Angela Greene Movies

This follow-up to the successful 1973 thriller Westworld stars Peter Fonda and Blythe Danner as Chuck Browning and Tracy Ballard, investigative reporters. The team has been dispatched to the expensive theme park Westworld on the remote island of Delos, to find out what caused the park's robots to go berserk and begin killing the cash customers. They discover that Duffy (Arthur Hill), creator of Westworld, has retooled his park into Futureworld, a supposedly "fail safe" recreational mecca. In truth, he is scheming to replace all of the world leaders with robot clones, the better to take over the globe. Yul Brynner, the steely-eyed cowboy android from Westworld, makes a brief return appearance. ~ Hal Erickson, Rovi

The Waltons attend the annual County Fair, where each family member hopes to win a prize. At the same time, Olivia's former beau Oscar Cockrell (Peter Donat) shows up at the fair in hopes of advancing his political career. Comparing Oscar's affluence with his own family's lack of same, John-Boy (Richard Thomas) asks himself how different his life would have been if Olivia (Michael Learned) had accepted Oscar's proposal. Meanwhile, a "special ingredient" in Olivia's cake has a curious effect on the contest judges! ~ Hal Erickson, Rovi

Officers Malloy (Martin Milner) and Reed (Kent McCord) swing into action when suspicions arise that a hit-and-run accident was actually a case of cold-blooded murderer. Witnesses insist that a young man had a violent quarrel with the female "accident" victim on the night before the tragedy. The guest cast on this occasion includes several reliable character actors, including veteran vaudevillian and master dialectician Benny Rubin. ~ Hal Erickson, Rovi

Gary Crosby makes his first series appearance as Officer Ed Wells, a hothead who subscribes to the "shoot first and ask questions later" theory of law enforcement. Pete Malloy (Martin Milner) is not happy that Wells is teaching several rookies the same philosophy, nor does he hestitate to call Wells down for taking too many risks on the job. But the headstrong cop refuses to listen--until a fateful (and nearly fatal) encounter with a sniper. Future Brady Bunch regular Barry Williams appears in a supporting role. ~ Hal Erickson, Rovi

In one of those bizarre twists of fate so beloved by the writers of The Fugitive, both Richard Kimble (David Janssen) and the elusive "one-armed man" Fred Johnson (Bill Raisch) are seriously injured in an explosion--and both end up in the same hospital. Temporarily blinded in the blast, Kimble must rely on young freelance photographer Howey's Keever (Tim Considine) to help him evade arrest long enough to bring Johnson to justice. But Kimble's efforts may come to naught thanks to Howey's uncle, who is all for turning the fugitive over to the police--thus allowing the murderous Johnson to escape scot-free again. ~ Hal Erickson, Rovi

Housewife Marcia Fowler (Felicia Farr) has become the target of an obscene telephone caller, but the authorities are unable to catch the culprit. Marcia suspects that her tormentor is Roy Bullock (Bruce Dern), a shifty-eyed young man new to the neighborhood, who has all the characteristics of a peeping Tom. Trouble is, Roy has managed to ingratiate himself with Marcia's husband, Jack (David White), who begins to wonder if his wife is only imagining those phone calls. At her wit's end, Marcia makes a desperate move to expose Roy once and for all. This episode represents the first collaboration between producer Alfred Hitchcock and actor Bruce Dern, who ultimately starred in Hitch's final theatrical feature Family Plot. ~ Hal Erickson, Rovi

The Cosmic Man is a moralistic sci-fi tale that does not quite live up to the pretensions of its title. Everything starts when a strange sphere settles down in a California canyon, causing both the scientific and military communities to gather around in an instant. The object appears to have one figure inside but no clear way of penetrating the sphere. As the military brass argue for a destructive course of action, scientist Karl Sorensen (Bruce Bennett) defends the sphere and its passenger, advocating a reasoned approach to the enigma. In the meantime, a ghostly entity wanders around town and a man nearly hidden underneath heavy clothing checks into the lodge where the antagonistic investigators are staying. ~ Eleanor Mannikka, Rovi

