Kerry Condon Movies

Fifty-year-old retired goth rocker Cheyenne (Sean Penn) travels from London to New York to visit his dying father, and then journeys across the United States on a mission to seek revenge against the elusive ex-Nazi war criminal who persecuted his dad in Auschwitz. Despondent after two of his young fans commit suicide, Cheyenne retreats to his Dublin mansion and begins living off of his royalties alongside his down-to-earth wife Jane (Frances McDormand). Later, he receives word that his father is dying in New York City. Although they haven't spoken in 30 years, he boards the first available flight to bid his dad farewell. Unfortunately, Cheyenne arrives too late. Upon reconnecting with his cousin Richard (Liron Levo), however, the morose musician learns that his father, a Holocaust survivor, had been tracking Auschwitz guard Aloise Lange (Heinz Lieven) around America for decades. Filled with ennui yet determined not to let Lange escape unpunished, Cheyenne vows to pick up the mission his father left uncompleted. ~ Jason Buchanan, Rovi

Season Two of the lavish, lusty British historical series Rome begins exactly where Season One left off, with the murder of Julius Caesar on the Ides of March in the year 44 BCE. The power struggle that follows is set in motion when, thanks largely to the machinations of Caesar's scheming niece Atia (Polly Walker), her young and callow son Octavian is announced as heir to the throne--infuriating Caesar's closest ally Marc Antony (James Purefoy). In the war that follows between Antony's "Caesarians" and Octavians "Liberators", there can be only one winner--but it is not until the season concludes in the year 31 BCE that the true winner is revealed. Amidst the intrigues of Rome's high-born power brokers, we never lose sight of the secondary plotline involving two lowly veterans of the Gallic wars, Titus Pullo (Ray Stevenson) and Lucius Vorenus (Kevin McKidd). Characteristically, it is the thoroughly hedonistic Pullo who thrives and prospers during this turbulent era, with each stroke of luck advancing his prestigate and wealth. Conversely, Lucius suffers spectacularly throughout season two, beginning with the death of his beloved wife and the distintegration of his family. The ultimate blow will not be dealt to Vorenus until the season finale, but in the meantime much is made of the fact that Gallo has aligned himself with Octavian, and Vorenus casts his lot with Antony. Though scrupulously authentic in its historical detail, Rome continues to successfully pinpoint the most "contemporary" aspects of ancient History. Especially notable this season is the series' depiction of Rome's small but ever-growing Jewish community, and the emergence of "Crip and Blood"-style gang warfare in the treacherous Aventine Collegium district. In a similar vein, after Marc Antony suffers his humiliating defeat at Actium, he retreats to the palace of his Egyptian lover Queen Cleopatra (Lyndsley Marshal), where the two lost souls wallow in debauchery--reminding more than one observer of the equally foredoomed punk-rockers Sid Vicious and Nancy Spungen! ~ Hal Erickson, Rovi

A fellow veteran, Mascius (Michael Nardone) approaches Vorenus (Kevin McKidd), now a magistrate, about severance for the 13th Legion. They are supposed to be receiving land. Vorenus asks Caesar (Ciarán Hinds) to act. Caesar, unwilling to give the veterans land in Italy, offers land in Pelonia. Told that this won't be acceptable, and eager to keep the former soldiers on his side, Caesar discreetly suggests that Vorenus bribe Mascius to persuade his comrades to accept the offer. Mascius reluctantly agrees. Caesar also invites Vorenus and Niobe (Indira Varma) to a dinner at Atia's (Polly Walker) home. When Vorenus responds nervously, Caesar tells him, "You shall get used to good society." The walls of Rome are filled with graffiti depicting Brutus (Tobias Menzies) murdering Caesar, and Cassius (Guy Henry) tries to convince Brutus to claim his family's legacy of fighting tyranny. Brutus initially refuses to betray his friend, but has second thoughts when Caesar, well aware of whispers and the power of Brutus' family name, suggests that Brutus rule over far-off Macedonia. Pullo (Ray Stevenson), now miserable and friendless, has found work as an assassin, but his lack of discretion gets him arrested for murder. At Atia's dinner, Octavian (Max Pirkis) suggests that Vorenus or Caesar himself do something to save Pullo, but Caesar points out the political implications such action would cause. Octavian acts on his own, sending Timon (Lee Boardman) to find Pullo a lawyer, but at Pullo's public trial, the crowd demands the brazen killer's head, and Pullo is sentenced to death in the arena. ~ Josh Ralske, Rovi

As the first season of Rome draws to a close, Vorenus (Kevin McKidd) and Pullo (Ray Stevenson) learn that they are heroes on the streets of the city, "symbols of brotherly love and redemption." On a trip to consecrate the land he and his wife have been given, Vorenus tells Niobe (Indira Varma) that Caesar (Ciarán Hinds) might exile him for disobeying his orders by helping Pullo. But Caesar later explains that it's politically unfeasible to punish the heroes, and if he does nothing, he'll appear weak, so, as part of a larger plan to incorporate (loyal) "plebs" and foreign citizens into the Senate, he makes Vorenus a senator. Of course, Caesar's ulterior motive is to have the "ferocious" Vorenus at his side so that no one will try to kill him. Pullo, near death, still manages to make his way from his sick bed, eager to reap the bounty of his newfound celebrity. Instead, he ends up collapsing at Vorenus' home, where Niobe assigns his care to Eirene (Chiara Mastalli), who contemplates murder. With Vorenus joined to Caesar on the Senate floor, the growing group of conspirators fears they will not have the opportunity to kill Caesar. While some would be content to poison him, or murder him in his bed, Brutus (Tobias Menzies) insists that the deed "must be done honorably." Then Servilia (Lindsay Duncan) realizes where she's heard Vorenus' name before, and sets a plot in motion to separate the hero from the dictator at the pivotal moment. While the plot is unfolding, Servilia invites Atia (Polly Walker) and Octavian (Max Pirkis) to her home, and tells them of her further plans for vengeance. ~ Josh Ralske, Rovi

Veteran Serbian director Goran Paskaljevic leaves the battles in the Balkans behind for this drama set in rural Ireland. Believing that "a man is measured by his enemies," Harry Maloney (Colm Meany) sets out to ruin George O'Flaherty -- the most powerful man in town, who not only owns the local pub and most of the businesses in the area, but is also the local matchmaker. When Harry's son Gus -- upon whom Harry regularly heaps abuse -- falls for the lovely Eileen, George helps broker their nuptials. All the while, Harry quietly mobilizes his dastardly plans. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi