Rupert Graves Movies

Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide

The epic saga of the Queen of Egypt gets yet another retelling in Cleopatra, a four-hour, two-part spectacular produced for television. Leonor Varela plays Cleopatra, the Egyptian monarch who uses her wisdom, charm, ruthlessness, and seductive powers to work her way into the heart (and bed) of Roman leader Julius Caesar (Timothy Dalton). But Cleopatra shifts her romantic alliances to Marc Anthony (Billy Zane) just in time for Caesar's death and Anthony's rise to the throne. When Rome goes to war, however, Cleopatra realizes that she can only remain in power for so long, eventually making a late date with an asp when things get especially grim. This is at least the 12th film based on Cleopatra's life (the best-known being the infamously expensive 1962 version starring Elizabeth Taylor and Richard Burton). Produced by Hallmark for NBC television, this version first aired as a two-part miniseries in May 1999. ~ Mark Deming, All Movie Guide

This nutty British comedy observes with jet-black humor the myriad outrageous calamities that befall an eccentric English clan with more than a few skeletons in its closets when its patriarch dies an unexpected death. Soon, every complication imaginable -- including the wrong corpse in the coffin, the accidental consumption of hallucinogenic drugs, and the disclosure of the deceased's closeted homosexuality -- befall the grief-stricken mourners. The funeral commences at the family estate, with the arrival of younger son Daniel (Matthew MacFadyen), who has long felt uncomfortable around his cocky, licentious novelist brother, Robert (Rupert Graves) -- and thus dreads seeing him. Meanwhile, Daniel is also struggling to adhere to promises he's made to his wife (Keeley Hawes). Also arriving at the house are cousin Martha (Daisy Donovan) and her intended, Simon (Alan Tudyk), who embarrasses just about everybody, including himself, by accidentally consuming a strange drug that inflicts him with wild delusions and gives him an uncontrollable penchant for exhibitionism. But the event that truly turns the family members onto their ears is the arrival of a dwarf (Peter Dinklage) who speaks openly of the patriarch's secret passions, which included dressing up in a kinky gladiator outfit and watching young men skinny-dip. Frank Oz (In & Out, Bowfinger) helmed the film, while Dean Craig authored the script. ~ Nathan Southern, All Movie Guide

This drama takes place in Somerset, England in 1958. Eva is a twenty-year-old woman who fantasizes about travel, painting, classic books, and the attention of Joseph Lees, her second cousin, with whom she fell in love as a girl. Joseph, whom she has not seen for four years, is the only member of the family who has managed to get away from the stale domestic cycle. He has recently been injured in a truck accident and Eva imagines herself curing his wounds. She conceals her obsession from everyone except her sister, the precocious Janie, who is twelve years old. Reality is far away from Eva's dreams. Her artistic endeavors are confined to a local drawing class; she works for a meager salary at a dirty sawmill and the only male around to appreciate her female charm is the local pig farmer, Harry Flyte. Harry's sister Maria is anxious to marry off her brother so that she can be free to do as she pleases. Eva moves in with Harry, but when she meets Joseph at a family gathering, the old flame is rekindled. However, Harry is not so easy to get rid of. Dreaming of Joseph Lees is a family drama and the first feature of Eric Styles. ~ Gönül Dönmez-Colin, All Movie Guide

Originally produced for the BBC, the seven-part Fortunes of War was adapted from Olivia Manning's "The Balkan Trilogy" and "The Levant Trilogy". Kenneth Branagh and Emma Thompson, who in 1987 were husband and wife, star as Guy and Harriet Pringle, a British couple who move to Rumania in 1939. As the war clouds gather, Guy becomes involved in political resistance activities, which tends to make him neglectful of Harriet, who'd just as soon remain aloof from world events. While Guy goes off on such missions as destroying the German supply lines along the Danube, Harriet attempts to maintain decorum in her home-a task rendered well nigh impossible when such "guests" as Prince Yakimov (Ronald Pickup) drop in. Separated in mid-war, the Pringles are reunited in Greece, where the lonely Harriet becomes involved with handsome army officer Jeremy Brudenell. Then it's off to further adventures in Alexandria, Cairo, and finally, Damascus. Fortunes of War was first telecast in America from January 17 to February 28, 1988, as part of PBS' Masterpiece Theatre series. ~ Hal Erickson, All Movie Guide

