Beatrice Gray Movies

A group of naturists open a nudist camp near a small town, but local religious fanatics pressure the authorities to close the camp down. The nudists are so ashamed and outraged by this act that they commit mass suicide -- but not before vowing revenge on the zealots who had their camp closed. Five years later they return as zombies to the site -- now a church summer camp -- and start killing off the campers. ~ Brian Gusse, All Movie Guide

Lana Turner stars in this musical/romantic comedy amalgam from director Mervyn Leroy. Turner plays Nora Taylor, a wealthy heiress who finds herself seeing a psychiatrist because she can't decide whether she is loved for herself or her money. When her rich boyfriend (John Lund) takes off for Brazil, Nora tags along with him, hinting that the trip will improve their relationship. But once in Brazil, her boyfriend seems more interested in business dealings than love. As she waits around for her disinterested suitor, she meets a handsome Latin millionaire (Ricardo Montalban), and his charm makes her fall for him immediately. While this relationship is coalescing, Nora's boyfriend is beginning to notice her vivacious secretary Anne Kellwood (Jean Hagen). ~ Paul Brenner, All Movie Guide

Gene Autry sings his own and Ray Whitley's "Back in the Saddle Again" in the opening sequence of this, the fifth episode of his 1950 television series. A sheriff this time, Gene takes on ten-year-old Jimmy Foster (Billy Gray), whose father, Ben (George J. Lewis), has been jailed for bank robbery. "An ornery little cuss," according to Gene's sidekick Pat (Pat Buttram), Jimmy repays the gesture by smuggling a gun into the jail. A deputy (Wes Hudman) and Ben's partner, Reynolds (House Peters Jr.), are killed as a result of this piece of juvenile delinquency, but little Jimmy sees the error of his ways after an inspirational lecture from Autry. Billy Gray's real-life mother, 1940s starlet Beatrice Gray, appears in an unbilled bit. Restored by Gene Autry Entertainment in 2000, "The Star Toter" premiered originally on August 20, 1950. ~ Hans J. Wollstein, All Movie Guide

This Abbott & Costello vehicle was originally planned as a Bob Hope comedy titled Easy Does It. The Hope role is fairly evenly divided between Bud Abbott, as hotel house detective Casey Edwards, and Lou Costello, as bumbling bellhop Lou Costello. When a much-hated criminal attorney (Nicholas Joy) is murdered at a resort hotel, there's no shortage of suspects: in fact, practically every guest had an excellent motive for killing the victim. The suspects conspire to pin the killing on poor Freddie, but when he comes in possession of a valuable piece of evidence, he is slated for extermination himself. The more Freddie and his pal Casey try to stay out of trouble, the more trouble comes their way--especially when two more murders occur. The climax takes place in an underground cavern, where Freddie is nearly drowned by the hooded mystery killer. The film's title is one of the most misleading in movie history. Cast as a red-herring swami, Boris Karloff is not the killer (whose true identity is obvious from the outset, especially to veteran moviegoers). Though his footage is extremely limited, Karloff shares the film's funniest scene, in which he tries to hypnotize Costello into committing suicide ("You'll kill yourself if it's the last thing you do!). ~ Hal Erickson, All Movie Guide

With the profits of the Abbott & Costello films in decline, Universal decided to experiment with the comedians' standard formula. In both Little Giant and The Time of Their Lives, Bud Abbott and Lou Costello play separate characters, rather than the usual smart guy/dumb guy comedy team. In Giant, Costello is cast as farm boy Benny Miller, a would-be salesman who goes to work for the Hercules Vacuum Cleaner company. Almost immediately running afoul of crooked general manager Morrison (Bud Abbott), bumbling Benny is about to be fired when he is convinced by a bunch of practical jokers that he has the power to read minds. His newfound self-confidence enables Benny to become Hercules' top salesman, which delights branch manager Tom Chandler (also Bud Abbott), Morrison's cousin and principal rival. About to receive a salesmanship award, Benny falls into a trap laid by Morrison and his wife (Jacqueline de Wit), who conspire to discredit Chandler by exposing Benny as a fraud. Thoroughly disillusioned, Benny returns home, only to discover that not only is he still Hercules' fair-haired boy, but that he's also replaced Morrison as general manager. Written by Richard Collins and Paul Jarrico, Little Giant is hardly typical Abbott and Costello fare, though the film contains several characteristic comedy setpieces, including an interpolation of Abbott & Costello's classic "Seven Goes Into Twenty-Eight Thirteen Times" routine. Perennial Marx Brothers foil Margaret Dumont shows up in one of the better slapstick scenes. ~ Hal Erickson, All Movie Guide

This Universal "monster rally", an immediate sequel to House of Frankenstein, would seem to have been deliberately designed as the final entry in the studio's B-horror cycle. Onslow Stevens plays psychiatrist Dr. Edelman, who suddenly has a thriving business when two of Universal's "fright" personalities come calling. Count Dracula (John Carradine) wishes to be weaned away from his vampiric tendencies, while Lawrence Talbot (Lon Chaney), aka the Wolfman, wants to be cured of his werewolfism. Edelman does his best to help, simultaneously attempting to bring the Frankenstein monster (Glenn Strange) back to life. Unfortunately, Edelman inherits the madness, killer instincts and other antisocial habits of his celebrated patients. Only Lawrence Talbot manages to escape from Edelman's lab unscathed, ambling off into the sunset with heroine Militza (Martha O'Driscoll). Universal contract starlet Jane Adams, perennially cast as unfortunate young women with physical afflictions, plays Edelman's faithful hunchbacked nurse. ~ Hal Erickson, All Movie Guide

The Utah Kid was a late entry in Monogram's "Trail Blazers" series. These low-budget westerns usually featured three cowboy stars; this time, however, there are only two, Bob Steele and Hoot Gibson. Though neither star is a spring chicken, Steele is the younger of the two, so he's the "Utah Kid" by default. The plot, involving a gang of crooks who go around fixing rodeo results, was designed to accommodate yards and yards of stock footage. Onetime D.W. Griffith heavy Ralph Lewis plays a supporting role in this 55-minute sagebrusher. ~ Hal Erickson, All Movie Guide