Sarina Grant Movies

Originally prepared for European release under the title Catchfire, Backtrack wasn't given a wide distribution until 1991, and then only to capitalize on the Oscar win of Silence of the Lambs star Jodie Foster. In Backtrack, Foster plays a youngish innocent who witnesses a mob hit. Professional assassin Dennis Hopper is contracted to silence Foster for keeps. Instead, he falls in love with her. Directed by star Hopper, Backtrack has some of the feel of his earlier, better Easy Rider: the cast is populated by such old Hopper chums as Dean Stockwell, Charlie Sheen, Joe Pesci, Bob Dylan, Vincent Price and Julie Adams; and, like Easy Rider, it looks as though the story was improvised during filming. ~ Hal Erickson, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

After a long separation, a young girl finds her mother (Loni Anderson) and is surprised to find that she's working as a high-class call girl. ~ John Bush, All Movie Guide

This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide

This fact-based made-for-television drama tells the story of nurse Joy Ufemal and her invaluable work with those dying of incurable diseases. ~ Sandra Brennan, All Movie Guide

Theodore Bikel guest stars as Bronx butcher Alvin Klemmer. Regular customer Edith Bunker is flattered by Klemmer's old-world graciousness, until she realizes that the butcher has fallen in love with her. Written by Phil Sharp, "Love Comes to the Butcher" first aired on February 5, 1978. Audience response to the episode was so positive that in 1979 All in the Family offered a sequel, "A Girl Like Edith," also featuring Theodore Bikel. ~ Hal Erickson, All Movie Guide

A feisty, feminist intern uncovers a medical conspiracy in this icy thriller about mysterious goings-on at Boston Memorial Hospital. When her best friend and aerobics partner, Nancy Greenly (Lois Chiles), emerges in a vegetative state from a routine abortion, Dr. Susan Wheeler (Genevieve Bujold) does some digging and discovers an overabundance of anesthesia-induced comas among otherwise healthy young patients. The male authority figures who challenge Susan's technically illegal tampering with medical records include her boss, Dr. Harris (Richard Widmark); the chief anesthesiologist, Dr. George (Rip Torn); and even her boyfriend, Dr. Mark Bellows (Michael Douglas), who doesn't want Susan's shenanigans to get in the way of his shot at chief resident. As Susan continues her crusade, the paper trail leads to the Jefferson Institute, a mysterious, experimental facility in which vegetative patients are stored en masse, suspended from the ceiling by wires threaded through their long bones, in order to reduce the cost of long-term care. A shadowy assailant begins to stalk Susan just as she uncovers the link between the Jefferson Institute and the comas at Boston Memorial, setting the stage for climactic suspense scenes involving morgues, malpractice and endless institutional corridors. Writer/director Michael Crichton adapted his second feature film from Robin Cook's bestseller of the same name. Tom Selleck, who would star in Crichton's Runaway several years later, appears briefly in Coma as another victim of lethal anesthesia. ~ Brian J. Dillard, All Movie Guide

Michael Schultz directed this kinetic, hyperventilating comedy (scripted by Joel Schumacher) concerning the crazed events that go on within a single 10-hour period at a Los Angeles car wash. The cast of colorful car-wash employees includes Lonnie (Ivan Dixon), an ex-con; Duane (Bill Duke), a militant black activist; and Lindy (Antonio Fargas), an obnoxious homosexual. Sully Boyar plays Mr. B, the frazzled car-wash owner who has to deal with his screwball employees along with his over-educated slip of a son, Irwin (Richard Brestoff), who quotes Mao and wants to radicalize the workers. Also along for the wash and wax are Miss Beverly Hills (Lauren Jones), with a wild assortment of wigs; Marsha (Melanie Mayron), the distracted car wash secretary; a mad bomber (Prof. Irwin Corey), who is terrorizing the neighborhood; and Daddy Rich (Richard Pryor), the founder of the Church of Divine Economic Spirituality, who sports a gold limousine. Danny de Vito, Brooke Adams and others were originally in the cast but their scenes were ultimately deleted. ~ Paul Brenner, All Movie Guide

Cornbread (Keith Wilkes) is an African-American youth who strives to escape his ghetto surroundings. He does so by becoming a high school basketball star--and the idol of the other youngsters in his community. On the verge of starting college on a scholarship, Cornbread is mistakenly killed by a police officer. Keith Wilkes, who plays the title role, was in real life an all-American at UCLA. Cornbread, Earl and Me, which was based upon Ronald Fair's novel Hog Butcher, marked the big screen debut of Laurence Fishburne. ~ Hal Erickson, All Movie Guide