Richard E. Grant Movies
Tall, gangly, and possessed of a frenetic intensity that lends itself to the highly eccentric and often borderline insane characters he plays, British actor Richard E. Grant is nothing if not one of the more distinctive performers to have gained celluloid immortality. His wild eyes and high-strung demeanor occasionally giving him an uncanny resemblance to a meerkat on speed, Grant has been delighting and shocking observers with both his on- and off-screen persona since his 1987 breakthrough in Withnail & I.Born Richard Grant Esterhuysen on May 5, 1957, in Mbabane, Swaziland, Grant had a somewhat distinctive upbringing, thanks in part to his father's job as the Swazi Minister of Education. His parents' divorce when the actor was 11, for example, was the source of a fair amount of scandal in South Africa. For his part, Grant knew early on that he wanted to be an actor, something that was fueled by an infatuation with Barbra Streisand and a steady diet of movies. He followed the career of Donald Sutherland with particularly rapt attention, as, like Grant, Sutherland was tall, thin, long-faced, and hailed from the middle of nowhere.
After studying English and Drama at Cape Town University, where he co-founded the multi-racial, avant garde Troupe Theatre Company, Grant headed for London in 1982. He was greeted by a period of unemployment and frustration that lasted for almost five years. The actor eventually began finding work on the stage, and in 1984 was dubbed by Plays and Players magazine as "most promising newcomer" for his performance in Tramway Road at Hammersmith's Lyric Theatre. Ironically enough, given his years of struggle, it was Grant's portrayal of a bitter, pill-popping, unemployed actor in Bruce Robinson's black comedy Withnail & I that finally put him on the map. The film was a genuine cult classic, and Hollywood soon came sniffing around, if only to cast Grant in the 1988 demons-on-the-loose flop Warlock. The following year, the actor again tapped into his reserves of unpleasantness for Robinson, starring as a toxic advertising executive who develops a talking boil in the satirical How to Get Ahead in Advertising. Grant's hilariously vile characterization was considered by many to be the highlight of the film, and further paved the way for greater industry appreciation.
Grant subsequently earned recognition on both sides of the Atlantic, thanks to a number of diverse and often peculiar roles in films of widely varying quality. Particularly memorable during the early to mid-'90s were portrayals Anais Nin's well-intentioned but dull husband in Henry & June (1990), the evil billionaire Darwin Mayflower in the spectacularly disappointing Hudson Hawk (1991), an overly insistent screenwriter in Robert Altman's The Player (1992), high society lounge lizard Larry Lefferts in Martin Scorsese's The Age of Innocence (1993), and an outrageous fashion designer that Grant described as a "male Vivienne Westwood" in Altman's disastrous Pret-A-Porter (1994).
Despite his eccentric persona, Grant has time and again proven himself more than capable of essaying straight man roles, as he demonstrated in such films as Jack and Sarah (1995), in which he played a grieving widower; The Portrait of a Lady (1996), in which he had a small but memorable role as one of Isabel Archer's most ardent suitors; and the made-for-TV The Scarlet Pimpernel (1999), which cast him as its titular hero. He has also continued to shine in films that impress upon his comedic abilities, as evidenced by his role as Sir Andrew Aguecheek in Trevor Nunn's Twelfth Night (1996) and his portrayal of a disgruntled advertising man in A Merry War (1997) (otherwise known as Keep the Aspidistra Flying), a satirical comedy based upon a novel by George Orwell.
