screenplay for the "retro" Sherlock Holmes adventure The Seven Percent Solution on his own best-selling novel. As any Baker Street Irregular will tell you, the title refers to the dosage of cocaine taken by Sherlock Holmes (Nicol Williamson). The Great Detective's friend and chronicler Doctor Watson (Robert Duvall), concerned that Holmes' drug dependency is getting out of hand, suggests a cure under the auspices of Viennese psychoanalyst Sigmund Freud (top-billed Alan Arkin). While undergoing treatment, Holmes comes to the realization that his archival Professor Moriarty (Laurence Olivier) is not the Napoleon of Crime, but instead a somewhat pathetic philanderer. Not yet completely cured, Holmes recharges his deductive batteries by undertaking a tricky conspiracy case involving another ex-addict, beautiful actress Lola Devereaux (Vanessa Redgrave). The traditional Holmesian sleuthing and split-second rescues of the film's second half are not as innovative as the Holmes-Freud scenes at the beginning of The Seven Percent Solution, but they provide this largely cerebral effort with a rousing climax. A success with both critics and filmgoers, The Seven Percent Solution opened the floodgates for subsequent TV and movie "reprises" of Conan Doyle's immortal literary figure. ~ Hal Erickson, All Movie Guide

Novelist George MacDonald Fraser penned the script for this swashbuckling, picaresque adventure tale. The story is based on one of the books in his "Harry Flashman" series, loose sequels to "Tom Brown's Schooldays" that followed that story's central bully character through his checkered post-graduate military career. Malcolm McDowell plays Captain Harry Flashman, a cowardly, lascivious poseur who desperately seeks entry into high European society. Recognizing an opportunity to advance their own sinister political agendas, scheming Otto Von Bismarck (Oliver Reed) and Rudi Von Sternberg (Alan Bates) convince Flashman to masquerade as a Prussian noble and marry a beautiful duchess (Britt Ekland), a flawed plan to which Flashman agrees. Inevitably, the transparent ruse is discovered, and Flashman is forced to try to escape across 19th century Europe, narrowly missing one disaster after another and experiencing first-hand some of history's most momentous events. Director Richard Lester and Fraser used similar baroque settings, tongue-in-cheek characterizations, elaborate stunts and breakneck pacing for The Three Musketeers (1973) and its sequel, The Four Musketeers (1974) with similar efficacy. Fraser would try again with analogous material three years later with Crossed Swords (1978), a lavish version of The Prince and the Pauper by Mark Twain. ~ Karl Williams, All Movie Guide

In this episode of the popular British comedy series, the characters must cope with the chaos caused when big business and the unions get together. ~ Sandra Brennan, All Movie Guide

Insurance investigator Richard Cutting (Patrick O'Neal) is summoned to look into the sinking of some ships owned by wealthy shipping-magnate Curt Valayan (John Gielgud). Traveling to Switzerland, he interviews the owner and finds that his henchmen Matt (Herbert Lom) and the Big Man (Leon Greene) may be on Curt's payroll but are definitely looking out for their own interests. One agent has already been killed, and the local police inspector Ruff (Oscar Homolka) briefs Richard on the situation. Dominique (Joan Hackett) is on her way to provide some valuable information before being violently murdered. Richard tries to keep himself alive in a foreign country as he tries to solve the crimes in this dramatic mystery. ~ Dan Pavlides, All Movie Guide

Adapted by Richard Matheson from a novel by Dennis Wheatley, The Devil Rides Out admirably adopts a restrained approach to its horrific material. Christopher Lee plays a French nobleman, Duc De Richeleau, who is worried sick over the bizarre behavior of his friend Simon (Patrick Mower). Richeleau has every reason to be concerned: unless drastic measures are taken, Simon will lose his soul to Satan within three days. Two black masses are performed (one a bizarre Felliniesque orgy), but neither satiate the Devil's appetite. As the story races to its climax, it looks as though Richeleau's own niece (Rosalyn Landor) will have to be sacrificed. The film's best moments belong to Charles Gray, playing the charming, hypnotic leader of the devil cult which holds Simon in its thrall. The Devil Rides Out was released in the U.S. as The Devil's Bride. ~ Hal Erickson, All Movie Guide

Invited to an airborne costume party, Steed and six other guests find themselves stranded on a desert island. The castaways then learn that there's a highly trained assassin in their midst. As the festivities degenerate into a campy replay of Ten Little Indians, Emma tries to figure out a means of rescuing her partner. As was the case with many fifth-season episodes, this one benefits from a superb guest-star roster, including Donald Sutherland, Brian Blessed, and Charlotte Rampling. Written by Brian Clemens, "The Superlative Seven" first aired in England on April 8, 1967, and made its American TV bow on April 21 of that year. ~ Hal Erickson, All Movie Guide