In 1954, all of England was rocked by a shocking crime that took place in a quiet coastal town and involved a socially upstanding landlady, her smart, newly blossomed teenage daughter, and a handsome but troubled Australian in search of family he had never known. In retelling this true story, first-time filmmaker Philip Goodhew offers a blackly comic and ironic look behind the proper lace curtains of a seemingly normal British household and reveals a seething pit of repressed lust, jealousy and deadly obsession. The tale begins as Harold Guppy (Rupert Graves) leaves a ship and ambles toward the home of his long-lost brother Maurice Guppy (Les Dennis). The reunion is tepid, for Maurice's wife Iris (Elizabeth McKechnie) is suspicious of Harold and unwilling to welcome him into her home. It doesn't help that the callow Harold reveals a troubled, though somewhat cloaked past. Unable to stay with his brother, Harold finds lodging in the home of friendly, late-middle-aged Mrs. Beasley (Julie Walters). With her rhinestoned glasses, boxy dresses, short bouffant, and prim take-charge manner, Mrs. Beasley seems the epitome of 1950s motherhood and good housekeeping. Harold soon meets the rest of the family, the fresh-faced, bright, but rather macabre Joyce (Laura Sadler in her feature-film debut), and Mr. Beasley, a quiet, hen-pecked (the Mrs. hasn't had relations with him in years and forces him to sleep in his own room) WW I survivor who despite his missing leg, still supports his family. Things seem normal enough until a fateful game of spin-the-bottle during Joyce's 14th birthday party reveals an entirely different side to Mrs. Beasley. That night she creeps to Harold's bedroom and pleads with him until he weakens and accepts her advances and they begin to make wild love. The row awakens Joyce who pops into Harold's room and refuses to leave until the would-be lovers allow her into the bed. Thinking her asleep and unaware, Mrs. Beasley and Harold quietly resume their cavorting. Joyce is very much awake and spends the night scheming to get Harold to come to her. Thus begins an inescapable downward spiral for the weak-willed Harold that culminates in a desperate and horrific act of violence. Though it is not difficult to guess that none of the three protagonists will come to a good end, the graphic nature of the story's climax is jarring and out of place in the otherwise low-key and rather dry comedy. That the trio's characters are so broadly drawn, even bordering on cariactures, lessens the impact and the actual horror of the case. Still, Intimate Relations is a well-made film that aptly captures the flavor of post WW II England and contains many memorable lines.That the three try so hard to keep up the appearances of a normal household (Mrs. Beasley insists that Harold call her "Mum," a word he later has tattooed upon his arm) only adds to the bitter humor. ~ Sandra Brennan, All Movie Guide

This adaptation of the novel by Virginia Woolf stars Vanessa Redgrave as Clarissa Dalloway, a woman in her mid-'50s living in London five years after the end of WWI. As Mrs. Dalloway prepares an elaborate dinner party at the home she shares with her husband, a prominent politician, she finds herself looking back on her life 30 years before, when as a young woman (played by (Natascha McElhone), she was in love with two different men -- the solid and safe Richard Dalloway (John Standing) and the exciting, free-spirited Peter Walsh (Michael Kitchen). Clarissa also recalls her close friendship with Sally (Lena Headey) as she wonders if she made the right choice in marrying Richard -- especially when Peter makes an unexpected appearance at her party. Mrs. Dalloway also finds herself moved in a way she never anticipated by the plight of Septimus Smith (Rupert Graves), a young man severely injured during the war whom she has never met. Mrs. Dalloway was directed by Marleen Gorris, whose previous credit was the international success Antonia's Line. ~ Mark Deming, All Movie Guide

The acclaimed Tony Palmer helmed this 1984 biopic on 19th and early 20th century Italian composer Giacomo Puccini, here portrayed by Robert Stephens. Palmer opts to focus not on the whole gestalt of Puccini's life, but on a devastating scandal that transpired in 1909, when Giacomo's wife, Elvira Puccini, accused maid Doria Manfredi of bedding her husband. The unfounded allegations prompted a massive lawsuit from the maid's family, and nearly toppled Giacomo's illustrious career. Judith Howarth co-stars. ~ Nathan Southern, All Movie Guide

