Nadia Gray Movies

In this episode of the cult-favorite TV series The Prisoner, Number 6 (Patrick McGoohan) appears to be developing an artistic side when he begins work on a series of sculptures for an art exhibit. What his captors do not realize is that they can be assembled into a boat, and Number 6 uses them to sail away from the Village. In time, Number Six reaches England, where he returns to the offices of the espionage organization from which he attempted to resign, only to discover he's fallen into a trap. Leo McKern plays Village leader Number Two in this episode, while Finlay Currie and Nadia Gray highlight the supporting cast. ~ Mark Deming, Rovi

In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, Rovi

Much of this drama parallels the action in the famed medieval morality play Everyman. The movie begins with an industrial magnate's visit to Salzburg. There he sees his friend who will be playing "Death" in the city's yearly production of the medieval play. He also meets a woman who soon becomes his mistress. Not long after that, he suffers a heart attack. ~ Sandra Brennan, Rovi

An American artist travels to rural France for a relaxing vacation and ends up falling for a lovely young woman, whose father is the owner of a cafe. Unfortunately, her father is not in town, as he is locked up in the local looney bin for immolating the man who raped his daughter. The trouble begins when the girl's stepmother seduces the artist and then convinces him to help her free her murderous husband, a man who cannot bear the thought of a man touching his beloved daughter. ~ Sandra Brennan, Rovi

This French-filmed trifle is based on the roguish character created by Ponson du Terrail. American actor Channing Pollock is Rocambole, living by wits in Paris. The film recounts his adventures as he goes from one swinging nightspot to another. Along the way, he breaks a few hearts, but holds out promise for others. A moderate success in the American art-house circuit, Rocambole did even better when released to TV. ~ Hal Erickson, Rovi

Robert Hossein serves as both director and star of The Game of Truth. The scene is a party thrown by a capricious novelist. During an elaborate word game, one of the guests, a late arrival, is murdered. Thus begins a round robin of accusations, recriminations and surprising revelations. Cunningly, the film's screenplay is designed in the form of a game, allowing the more adventurous viewers to vicariously play along. Game of Truth was originally released in France as La Jeu de la Verite; the film's American exposure was largely confined to Late Late Show screenings. ~ Hal Erickson, Rovi

Jean-Pierre Cassel is ideally cast as the hopelessly optimistic Candide in this noir updating of Voltaire's classic 18th-century social satire. Candide has been assured by his ivory-tower professor (Pierre Brasseur) that whatever fate befalls him, he will be all the better for it. Armed with the confidence of the ignorant, Candide is abused by practically everyone he comes across (he has a particularly rough time in a German POW camp), but somehow emerges with his faith in humanity unscathed. His picaresque adventures take him all the way to the Americas, both North and South. Just as in most stage versions of Candide, some of the supporting actors play double and triple roles: Robert Manuel, for example, portrays all the German officers Candide meets. ~ Hal Erickson, Rovi

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, Rovi

Variously titled La Parisienne and Une Parisienne, Parisienne, this Franco-Italian co-production is one of Brigitte Bardot's best vehicles. The daughter of the Premier of France (no, not DeGaulle!), La Bardot is married to Henri Vidal, the premier's chief aide. When Vidal shows signs of straying from his marital vows, Bardot decides to fight fire with fire. She enchants visiting nobleman Charles Boyer, who invites her to a romantic rendezvous on the Riviera. The outraged Vidal tracks down the would-be lovers, only to discover that nothing has happened-both Bardot and Boyer fell victim to head colds, and spent the weekend sneezing rather than smooching. ~ Hal Erickson, Rovi

Eddie Constantine stars as Bob, an American GI at large in Paris. After attending a performance of the fabled Folies-Bergere, Bob becomes convinced that one of the dancers, a feisty little number named Claudia (Zizi Jeanmaire), has stolen his wallet. When he confronts her with this accusation, she reacts in predictably volatile fashion--and before either one of them quite knows what has happened, Bob and Claudia are married! The remaining reels of Folies-Bergere chart the turbulent course of the marriage, as Bob becomes jealous that so many males get to see so much of Claudia on a nightly basis. Despite its come-hither title, Folies-Bergere is about as racy as a seed catalogue. ~ Hal Erickson, Rovi