Robert Towne Movies

Adapted from a novel by John Fante, Robert Towne's Ask the Dust stars Colin Farrell as Arturo Bandini, a young writer who comes to Los Angeles during the Great Depression in order to write a novel. As the film opens, he is down to his last nickel and decides to spend it on coffee in a diner. He is served by Camilla (Salma Hayek), a Mexican beauty he is instantly attracted to even though he treats her horribly during their first interaction. Soon the pair is involved in a relationship that finds them sparring with each other at first, but slowly learning to trust each other. Bandini meets the acquaintance of a desperate woman who sees him as the most desirable man in the world. Eventually Arturo and Camilla get away from the city and their love deepens as he attempts to finish his novel. Donald Sutherland co-stars as a seedy but helpful and loyal neighbor. ~ Perry Seibert, Rovi

In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, Rovi

Director John Woo brings Hong Kong-style martial arts action to this comic book-flavored sequel that eschews the complicated plot and political maneuverings of its predecessor in favor of pure, adrenaline-charged thrills. Tom Cruise returns as Ethan Hunt, an operative for the top-secret government agency IMF (Impossible Missions Force). Fellow agent Sean Ambrose (Dougray Scott) has gone rogue, stealing a sample of a deadly synthetic virus named Chimera that could rapidly wipe out the world's population. Ambrose's plan is to sell Chimera to the highest bidder in exchange for shares of stock in the winner's company. Summoned by the new IMF chief (Anthony Hopkins in an uncredited cameo role), Ethan is assigned to recruit the help of Ambrose's former lover Nyah Nordoff-Hall (Thandie Newton), a gorgeous woman who left Ambrose broken-hearted and who may be able to quickly regain his confidence. Once he meets and spends a night with Nyah, however, Ethan is smitten, and now must both capture Ambrose and keep Nyah alive as she infiltrates a nest of vipers. Sophisticated disguises, gun battles, and high-speed chases are the order of the day, very much in the James Bond mold. Mission: Impossible 2 is based on a story by Star Trek: The Next Generation writers Ronald D. Moore and Brannon Braga, with a script polish by Robert Towne. ~ Karl Williams, Rovi

One of two filmed biographies of late track star Steve Prefontaine to be produced in the late '90s, Without Limits comes from director Robert Towne, who previously took a stab at the track-star drama with his directorial debut, 1982's Personal Best. Billy Crudup stars as the ill-fated athlete who overcame physical obstacles to win an NCAA championship and compete in the 1972 Munich Olympics. The film follows Prefontaine from his youth in Oregon where, despite one leg being longer than the other, he shows himself to be a talented runner. Later, while attending the University of Oregon, Prefontaine meets and forms a strong bond with his coach, Bill Bowerman (Donald Sutherland), the man who would later go on to found the Nike shoe corporation. College is also where Prefontaine falls for classmate Mary Marckx (Monica Potter), beginning a romance that lasts until his untimely death in a 1974 automobile accident. The other film about Steve Prefontaine was 1997's Prefontaine which starred Jared Leto in the titular role. ~ Matthew Tobey, Rovi

The 1939 Irene Dunne-Charles Boyer romance Love Affair, remade with Cary Grant and Deborah Kerr in 1957 as An Affair to Remember, became a vehicle for real-life couple Warren Beatty and Annette Bening in this 1994 rendition. The well-worn story remains the same, as a man and a woman, both engaged to other people, fall madly in love while traveling, indulge in a brief but intense affair, then agree to part and sort out their feelings. They are to meet again at the top of the Empire State Building if their feelings persist, but a series of unfortunate circumstances threatens to keep the lovers apart. Despite polished visuals and a time-tested narrative, this variation suffers in comparison to its two predecessors, not to mention the previous year's Sleepless in Seattle, which had drawn on An Affair to Remember for several of its most memorable sequences. It does features Katherine Hepburn's first film appearance in 13 years. ~ Judd Blaise, Rovi

