Stéphane Audran Movies

Iconoclastic film director Samuel Fuller spent decades nurturing his dream project, a movie about his experiences in the Army's First Infantry Division during World War II, but it wasn't until 1979 that he was able to finally bring the picture before the cameras. Unfortunately, Fuller was forced by his producers to work with a scaled-down budget, and he did not have final cut on the film; after his first rough cut ran nearly four-and-a-half hours, the studio took over editing on the project, and Fuller was vocally unhappy with the final results. In 2003, critic and film historian Richard Schickel initiated an effort to restore The Big Red One to a form that more closely resembled Fuller's original vision; using a large cache of newly discovered footage and the director's shooting script as a guide, the 113-minute theatrical version was expanded to 158 minutes, adding depth and detail to Fuller's sweeping and episodic tale of a hard-as-nails sergeant (Lee Marvin) and four inexperienced recruits under his command (Mark Hamill, Robert Carradine, Bobby Di Cicco, and Kelly Ward) as they battle their way across Africa to Europe between 1942 and 1945. Schickel's reconstruction received enthusiastic reviews when it went into limited release in the fall of 2004. ~ Mark Deming, Rovi

Daisy von Sherler Mayer directed this family film, an adaptation of the famed book series that Austrian-born writer-illustrator Ludwig Bemelmans (1898-1962) launched in 1939 with the opening lines, "In an old house in Paris that was covered with vines lived twelve little girls in two straight lines. In two straight lines they broke their bread and brushed their teeth and went to bed. They smiled at the good and frowned at the bad and sometimes they were very sad. They left the house at half past nine in two straight lines in rain or shine -- the smallest one was Madeline." This live-action film interpretation, set during the mid-1950s, expands on plot elements found throughout several books in the series. Lord Covington (Nigel Hawthorne) plans to sell the small French boarding school where the young orphan Madeline (nine-year-old British actress Hatty Jones) lives with other girls under the supervision of sympathetic schoolmistress Miss Clavel (Frances McDormand). Hospitalized after an appendectomy, Madeline wanders down the hospital hallway and meets Covington's dying wife, Lady Covington (Stephane Audran), an encounter which becomes an asset in Madeline's efforts to save the school. Moving into the house adjacent to the school is the family of the Spanish Ambassador (Arturo Venegas), including his young son Pepito (Kristian de la Osa), who spends a good deal of time wheeling about on his Vespa, so noisy it serves to irritate possible buyers of the school.
When Madeline falls into the Seine, she is rescued by a dog, Genevieve, who immediately becomes the school's mascot and pet, despite the "no pets" rule and Miss Clavel's allergy to dogs. Pepito's somewhat sinister British tutor Leopold (Ben Daniels) engineers a plan that leads to the county fair kidnapping of Pepito and Madeline. First filmed by UPA in the early '50s as the Oscar-nominated animated cartoon short, Madeline (1952), decades passed before other adaptations appeared: the 23-minute Madeline's Rescue and Other Stories (1990, available from Facets Video), narrated by Louise Roberts; and the 1989-1993 series of half-hours narrated by Christopher Plummer -- Madeline, Madeline and the Bad Hat, Madeline and the Gypsies, Madeline in London, Madeline's Christmas, and Madeline's Rescue. MGM's 1945 Fred Astaire/Vincente Minnelli film Yolanda and the Thief also adapted Bemelmans. Daisy von Scherler Mayer's earlier Party Girl (1995) was the first feature film seen in its entirety on the Internet. ~ Bhob Stewart, Rovi

