Billy Gray Movies

Fabric designer Harry Quincey (George Sanders) has the unhappy task of caring for his tiresome unmarried sisters, Lettie (Geraldine Fitzgerald) and Hester (Moyna MacGill). When Harry falls in love with Deborah Brown (Ella Raines), Hester is delighted, but Lettie smolders with jealousy. Upset at Lettie 's opposition, Harry would like nothing better than to do her in. Does he? And what has really happened here? When originally presented on Broadway, Thomas Job's play Uncle Harry utilized a complex flashback technique in unfolding its story, which was capped by a grimly ironic ending. Stephen Longstreet's screenplay not only takes a more linear approach, but also radically alters the ending to conform with the censorship strictures then in effect. The Strange Affair of Uncle Harry was one of several Universal film noirs of the 1940s produced by longtime Alfred Hitchcock associate Joan Harrison. ~ Hal Erickson, All Movie Guide

Writer/director Ben Hecht brings "art" to the artless environs of Republic Pictures in the one-of-a-kind melodrama Spectre of the Rose. The film is set in the rarefied world of the Ballet, featuring a curious blend of ballet artists and veteran Hollywood character actors. Ivan Kirov plays Andre Sanine, a dancer who goes insane every time he hears the music for "Spectre de la Rose". Ballerina Haidi (Violet Kessen), convinced that she can cure Andre of his mental aberration, marries him, despite rumors that he has murdered his first wife. All goes well until Andre is once more compelled to perform "Spectre de la Rose"?and then??Ivan Kirov and Violet Kessen are far more accomplished as dancers than as actors, though Kirov is slightly better than his costar. More at home in the histrionics deparment are Judith Anderson as a patroness of the arts, Michael Chekhov as an apoplectic dance impresario, and Lionel Stander as a Greenwich village poet--all quite adept at mouthing Ben Hecht's eloquent witticisms, of which there are dozens. Spectre of the Rose clearly wasn't designed to please everyone; lovers of the ballet and Hecht aficionados will probably best appreciate the film. ~ Hal Erickson, All Movie Guide

Ben Hecht wrote and directed this bizarre comedy/suspense/dance film, featuring a discordant musical score by George Antheil. The film concerns a love affair between young, innocent ballerina Haidi (Viola Essen) and her psychotic genius dance partner Andre Sanine (Ivan Kirov). The crux of the tale concerns whether the newly married dance team will last through a performance of the Spectre of the Rose ballet -- since the ballet sets Andre's brain into a murderous rage that compels Andre to plunge a knife into his new wife. Also on hand for the festivities is Judith Anderson as La Sylph (an aging ballerina who runs a ballet academy), Lionel Stander as Lionel Gans (a frustrated poet), and Michael Chekhov as Max Polikoff (a pre-politically correct gay ballet impresario). ~ Paul Brenner, All Movie Guide

Olivia De Havilland won the first of her two Academy Awards for To Each His Own. During World War I, De Havilland falls in love with a young soldier (John Lund). He is killed in battle before they can marry, leaving De Havilland to raise their child alone. She gives the baby up for adoption, then goes to work in the cosmetic business, working her way up to an executive post. While in London on business during World War II, Olivia comes face to face with her grown son (John Lund again), now a military officer himself. Though she resists revealing her true identity, mother and son are brought together by a wise old British peer (Roland Culver). Olivia De Havilland's Oscar win was doubly sweet in that To Each His Own was her first film after an enforced two-year absence, brought about when she sued Warner Bros. to get out of her restrictive contract. Long available only in washed-out TV prints, To Each His Own was eventually restored to its pristine 35-millimeter glory by the American Film Institute. ~ Hal Erickson, All Movie Guide

"Boys Town" goes to turn-of-the-century St. Louis in this moving drama that chronicles the love of a determined priest struggling to turn around the lives of a street-wise gang of newsboys living at his homeless shelter. The good father has little money and must use his wits and ability to convince others to help out to supply the little shelter. Much of the story centers on his relationship with a troubled lad who accidentally kills someone. ~ Sandra Brennan, All Movie Guide

Viewers who know Gale Storm only through her chaotic comic performances on TV's My Little Margie and Oh Susanna will be surprised by her subdued dramatic performance in Abandoned. Storm plays Paula Consodine, who comes to Los Angeles in search of her missing sister. Newspaperman Mark Sitko (Dennis O'Keefe), investigating on Paula's behalf, discovers that the sister is dead, a supposed suicide. The whole thing seems a bit fishy to Sitko, and indeed it is: the girl's death was engineered by a black-market adoption racket, headed by one DeCola (Will Kuluva). Paula bravely offers to act as bait to draw the criminals out, a formidable task given the presence of such secondary villains as Raymond Burr and Mike Mazurki. ~ Hal Erickson, All Movie Guide

Gene Autry sings his own and Ray Whitley's "Back in the Saddle Again" in the opening sequence of this, the fifth episode of his 1950 television series. A sheriff this time, Gene takes on ten-year-old Jimmy Foster (Billy Gray), whose father, Ben (George J. Lewis), has been jailed for bank robbery. "An ornery little cuss," according to Gene's sidekick Pat (Pat Buttram), Jimmy repays the gesture by smuggling a gun into the jail. A deputy (Wes Hudman) and Ben's partner, Reynolds (House Peters Jr.), are killed as a result of this piece of juvenile delinquency, but little Jimmy sees the error of his ways after an inspirational lecture from Autry. Billy Gray's real-life mother, 1940s starlet Beatrice Gray, appears in an unbilled bit. Restored by Gene Autry Entertainment in 2000, "The Star Toter" premiered originally on August 20, 1950. ~ Hans J. Wollstein, All Movie Guide

