Stephen Grant Movies

1996  
NR  
In 1966, University of Texas student Charles Whitman climbed to the top of the highest tower on campus armed with a high-powered rifle and proceeded to randomly shoot passerby below. A dozen innocent people died and twice that many were injured. As a black, scathing and at times hilarious political satire, The Delicate Art of the Rifle takes this event and twists it into something fresh and experimental, a narrative that criticizes the current notion of narrative by stripping facts of their historical context and placing them into an absurd realm punctuated by paranoia and arbitrary violence. Hailed by the filmmakers, the Raleigh, North Carolina-based film production company/ artist group the Cambrai Liberation Collection, as a "brazen art-house action-adventure," The Delicate Art of the Rifle is not an easy film, nor is it a perfect film, but those who stick with it will be rewarded with the rare opportunity to see a refreshingly intelligent bit of modern American cinema. The tale unfolds from the viewpoint of Jay, roommate of the sniper Walt Whitman. Jay is first seen after having spent a night on the catwalk of the campus theater. Below him, a group rehearses a "a post modernist fashion show version of Hamlet. Later that day, Jay and one of his professors, Dr. Boaz head out for coffee at Foucault Tower, a 27-story super dorm that contains everything a student might ever need or want. Unfortunately, before they arrive shots ring out and Boaz is killed along with many others. For some reason Jay remains unscathed. Suddenly he hears a disembodied voice from above. It is his best friend Walt. Not realizing that he is the killer, and thinking his friend is endangering himself, Jay rushes up the tower to save him. En route he meets a number of strange characters including a girl with a thing for frosting cup cakes, a psych major in dire need of sleep, and a band of computer dweebs lead by a demented hacker. Once atop Foucault, Jay listens while Walt spins an incredible tale of delusion, paranoia and despair involving a metaphysical virus that erases people from history. Believing it has already taken his girl friend, and realizing that he too has it, Walt makes one final request of Jay before the student swat team moves in for the final confrontation. The story itself ends on a mysterious, even cosmic note. ~ Sandra Brennan, All Movie Guide

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Starring:
David Marshall GrantStephen Grant, (more)
1947  
NR  
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One of John Wayne's most mystical films, Angel and the Badman is also the first production that Wayne personally produced. The star plays a wounded outlaw who is sheltered by a Quaker family. Attracted to the family's angelic daughter Gail Russell, the hard-bitten Wayne undergoes a slow and subtle character transformation; still, he is obsessed with killing the man (Bruce Cabot) who murdered his foster father. The storyline traces not only the regeneration of Wayne, but of the single-minded sheriff (Harry Carey) who'd previously been determined to bring Wayne to justice. Not a big hit in 1947, Angel and the Badman has since become the most frequently telecast of John Wayne's Republic films, thanks to its lapse into Public Domain status in 1974. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneJoan Barton, (more)

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