Enlisted again by Altman, Grant showed up alongside a star-studded ensemble cast in 2001's critically-acclaimed Gosford Park. Supporting roles continued to suit him well as he would later take on parts in Steven Fry's Bright Young Things and the 2004 John Malkovich-starrer Colour Me Kubrick. ~ Rebecca Flint Marx, Rovi
- 1985
Its title dripping with sarcasm, Honest, Decent and True strikes a few more-than-glancing blows at the advertising industry. The scene is a British brewery, where the conservative executive board bemoans a steady loss of revenue. Into this rarefied atmosphere bursts a team of yuppie ad copywriters, who have as little interest in truth as they have in tradition. The hidebound brewery execs are appalled at the near-obscene excesses of the company's new ad copy--but business suddenly begins to boom. Made for British television, Honest, Decent and True made its American bow on the Arts and Entertainment cable service. ~ Hal Erickson, Rovi
- Starring:
- Derrick O'Connor, Adrian Edmondson, (more)
- 1987
Made for BBC television, After Pilkington stars Bob Peck as Westgate, a dullish Oxford academician. Upon being introduced to the wife of a new faculty member, Westgate discovers that young woman is Penny (Miranda Richardson), his childhood sweetheart. He remembers that Penny used to embroil him in adventures that threatened life and limb. Apparently nothing has changed, and before long Penny has inveigled Westgate into helping her locate a missing archaeologist named Pilkington. This sprightly comedy-mystery first aired in the US in October of 1987 over the A&E cable network. ~ Hal Erickson, Rovi
- Starring:
- Bob Peck, Miranda Richardson, (more)
Screenwriter Bruce Robinson made his directorial debut with this British comedy. Withnail (Richard E. Grant) is an unsuccessful, pill-popping actor; "I," or Marwood (Paul McGann), is Withnail's roommate and another equally underemployed actor. The time is 1969: Withnail is fast becoming a burned-out relic of the '60s, while Marwood is trying to reassimilate into society. The two take a trip to the country in hopes of rejuvenating themselves, but things go from worse to even worse. Given the intimacy and insight of the screenplay and dialogue, one shouldn't be surprised that Bruce Robinson (who adapted the film from his own novel) based Withnail & I on his own experiences. The film proves that certain "Age of Aquarius" types were just as bollixed-up in Britain as they were in America. ~ Hal Erickson, Rovi
- Starring:
- Richard E. Grant, Paul McGann, (more)
Julian Sands oozes maleficence as a warlock of the 1600s cast forth to 1980s Los Angeles, where he continues to work his deviltry. The story begins in 1691 Boston when a warlock is condemned to die. Calling for Satan's help, the warlock is sent forward in time to contemporary Los Angeles, where he comes crashing through the window of Kassandra (Lori Singer) and her roommate Chas (Kevin O' Brien), who think that the warlock is a LA drunk and let him stay the night to sleep it off. The next day, the warlock brutally murders Chas and then locates a spiritualist (Mary Woronov) who, possessed by the devil, tells the warlock that he must find the three parts of the Grand Grimoire, the witches' bible that contains the secret name of God. Meanwhile, Kassandra, grieving over the death of Chas, comes upon Giles Redferne (Richard E. Grant), a warlock hunter from the 16th century, sent into the future to find the warlock. While Giles is busily putting together a "witch-compass" to track the warlock, Kassandra calls the police and has him arrested. But then the warlock returns and puts a curse on Kassandra. She blacks out, only to awaken the next morning to discover that she has aged twenty years. Realizing she has put the wrong representative from the 16th century in jail, she bails out Giles and they both go in search of the warlock. ~ Paul Brenner, Rovi
- Starring:
- Richard E. Grant, Julian Sands, (more)
- 1988
James Richards is an ordinary middle-class man living a very comfortable and orderly life in London, working as a statistician. In this drama, he discovers that his safe and cozy world is rife with hidden corners and unimagined dangers. He first discovers that things are not as they seem when, through a client, he learns of a special film that has been suppressed by the British government. His search for that film leads him into the labyrinth of underground tunnels and offices which were built under the city during World War II, and he is pitted against an organized government conspiracy. ~ Clarke Fountain, Rovi
- Starring:
- Charles Dance, Cassie Stuart, (more)
- 1989
- R
- Add How to Get Ahead in Advertising to Queue Add How to Get Ahead in Advertising to top of Queue
After years of capitalizing on the weaknesses of a gullible public, a London advertising executive finds that his worst qualities have literally taken on a life of their own in this scathing satire. Successful copywriter Dennis Bagley (Richard E. Grant) lives a posh life with his lovely wife, Julia (Rachel Ward), in the London suburbs. Pushed to distraction by a bothersome new pimple-ointment account, he flirts with renouncing his career and becoming socially aware. Immediately thereafter, Bagley discovers that he's developed a zit of his own -- a monstrous boil on his neck that begins whispering evil things in his ear. Convinced that he's being taken over by his dark half, Bagley soon finds his "good" self relegated to the boil while his malevolent alter ego returns to the world of advertising with a vengeance. At first, Julia is relieved that her husband seems to have bounced back from the abyss of mental illness, but soon she realizes that she prefers the gentle but crazy Dennis to the poisonous professional. Written and directed by Withnail & I's Bruce Robinson, How to Get Ahead in Advertising reunites the director with that film's leading man Richard E. Grant. ~ Brian J. Dillard, Rovi