One man's pursuit of life, liberty, and a green card sets the stage for this comedy-drama. Ali (Said Taghmaoui) was born in Egypt but has come to England in hopes of finding his fortune. Nothing if not industrious, Ali juggles several low-paying jobs: He works in a Middle Eastern restaurant, writes screenplays, helps redub Arabic-language movies into English, and gives belly dancing lessons. In the grand tradition of dance instructors, Ali is also having an affair with one of his students, Vivienne (Clementine Celarie), a middle-aged art dealer who refuses to take no for an answer. Ali is kicked out of his rooming house after several of his neighbor's sexual peccadilloes pop up in one of his scripts, and to add insult to injury, Ali is informed that his visa is about to run out and may not be extended. Needing a place to stay, Ali accepts an offer from Mark (Rupert Graves), a photographer who will give him a room and some cash in exchange for posing for photos to be used in a gay-themed magazine. Wanting to stay in England, Ali's less than scrupulous friend Ahmed (Karim Belkhadra) says he can arrange a marriage with a British citizen that would help him gain citizenship, but the price is 5,000 pounds, more than Ali can afford. Ali soon meets Linda (Juliette Lewis), an American expatriate who does a nightclub act as Marilyn Monroe; Linda likes Ali, and is willing to marry him for a mere 3,000 pounds, though Ali still has no idea how to come up with the money. Room to Rent was the first feature from writer/director Khaled Al Haggar, who is himself an Egyptian immigrant living and working in London. ~ Mark Deming, All Movie Guide

Telecast on American cable television as Sweet Revenge, this wickedly black comedy was produced for British TV under the title The Revengers' Comedies, which was also the name of the Alan Ayckbourn play collection upon which it was based. Late one night on London Bridge, two potential suicides meet. Henry Bell (Sam Neill) is a midlevel executive who has been unfairly fired by his office rival; Karen Knightly (Helena Bonham Carter) is a nutty heiress whose boyfriend has jilted her in favor of a bitchy American beauty. Forsaking their plans to kill themselves, Henry and Karen go the Strangers on a Train route by agreeing to "swap" revenges: Karen will dispose of Henry's enemy, Bruce Tick (Steve Coogan), while Henry will destroy Karen's bête noire, Imogen Saxton-Billing (Kristin Scott Thomas). A U.S./U.K./French co-production, Sweet Revenge made its official debut over America's Showtime network on September 24, 2000. ~ Hal Erickson, All Movie Guide

The Blonde Bombshell was a two-part miniseries based on the turbulent life and early death of British movie queen Diana Dors. The warts-and-all teleplay cast a merciless light upon Dors' troublesome relationship with her working-class family, her ofttimes futile efforts to be taken seriously as an actress and to escape the "sexpot" roles which had brought her fame, and her unhappy marriages, including her volatile union with future Family Feud emcee Richard Dawson. The story came to a tragic conclusion with Dors' death from cancer at age 52. Keeley Hawes appeared as the younger Diana, while Amanda Redman played the protagonist in the final stages of her life and career. Filmed in the digital widescreen process, The Blonde Bombshell was seen over London Weekend Television on April 26 and 27, 1999. ~ Hal Erickson, All Movie Guide

The Forsyte Saga was a remake of the classic 1960s British miniseries which put the PBS anthology Masterpiece Theatre on the map. Whereas the original version covered all of John Galsworthy's novels about the upper-crust Forsyte clan, requiring 26 episodes to do so, the remake took in only the first two books, running five episodes in Great Britain and seven episodes when it was exported to the U.S. (several sequels were, however, promised should this "trial balloon" prove successful). This was more than ample time to detail the fortunes and follies of the Forsytes as they made the sometimes painful transition from the Victorian to the Edwardian era. The focus was on frosty, tradition-bound Soames Forsyte (Damian Lewis), whose sincere but sterile relationship with his beloved wife Irene (Gina McKee) was complicated by Irene's fondness for iconoclastic architect Bosinney (Ioan Gruffudd). And in another branch of the Forsyte family, Old Jolyon Forsyte (Corin Redgrave) was vexed by the bohemian lifestyle of his son Young Jolyon (Rupert Graves). Budgeted at ten million dollars and running approximately eight hours, the "new" Forsyte Saga debuted in the U.K. on April 7, 2002, and in the U.S. courtesy of PBS on October 6 of that same year. ~ Hal Erickson, All Movie Guide