Billy Gray Movies

This Abbott & Costello vehicle was originally planned as a Bob Hope comedy titled Easy Does It. The Hope role is fairly evenly divided between Bud Abbott, as hotel house detective Casey Edwards, and Lou Costello, as bumbling bellhop Lou Costello. When a much-hated criminal attorney (Nicholas Joy) is murdered at a resort hotel, there's no shortage of suspects: in fact, practically every guest had an excellent motive for killing the victim. The suspects conspire to pin the killing on poor Freddie, but when he comes in possession of a valuable piece of evidence, he is slated for extermination himself. The more Freddie and his pal Casey try to stay out of trouble, the more trouble comes their way--especially when two more murders occur. The climax takes place in an underground cavern, where Freddie is nearly drowned by the hooded mystery killer. The film's title is one of the most misleading in movie history. Cast as a red-herring swami, Boris Karloff is not the killer (whose true identity is obvious from the outset, especially to veteran moviegoers). Though his footage is extremely limited, Karloff shares the film's funniest scene, in which he tries to hypnotize Costello into committing suicide ("You'll kill yourself if it's the last thing you do!). ~ Hal Erickson, All Movie Guide

All I Desire an early exercise in Douglas Sirk Baroque, is set at the turn of the century. Long divorced from her husband Richard Carlson, itinerant actress Barbara Stanwyck returns to her home town to watch her daughter perform in a high school play. Stanwyck decides to turn over a new leaf and devote herself to the daughter she's never known. This she finds next to impossible, thanks to ugly small-town gossip attending her return. The film was obviously building up to an unhappy ending, but producer Ross Hunter intervened, tacking on an unbelievably upbeat denouement. This artistic outrage evidently didn't hurt Hunter's relationship with director Douglas Sirk, inasmuch as the two would continue to successfully collaborate in the future. All I Desire is based on a novel by Carol Brink. ~ Hal Erickson, All Movie Guide

By the Light of the Silvery Moon was a sequel to Warner Bros' On Moonlight Bay (1951); both films were loosely based on the "Penrod" stories by Booth Tarkington. Penrod himself (played by Billy Gray) takes a back seat to the main plot, concerning the hot-and-cold romance between Doris Day and Gordon MacRae. Gordon will not marry Doris until he is financially able to do so, which results in several breakups and reunions before the final clinch at the local ice rink. A silly subplot involves Penrod's suspicions that an attractive French schoolteacher (Maria Palmer) is not only romancing his father (Leon Ames), but is also an enemy spy! Set shortly after the end of World War I, Silvery Moon takes full advantage of that era's popular songs. The film isn't quite as good as On Moonlight Bay, but fans of Day and MacRae went home happy. Also: watch closely, and you'll spot Merv Griffin in a minor role. ~ Hal Erickson, All Movie Guide

The time is just prior to World War II. Lovely Cluny Brown (Jennifer Jones) is the niece of a London plumber; when her uncle is indisposed, Cluny rolls up her sleeves and takes a plumbing job at a society home, where she meets a handsome Czech author (Charles Boyer) - a refugee who has fled the Nazis and now resides with a snobbish and stuck-up family. Hoping to advance herself socially, Cluny accepts a position as a maid in a fancy country home, where she once more meets the Czech author, who is a house guest; they promptly fall for each other, and Cluny follows his lead by turning her nose up at stiff-necked English propriety. Cluny Brown is directed by the matchless Ernst Lubitsch. ~ Hal Erickson, All Movie Guide

Maverick director Floyd Mutrux made his feature debut with this offbeat semi-documentary look at the realities of the Los Angeles drug scene. Mutrux and his camera crew follow a handful of real-life heroin addicts as they go through their daily routines of scoring dope and whiling away the hours until their next fix. (The dealers are played by actors, among them William Fraker, a noted cinematographer who helped shoot the film, and Billy Gray, a former child star from Father Knows Best.) Dusty and Sweets are a thirty-something couple whose often strained relationship is held together by their shared dependence on heroin. Kit is a blasé male hustler who turns tricks to support his habit. Tip is a self-described "everyday card-carrying dope fiend" who demonstrates his technique for ripping off supermarkets and explains how to keep up a habit behind bars. And a cheerfully blank teenage couple seem to spend their days either shooting up, nodding off, or wondering where to get more dope. Though featuring enough on-screen skin popping to make nearly any audience wince, Dusty and Sweets McGee's beautiful photography and languid mood captures the blissfully narcotic allure of Los Angeles in a way that makes the film compelling, while allowing its subjects to seem both human and tragic. Dusty and Sweets McGee also includes a soundtrack of vintage rock and roll radio, and a brief appearance by the group Blues Image, playing their sole hit "Ride Captain Ride". ~ Mark Deming, All Movie Guide

Father Knows Best: Home for Christmas was the second of three TV pilot films for a proposed (and abandoned) revival of the 1950s sitcom classic Father Knows Best. Robert Young, Jane Wyatt, Elinor Donahue, Billy Gray and Laurin Chapin reprise their old TV roles as the Anderson family. Jim and Margaret Anderson (Young and Wyatt), facing the prospect of celebrating Christmas alone, are further depressed by the possibility of having to sell their home. Their children Betty, Bud and Kathy (Donahue, Gray and Chapin), now grown and pursuing their own lives, drop what they're doing to rally around their parents. Father Knows Best: Home for Christmas was slightly more realistic than its 1950s inspiration, but Sentiment wins out over Truth once more. ~ Hal Erickson, All Movie Guide

Gene Autry is back in the saddle again, albeit North of the Border. Montana marshal Autry and another lawman pursue a bank robber into Canada. Teaming with a straight-arrow Mountie, Autry tracks down the criminal in the Canadian wilderness, taking time out once in a while to sing one of his host's national songs. Running 70 minutes, Gene Autry and the Mounties was promoted by Columbia Pictures as a western "special". While on location in Canada, the Autry unit decided to quickly make another film for next season's western schedule, and the result was Blue Canadian Rockies (52). ~ Hal Erickson, All Movie Guide