Dulcie Gray Movies

This late-'60s spy spoof also borrows a page from late-'50s Alfred Hitchcock, with its everyday man becoming embroiled in the violent and baffling world of international espionage. When American businessman William Beddoes (James Garner) is traveling in Lisbon, he's mistaken for an English spy who's thought to possess a cache of industrial diamonds. Soon he is pursued by Aurora-Celeste da Costa (Melina Mercouri), Steve-Antonio (Tony Franciosa), and a host of other colorful troublemakers, all chasing him for something he doesn't have. Note Bert Kaempfert's music, introducing "Strangers In The Night". ~ Nicole Gagne, Rovi

"Angels One Five" is the cognomen bestowed upon a group of WW II British fighter pilots. The squadron leader is Tiger Small (Jack Hawkins), who is taken out of commission after an accident. Despite the protests from his fellow flyboys, Tiger insists upon taking to the air again, thereby setting the stage for the film's exciting and inspirational finale. Angels One Five differs from other combat films in that the battles generally take place offscreen; the progress of the principal characters is relayed to the audience via radio reports and control-room charts. If this sounds dull and static, it isn't: in fact, Angels One Five is among the best of the "Battle of Britain" war epics. ~ Hal Erickson, Rovi

A composer discovers that the inspiration for his greatest work may come at the expense of his marriage in this romantic drama with music. Richard Wilder (Michael Dennison) was a pilot with the RAF during World War II and was shot down over the Dolomite Mountains of Italy during a mission. Wilder's life was saved by Alida (Valentina Cortese), a beautiful woman working with the anti-fascist resistance who rescued him after his crash. After the war comes to a close, Wilder returns home to England and his wife Ann (Dulcie Gray), where he begins writing an opera based on the legends of Dolemite, as passed along by the peasants of the region. However, his home in England does not prove to be a conducive creative environment, so he travels back to Italy, where he spends time with Alida and is able to complete his work. However, he begins to fall in love with Alida, and he soon finds that he must choose between his muse and his spouse. Acclaimed classical vocalist Tito Gobbi appears as himself and sings several selections. ~ Mark Deming, Rovi

A novel by Francis Brett Young and its theatrical adaptation by John Perry were the sources for the even-keeled melodrama A Man About the House. Handsome Italian laborer Kieron Moore works as caretaker of the Neopolitan villa inherited by plain-Jane Englishwomen Margaret Johnston and Dulcie Gray. Johnston is swept off her feet by the raffishly charming Moore, and before long they are wed. Their connubial bliss lasts just long enough for Moore to poison his bride; the villa had once belonged to his family, and he's willing to use any means to get it back. Though it seems as if Moore has committed the perfect crime, Dulcie joins forces with doctor Guy Middleton to prove that Moore murdered Johnston. Since the villa fronts a vertigo-inducing clifftop, it is inevitable that someone will topple into the ocean with a piercing scream. ~ Hal Erickson, Rovi

Adapted from a play by Daphne Du Maurier, The Years Between stars Valerie Hobson as war widow Diana. Determined to carry on her husband's work, Diana enters the business world, ultimately emerging as a Member of Parliament. On the eve of her second marriage, Diana's first husband Michael (Michael Redgrave) returns, proving beyond doubt that reports of his death were slightly exaggerated. The fact that Michael is irascible and unsympathetic enables the audience to remain firmly on Diana's side as she struggles with her dire dilemma. Ironically, in real life Valerie Hobson was married to British Cabinet member John Profumo, remaining steadfastly by his side when his political career was ruined by the 1963 Christine Keeler sex scandal. ~ Hal Erickson, Rovi

A classic in gothic-romantic excess, Madonna of Seven Moons was one of the most successful British films of its genre. Though she doesn't know it at first, young convent-bred Rosalinda (Phyllis Calvert) has been born under a curse: before her life comes to a close, she will be wife, mother and mistress all in one. As a child, Rosalinda is raped by a gypsy, an experience that renders her a schizophrenic. Years later, she is the seemingly contented wife of prosperous Italian businessman Giuseppe (John Stuart) and the mother of attractive teenager Angela (Patricia Roc). From time to time, however, Rosalinda disappears from her home and retreats to the slums of Florence, where she assumes the identity of lustful gypsy girl Maddelina, the mistress of criminal leader Nino (Stewart Granger). Then she returns to her husband and daughter, completely unaware of her "other" self or even that she's been absent. Understandably curious about her mother's long absences, Angela follows Rosalinda during one of her sojourns into the Florentine underworld. Far from home and hearth, poor Angela is targetted for seduction by Sandro (Peter Glenville)--the very gypsy who'd assaulted the younger Rosalinda! And just when it seems that things can't get any more unbelievable?..well, this one is definitely better seen than described. Originally released at 100 minutes, Madonna of Seven Moons was expertly cut to 88 minutes for US consumption. ~ Hal Erickson, Rovi

Adapted from a novel by Osbert Sitwell, A Place of One's Own has a double-edged title: It refers to a physical place as well as a spiritual one. An elderly couple (played with a surplus of age makeup by Barbara Mullen and James Mason) purchase an old house. They've been warned that it's haunted by the spirit of a murdered girl, but decide to set up housekeeping anyway. The restless ghost responds to this intrusion by possessing the soul of Annette (Margaret Lockwood), the old couple's young live-in companion. Leading man Dennis Price is on hand as Dr. Selbie to attempt an emergency exorcism on the vulnerable Annette. A Place of One's Own is a serviceable "spook show" which might have even been better with a little more emotional involvement on the part of the principals. ~ Hal Erickson, Rovi

This ten-minute propaganda film was commissioned by the British Ministry of Information during World War II. The idealistic scene of a soldier returning from war to marry his sweetheart was intended to be a morale-booster for the women whose boyfriends left them behind. ~ Michael Hastings, Rovi