Affair in Reno is an uneven Republic adventure from the later phases of the studio's history. Doris Singleton, usually cast as the heroine's next door neighbor or best friend (she's Caroline Appleby in the "Harpo Marx" episode on I Love Lucy), is here seen as a smart-lipped private eye. She comes to Reno on a case, and falls in love with publicity agent John Lund. But nothing dissuades her from her mission to get the goods on suspected crook John Archer. Affair in Reno doesn't have much in the way of production values, but compensates for this with an emphasis on comedy, especially whenever Doris Singleton has to pose as someone she's not. ~ Hal Erickson, Rovi

While John Ford and Howard Hawks received all the critical plaudits, Lesley Selander quietly went about his business directing some of the best westerns of the 1950s. In Selander's Shotgun, deputy sheriff Clay (Sterling Hayden) embarks upon a long, vengeful journey to track down Thompson (Guy Prescott), the man responsible for his boss' murder. Packing a sawed-off, double-barrelled shotgun for this purpose, Clay also carries a rifle and sixgun for such "lesser" threats as marauding Indians. Rescuing half-breed Abby (Yvonne de Carlo) from certain death, Clay takes her along on his manhunt, and later the two travellers are joined by bounty hunter Reb (Zachary Scott), who intends to get to Thompson first to collect the reward on the fugitive's head. Naturally, a bitter romantic triangle arises involving Clay, Abby and Reb, but this is briefly set aside when Thompson is finally cornered. ~ Hal Erickson, Rovi

Though scheduled for production as early as 1950, the Bowery Boys' Loose in London didn't go before the cameras until 1953. In this outing, Sach (Huntz Hall) is told that he's a relative of Sir Percy, the Earl of Walsingham (Walter Kingsford). In short order, Sach, his pals Slip (Leo Gorcey), Chuck (David Condon) and Butch (Bennie Bartlett), and sweet-shop proprietor Louie (Bernard Gorcey) head to the Earl's estate in London. Immediately ingratiating themselves with the ailing nobleman, the boys give the old fellow a new lease on life--which doesn't sit well with the rest of the Earl's relatives, who are greedily awaiting his demise so that they may claim his inheritance. In desperation, the other relatives plan to kill the Earl, but they're foiled by Slip, Sach and company. This leaves Sach the sole heir to the Earl's fortune--at least that's what he thinks! Written by "Three Stooges" alumni, Elwood Ullman and Edward Bernds (who also directed), Loose in London is an enjoyable hour's worth of nonsense. ~ Hal Erickson, Rovi

The much-maligned Vera Ralston turns in an acceptable performance as star of Republic's A Perilous Journey. Though seemingly inspired by MGM's Westward the Women, the film was actually based on The Golden Tide, a novel by Vingie Roe. In the year 1850, a group of 49 young women charter a full-rigger to sail for California to offer themselves as wives to the gold prospectors. As indicated by the title, the journey is indeed fraught with peril (not to mention a few geographical inaccuracies). Vera Ralston plays Francie Landreaux, who has undertaken the voyage in search of her no-good gambler husband. Instead, she finds romance in the arms of rough-and-ready Shard Benton (Scott Brady). A Perilous Journey is pepped up by several song numbers, written by Victor Young and Edward Heyman. ~ Hal Erickson, Rovi

Though At War With the Army was the third film appearance of Dean Martin and Jerry Lewis, it was the team's first starring vehicle. A pattern is set herein for all the Martin-Lewis flicks to follow: Martin plays a self-assured romeo, forever bursting into song, while Lewis is a hopeless screw-up unable to perform the simplest task without wreaking havoc (in this one, he can't even operate a Coke machine properly). Mike Kellin repeats his Broadway role as M&L's tough topkick while Polly Bergen makes a very brief appearance. Because it has lapsed into public domain, At War with the Army is one of the most available of the Martin and Lewis films. ~ Hal Erickson, Rovi

In this entry in the long-running western series, Cisco and Pancho must clear the Kid's name after he is blamed for recent stagecoach robberies. In reality the robber is another disguised as the Kid. Meanwhile Cisco is captured by U.S. Marshals. Fortunately, he escapes them, captures the real crook, and clears his name. ~ Sandra Brennan, Rovi