- Starring:
- Richard E. Grant, Rachel Ward, (more)
- 1989
Based on John Trenhaile's A Man Called Kyril, this byzantine-plotted spy melodrama stars Ian Charleson in the title role. Kyril is a supposed Soviet defector who relocates in London. In fact, his defection is a smoke-screen: Kyril has been sent by the KGB to seek out a British mole in Moscow Centre. At four hours, Codename: Kyril affords plenty of breathing space for the various plots and counterplots, but its excess of espionage verbiage may prove confusing to the average viewer. Filmed for British television in locales ranging from Norway to Holland, Codename: Kyril was first telecast in the US on the Showtime cable network on April 27, 1988; a videocassette version running 115 minutes was made available in 1991. ~ Hal Erickson, Rovi
When a father attempts to return to his abandoned family after 23 years his grown son tries to murder his drunk, unemployed father. ~ Rovi
- Starring:
- Denholm Elliott, Julie Walters, (more)
Director Bob Rafelson fulfilled a lifelong dream when he finally received backing to complete Mountains of the Moon. The film recreates the exploratory adventures of 19th century visionaries Sir Richard Burton (Patrick Bergin) and John Henning Speke (Iain Glen). The heart of the film is the effort by Burton and Speke to discover the true source of the Nile river. This occurs well into the film, after several torturous scenes involving the injuries sustained by the protagonists during other expeditions and their growing friendship (which, the film intimates, goes far beyond friendship). Rafaelson's fascination with this story, and his insistence upon painstaking historical accuracy, unfortunately compromises his ability to make an interesting film. There are so many starts and stops during the first half that we sincerely hope Burton and Speke will chuck it all and set up a pub in Bristol or something. What saves Mountains of the Moon is the rapport between its stars and the brilliant, epic-like cinematography of Roger Deakins. ~ Hal Erickson, Rovi
- Starring:
- Patrick Bergin, Iain Glen, (more)
- 1990
- NC17
The real-life relationship between two of the most controversial literary figures of the 20th century forms the basis for this drama. Anaïs Nin (Maria de Medeiros) is a struggling author trying to finish her first book, a study of the work of D.H. Lawrence. She also has a keen sexual curiosity that is not being satisfied by her sweet but unexciting husband, Hugo (Richard E. Grant). Through Hugo's friend Richard (Kevin Spacey), Anaïs is introduced to Henry Miller (Fred Ward), a writer from America who shares Anaïs' passion for both eros and literature; she is later introduced to June (Uma Thurman), Henry's wife and a practicing bisexual. While Anaïs is attracted to Henry, to her surprise, she's even more strongly drawn to June; June, however, must return to America, and with her approval, Henry and Anaïs begin an affair. Anaïs' newfound sense of sexual liberation leads her to several new lovers over the next several months, but she and Henry find themselves pursuing the same object of affection when June returns to Paris. Henry & June's frank but tasteful treatment of sexual themes led the MPAA to threaten the film with an X-rating; instead, the film became the first feature released with the revised NC-17 classification. ~ Mark Deming, Rovi
- Starring:
- Maria de Medeiros, Fred Ward, (more)
Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, Rovi
- Starring:
- Bruce Willis, Danny Aiello, (more)
Steve Martin wrote and stars in this look at the promise and dreamtime of Los Angeles culture. Martin stars as Harris K. Telemacher, a light-hearted television weatherman who does wacky comedy in lieu of reports since, being in L.A., he has very little weather to report. He spends his time roller-skating through museums and spending time with California's beautiful people. But Telemacher is fired and discovers that his girlfriend Trudi (Marilu Henner) is having an affair. He walks away from the relationship and re-evaluates his life, getting advice from a friendly electronic highway road sign. The sign suggests that he call SanDeE (Sarah Jessica Parker), a sprightly and attractive Valley Girl he met in a clothing store. With SanDeE he experiences a liberating and carefree spirit. But Telemacher comes to realize that he has actually fallen in love with Sara (Victoria Tennant), a tuba-playing British journalist who is in California to do a feature on Los Angeles lifestyles. ~ Paul Brenner, Rovi
- Starring:
- Steve Martin, Victoria Tennant, (more)
- 1992