Father is a Bachelor is a pleasant throwback to the "rural" comedies of the 1930s. William Holden plays Johnny Rutledge, a philosophical hobo to whom fishing is the only reason for living. Rutledge is forced to take a few jolts of responsibility when he crosses the path of five orphans. The kids decide to "adopt" Johnny and find him a bride--preferably small-town girl Prudence Millett (Colleen Gray). Charles Winninger steals the film from everyone--even those five urchins--as a medicine-show charlatan named Professor Mordecai Ford. One of the children is played by Billy Gray, of Father Knows Best fame. ~ Hal Erickson, All Movie Guide

MGM's Three Little Words is a "twin" musical biopic, covering the lives and careers of songwriters Bert Kalmar and Harry Ruby. Fred Astaire plays Kalmar, a frustrated magician, while Red Skelton is cast as Ruby, a wannabe baseball player. After "meeting cute" during a disastrous vaudeville show, the oil-and-water Bert and Harry become a popular songwriting team, dashing off such favorites as Who's Sorry Now?, Nevertheless, So Long Oo-Long, I Wanna be Loved by You, All Alone Monday and the title song (the film unfortunately skimps on Kalmar and Ruby's Gilbert-and-Sullivan style novelty ditties, with the exception of Hooray for Captain Spaulding, Groucho Marx' signature tune in Animal Crackers). Adhering more to MGM formula than the facts, the script contrives to have Kalmar and Ruby split up over a trivial misunderstanding, only to be reunited by their wives for an "all is forgiven" radio broadcast hosted by bandleader Phil Regan. Vera-Ellen co-stars as Kalmar's vaudevillian wife Jessie Brown, while Arlene Dahl portrays Ruby's movie-star spouse Eileen Percy. Gloria DeHaven is seen as her own mother, Mrs. Carter DeHaven; and Debbie Reynolds plays "boop-a-doop" girl Helen Kane, her singing voice dubbed in by Ms. Kane herself. Though not quite as humorous as the subject matter would seem to dictate (Red Skelton gets his biggest laughs in the scenes wherein he, as Harry Ruby, participates in spring training with his favorite baseball club) Three Little Words is an excellent example of MGM's musical unit at the height of its powers. ~ Hal Erickson, All Movie Guide

Sierra Passage was the first of a brief series of program westerns produced by Monogram and starring Wayne Morris. The film casts Morris as Johnny Yorke, the sharpshooting star of a travelling show run by Sam (Roland Winters) and Thad (Lloyd Corrigan). Johnny hopes someday to run across the man (or men) responsible for the murders of his parents. Meanwhile, he romances the travelling troupe's songstress Ann (Lola Albright). Billy Gray, who later played Bud in TV's Father Knows Best, shows up as the younger Johnny Yorke. The ironic ending of Sierra Passage is but one of the film's many unexpected highlights. ~ Hal Erickson, All Movie Guide

Burt Lancaster stars as Jim Thorpe, the Native American sports whiz whom many consider the greatest athlete of the 20th century. We first see Thorpe as a child on the reservation, highly resistant to the notion of going to school. He proves to be an excellent student, eventually attending the all-Indian college in Carlisle, Pennsylvania. Still, Thorpe doesn't feel like mixing much with the other students until coach Charles Bickford encourages the lad to go out for the track team. Thorpe finds that he can be more "articulate" as an athlete than as a scholar, and soon excels at all school sports. He also marries his college sweetheart, non-Indian Phyllis Thaxter. After graduation, Thorpe tries to get a coaching job, but is frozen out by the white establishment. Determined to make a name for himself, he enters the 1912 Olympics at Stockholm, where he earns more gold medals than anyone else and is praised as the world's greatest athlete by the King of Sweden. Unfortunately, the fact that Thorpe briefly played semi-professional baseball while attending Carlisle costs him his amateur status--and every one of his medals. Things go from bad to worse for Thorpe after this; his son dies, his marriage disintegrates, and he crawls into a bottle. Thorpe has hit rock bottom when he is reunited with his old coach Bickford, who offers Jim a ticket to the 1932 Olympics in Los Angeles. It is the first small step on the road to regeneration for Jim Thorpe (alas, real life was not so kind; Thorpe died in near-poverty, and it was not until years after his death that his Olympic medals were restored). Jim Thorpe, All American was directed by Michael Curtiz, who previously had secured small acting roles for the real Thorpe in such films as Knute Rockne: All American (1940). ~ Hal Erickson, All Movie Guide

Booth Tarkington's Alice Adams, coupled with his Penrod stories, were incorporated in the script of the 1951 Warner Bros. musical On Moonlight Bay. The role of the incorrigible Penrod is played by future Father Knows Best regular Billy Gray, but his is a strictly secondary part herein. The emphasis is on Penrod's hoydenish older sister, played by Doris Day. She falls in love with Gordon MacRae, whose mildly anti-capitalist sentiments sit not at all well with Doris' banker dad (Leon Ames). Once a subplot involving Penrod's prevarications concerning his father's drinking habits is out of the way, we are treated to several romantic scenes involving Doris and Gordon, and a steady stream of early-20th-century standards like "Till We Meet Again," "I'm Forever Blowing Bubbles," "Cuddle Up a Little Closer," and the title song. On Moonlight Bay ends with MacRae marching off to World War I and Doris promising she'll wait for him; she did, as was proven in the 1953 sequel By the Light of the Silvery Moon. ~ Hal Erickson, All Movie Guide