Alain Moreau (Jean-Claude Van Damme) is a French cop whose colleagues make a startling discovery -- a man named Mikhail, who was killed in a high-speed chase with police, looks exactly like him. Curious about the stranger with his face, Alain is told by his mother Chantal (Stephane Audran) that Mikhail was in fact his twin brother, whom her poor family was forced to give up at birth. Alain wants to know more about the brother he never knew, but the more he learns the more troubling the news becomes; it seems that Mikhail was involved with gangsters, corrupt FBI agents, and a gang of drug dealers. In order to avenge his brother's death and get to the bottom of his sad story, Alain assumes Mikhail's identity and travels to New York City, where to maintain his cover he takes up with Alex Minetti (Natasha Henstridge), Mikhail's tough-as-nails girlfriend, before finding himself hip-deep in danger with Mikhail's associates. Maximum Risk was the first American film from noted Hong Kong action director Ringo Lam, whose City on Fire has often been cited as a key inspiration for Reservoir Dogs. ~ Mark Deming, Rovi

For 30 years the title eatery has delighted its customers with good family style French cooking, but as with many good things, its time has come and it must close. This semi-autobiographical French drama, adapted from screenwriter/director Laurent Benegui's novel, chronicles the final meal served to 15 loyal patrons on closing day. Amidst affectionate humor and occasional pathos, much attention is paid to the conversations, personal situations, and emotions of the diners and the staff. ~ Sandra Brennan, Rovi

In this suspenseful mystery, two rival sisters vie for the love of a powerful businessman. One of them ends up murdered and then the real trouble begins. The story is based on a best-seller by Mary Higgins Clark. ~ Sandra Brennan, Rovi

Adapted from a novel by Georges Simenon, Betty stars Marie Trintignant in the title role. A drunken wastrel, Betty is adopted after a fashion by an older female alcoholic named Laure, played by director Claude Chabrol's wife at the time, Stéphane Audran. Fascinated by Betty's hard-luck tales, Laure endeavors to protect the younger woman from the ravages of a cruel world. Unfortunately, she turns a blind eye to Betty's larcenous streak, which manifests itself at the worst possible moments. This tale of a irredeemable ne'er-do-well is fleshed out by a flashback-flashforward technique that some observers found confusing and distracting. ~ Hal Erickson, Rovi

The English-language title of this Italian thriller is The Spider's Nest. Ronald Wybenga plays an American scientist, who travels to Budapest to confer with a famous colleague. Upon arriving in Hungary, Wybenga discovers that the man he was to meet has died under mysterious circumstances. It seems that the late scientist was on the verge of revealing the existence of a bizarre spider cult. Now Wybenga finds himself a marked man...and thereby hangs the rest of this suspenseful tale. ~ Hal Erickson, Rovi

Henry Miller's novels were almost entirely autobiographical, and concerned not only his environment and friends, but also recorded his many sexual exploits - which he apparently viewed with something like spiritual awe. Despite his sexual obsessions, his novels are respected worldwide for their brilliant depictions of time and place, and have occasionally been made into movies. This 1990 film by Claude Chabrol makes a reportedly poor effort to bring the novel Quiet Days In Clichy to the screen, and transforms the seedy exploits of a penniless expatriate in Paris to the boyish pleasures of a couple of sweet-faced middle class lads who hang out in expensive whorehouses and go to cocktail parties with fashionable people. ~ Clarke Fountain, Rovi

In this unusual feature, Manika (Ayesha Dharker) is a girl born in a Catholic family in a south Indian fishing village is convinced that she has recently had a former life as a Brahman wife in Nepal. Her parish priest, Father Daniel (Julian Sands) is under orders to convince her otherwise, as reincarnation does not accord with official Catholic doctrine. Instead, he agrees to journey with her to the site of her dreams of a previous life. Once there, they discover that all is just as she had dreamed it, and her former husband has remarried despite promising not to. Her arrival on the scene does not disturb the man, but it really upsets his new wife, who departs with her baby. Manika decides that it helps no one for her to remain there in Nepal, and returns to her home in the south. However, all this has caused a genuine crisis of faith for the priest who, witnessing all this, has had to grapple with some irreconcilable issues. ~ Clarke Fountain, Rovi

Charles (Charles Vanel) is a 100-year-old perfume magnate who decides to marry the equally ancient Emmanuelle (Denis Grey) in the French sex comedy. Company executives and family members scramble for position in the wake of the surprising announcement. ~ Dan Pavlides, Rovi