Peter Thomas Movies

The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, Rovi

A corrupt opportunist commits brutal crimes in the name of God and country in this atmospheric period horror tale. In 17th century England, as a people's uprising threatens Lord Cromwell's rule, superstition still rules the land, and the Royalists use this to their advantage by inaugurating a reign of terror in the name of wiping out alleged witches and agents of the dark arts. Matthew Hopkins (Vincent Price) has been appointed "witchfinder" by Puritan Royalists, and with the help of his thuggish assistant Stearne (Robert Russell), Hopkins travels from town to town, brutally interrogating those accused of witchcraft and using fire, drowning, and torture to extract "confessions" from the accused. Of course, Hopkins' opinions can be swayed with money and other considerations, and when Father Lowes (Rupert Davies), a priest whose sympathies do not lie with the Royalists, is arrested and tortured by Hopkins and Stearne, his devoted niece Sarah (Hilary Dwyer) is able to stay his punishment by sleeping with Hopkins. Sarah, however, is engaged to marry Marshall (Ian Ogilvy), a soldier in Cromwell's army, and once Marshall learns that the woman he loves has been seduced by Hopkins -- and raped by Stearne -- he becomes determined to expose the witchfinder and punish him for his misdeeds. Witchfinder General was released in the United States by American International Pictures, who in addition to arranging for Vincent Price to play Matthew Hopkins, changed the North American title to The Conqueror Worm, after a poem by Edgar Allan Poe which was read over the credits by Price, though the story bears no real relation to Poe's work. ~ Mark Deming, Rovi

During an important conference, a key delegate suddenly runs out of the building and into the street, where he is promptly killed by an automobile. It turns out that the dead man had had premonitions of just such a tragedy, and all the other delegates have had similar premonitions. It's up to Steed and Emma to find out just what's been going on. . .and to prevent what seems to be the grim inevitable. Written by Philip Levene, "Death's Door" was originally broadcast in England on October 7, 1967; its first American telecast took place on January 31, 1968. ~ Hal Erickson, Rovi

In the second episode of the four-part story "The Savages," the Doctor (William Hartnell) wants to learn the secret of the "perfect" advanced civilization which has built huge walls to protect itself against a race of primitive savages. He eventually discovers that the so-called civilized inhabitants have kept themselves mentally and physically vibrant by sapping the life forces from the savages outside their gates. First telecast on June 4, 1966, "The Savages, Episode 2" was written by Stuart Black; this episode apparently no longer exists. ~ Hal Erickson, Rovi

In this British crime drama a small-town detective gets tired of Scotland Yard's constant meddling and takes a leave-of-absence from his regular duties to start his own detective agency. It is there that he solves the puzzling jewelry store heist that caused the death of the owner's wife who worked there. ~ Sandra Brennan, Rovi

When a British farmer lapses into a coma, it appears to be the byproduct of a voodoo curse. Sent to the jungles of Kalaya to investigate, Steed uncovers a long-range plan to eliminate all Englishmen in the vicinity. The villains' principal weapons are superstition and a highly developed species of tsetse fly. As usual, Emma finds herself in jeopardy halfway through the proceedings. Written by Philip Levene, "Small Game for Big Hunters" was originally telecast in England on January 15, 1966; the first American telecast took place on April 4 of that same year. ~ Hal Erickson, Rovi