The Top Gun team of producers Don Simpson and Jerry Bruckheimer, director Tony Scott, and superstar Tom Cruise reunite for this excursion into stock-car racing that incorporates the vroom and rumble of deafening car engines with a rehash of the same elements that worked so effectively in Cruise's Top Gun, The Color of Money, and Cocktail. Cruise plays stock-car driver Cole Trickle, a young fireball on the Southern stock-car circuit who has loads of talent but no conception of how to channel that talent in to racing success. When Tim Daland (Randy Quaid) commissions veteran stock-car racer Harry Hogge (Robert Duvall) to built a car and hires Cole to drive it, Harry must instill in Cole his philosophy of winning and teach him how to channel his raw talent into success -- or, as Harry puts it, "controlling something that's out of control." Cole immediately comes into conflict with the circuit's star driver, Rowdy Burns (Michael Rooker), and their hijinks on the track causes them to smash up their cars and lands them both in the hospital. Because of his injuries, Rowdy is forced to withdraw from the circuit competition. With no rival to torment, Rowdy becomes Cole's supporter and friend, while Cole revs up his motors for Dr. Claire Lewicki (Nicole Kidman), the attractive brain specialist who supervises Cole's recovery from the crackup. Cole's health is restored, and he begins to race again, chastened and hanging onto Harry's every word. Cole appears to have centered himself for success, but in an orgasmic grand finale, Cole must compete against Russ Wheeler (Cary Elwes), a dastardly driver who not only wants to see Cole defeated but permanently disabled. ~ Paul Brenner, Rovi

For his first directorial project in six years, Robert Towne selected a timeworn romantic-triangle yarn, injecting the material with subtlety and conviction. Tequila Sunrise stars Mel Gibson and Kurt Russell as two lifelong friends who, in true James Cagney-Pat O'Brien fashion, grow up on the opposite sides of the law. One is a retired drug dealer (at least he says he is), the other a "celebrity" cop. Both fall in love with gorgeous restaurateur Michelle Pfeiffer. Veteran movie buffs will enjoy spotting director Budd Boetticher as a judge, and will welcome the presence in the production credits of cinematographer Conrad Hall, who earned an Oscar nomination for his richly textured color camerawork. ~ Hal Erickson, Rovi

In director/writer Curtis Hanson's 1987 chiller The Bedroom Window, architect Terry Lambert (Steve Guttenberg) experiences a most disorienting turn of events when his French lover, Sylvia (Isabelle Huppert) - the wife of his boss - walks over to the titular window in-between lovemaking sessions and witnesses a mysterious man strangling a helpless victim (Elizabeth McGovern). By the time Guttenberg comes to the window, he can see only a crowd of spectators. Because Sylvia wants to avoid a messy involvement in the case (which would soil her reputation, ruin her marriage and cost Lambert his job), Guttenberg agrees to pretend that he witnessed the attack. The ruse, of course, leads to a myriad of complications. And meanwhile, with the psycho still on the loose, Lambert sets out to find him. ~ Hal Erickson, Rovi

Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, Rovi

Between making They Way We Were and Three Days of The Condor, Sydney Pollack directed this little-seen thriller from a script by Paul Schrader and Robert Towne. The Yakuza stars Robert Mitchum as Harry Kilmer, a former soldier who returns to Japan to help rescue the daughter of his friend George Tanner (Brian Keith). Once he arrives in the country, Kilmer discovers that the daughter has been kidnapped by the Japanese mafia, called the Yakuza. In order to battle the ruthless organized crime outfit and save the girl, Kilmer finds himself left with few options and reluctantly enlists the help of his old nemesis, Tanaka (Ken Takakura). The film was later re-titled The Brotherhood of the Yakuza and was originally shown in a 123-minute cut. ~ Matthew Tobey, Rovi

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, Rovi

Jack Nicholson first put his well-documented enthusiasm for basketball to good use in this film, which he wrote and directed between his roles in Five Easy Pieces and Carnal Knowledge. William Tepper plays Hector, a student at a college in Ohio who shares a room with his friend Gabriel (Michael Margotta) and is the star player on the school's basketball team. Hector has been approached to quit college and play pro ball, but Gabriel is urging him to devote more time to radical political causes. Of course, both have plenty of other things on their mind; Hector is having a clandestine affair with the wife of one of his professors (Karen Black), while Gabriel, in a bid to beat the draft and avoid going to Vietnam, is trying to convince the draft board that he's insane. Unfortunately, Gabriel is feigning madness so well that he's not so sure he hasn't actually become crazy. Director Henry Jaglom and screenwriter Robert Towne also have supporting roles, as do future sitcom greats Cindy Williams and David Ogden Stiers. ~ Mark Deming, Rovi

On a train speeding through central Europe, Solo matches wits with his "friendly enemy," intelligence agent Satine (Ricardo Montalban). Both men are in pursuit of a medallion containing a microdot list of THRUSH agents. Caught in the middle is American schoolteacher and tour guide Sarah Taub (June Lockhart). The episode's highlight is a fierce fistic battle between Solo and Satine, which Sarah "witnesses" via a transistor radio. Written by future Oscar-winner Robert Towne (The Last Detail, Chinatown), "The Dove Affair" was first telecast on December 15, 1964. ~ Hal Erickson, Rovi