Produced for the PBS anthology series Great Performances, this adaptation of Tennessee Williams' Suddenly Last Summer constrasts sharply with the previous 1959 Hollywood version. Shorn of the movie's operatic screenplay and the star power of Katharine Hepburn, Elizabeth Taylor and Montgomery Clift, PBS simply offers us the original one-act play, faithfully rendered. In 1937 New Orleans, millionaire matriarch Violet Venable (Maggie Smith) invites a psychiatrist (Rob Lowe, who is exceptional) into her mansion. Violet's son Sebastian died in Spain the previous year under very questionable circumstances. Now she is anxious to have the psychiatrist lobotomize her institutionalized niece Catherine (Natasha Richardson), who witnessed Sebastian's demise. Violet insists that this radical procedure would be in the best interests of the girl; but the psychiatrist suspects that the old woman merely wants to ensure Catherine's silence concerning "l'affaire Sebastian". Suddenly Last Summer first aired January 6, 1993. ~ Hal Erickson, Rovi
Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). Anthony Hopkins is obsessed vampire hunter Van Helsing, while Keanu Reeves takes on the role of Jonathan Harker, and Tom Waits plays bug-eating Renfield. Bram Stoker's Dracula was the winner of three Academy Awards. ~ Hal Erickson, Rovi
- Starring:
- Gary Oldman, Winona Ryder, (more)
Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi
- Starring:
- Tim Robbins, Greta Scacchi, (more)
- 1993
- Add Franz Kafka's It's a Wonderful Life to Queue Add Franz Kafka's It's a Wonderful Life to top of Queue
Richard E. Grant stars in this short satiric comedy as gloomy author Franz Kafka, who has been stricken with a serious case of writer's block on Christmas Eve. Kafka is trying to get started on his latest short story, The Metamorphosis, but he isn't sure what his protagonist Gregor Samsa should become. As Kafka struggles with indecision, he has to content with a loud holiday party downstairs, several unexpected guests, and a sinister knife salesman who has a bone to pick with Franz. Franz Kafka's It's a Wonderful Life was produced under the auspices of the British Broadcasting Company; it later received an Academy award as Best Live Action Short Subject of 1995. ~ Mark Deming, Rovi
- Starring:
- Richard E. Grant
In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, Rovi
- Starring:
- Daniel Day-Lewis, Michelle Pfeiffer, (more)
The difficult realities of life in Britain during the early Industrial Age are explored in this made-for-television adaptation of the novel by Charles Dickens. Thomas Gradgrind (Bob Peck) is a schoolteacher working in Coketown, a grim industrial town in the North of England, who believes that facts are of supreme importance and imagination is folly. Gradgrind imposes his philosophies on his children, arranging for his daughter, Louisa (Beatie Edney), to marry Josiah Bounderby (Alan Bates), a businessman old enough to be her father, who also employs her brother, Tom (Christien Anholt). As Louisa tries to find a way out of her relationship with Bounderby, she finds herself pursued by the even more repellant James Harthouse (Richard E. Grant). ~ Mark Deming, Rovi
- Starring:
- Richard E. Grant, Alan Bates, (more)
- 1994
After a dalliance with a government official, Patsy (Joanna Lumley) becomes embroiled in a tabloid sex scandal and is irate to see her true age reported nationally. "Borrowing" the Monsoon house for an interview with Hello magazine, she is disappointed to learn that photos for the spread won't be shot until the following week. However, when Edina (Jennifer Saunders) stubs her toe and enters the hospital for minor surgery, Pats takes the opportunity to accompany her and undergo a quick face peel. Finding the accommodations less than deluxe and ridiculed by a pair of wise-cracking nurses (Llewella Gideon and Orla Brady), Edina pops painkillers like candy and falls into a disturbing fugue in which her friends and family appear to her in the guise of British celebrities, from Helena Bonham-Carter to Germaine Greer -- both of whom have been the subject of ridicule on previous episodes. Awakening from her dreams to find that her surgery has already been completed, Eddy learns that her injuries were even more minor than they appeared; Patsy's face peel, however, doesn't generate quite such a happy outcome, nor does her debut in the pages of Hello. Originally broadcast on BBC 1 on January 27, 1994, Absolutely Fabulous: Hospital marked series two, episode one of this popular Brit-com. Suzi Quatro, Mandy Rice-Davies, Richard E. Grant, and Sylvia Anderson joined Bonham-Carter and Greer in the cast of cameo stars. ~ Brian J. Dillard, Rovi
This large, sprawling comedy directed by Robert Altman concerns a variety of romantic and personal intrigues that intersect against the backdrop of Paris's annual "Pret-a-Porter" fashion extravaganza. With 31 principal characters and a number of cameos from well known models, designers, actors and actresses, there's far too much going on to describe the film in a limited space, but Julia Roberts and Tim Robbins get stuck in a hotel room together, Danny Aiello wears a dress, Sophia Loren and Marcello Mastroianni reignite their old passion (or at least try to), Stephen Rea humiliates a number of female journalists, Kim Basinger often looks dumbfounded, and Lyle Lovett plays a Texan (talk about imaginative casting!). Originally called Pret-a-Porter, this underwent a last-minute title change when the distributor discovered very few Americans understood what the French phrase means, with the English translation taking its place. ~ Mark Deming, Rovi
- Starring:
- Sophia Loren, Marcello Mastroianni, (more)
- 1995
The naked body of a murdered little girl is found in a forest surrounding a small Eastern European town. It's the third case in a row, and local police detective Victor Marek (Richard E. Grant) is on the killer's trail, but his superior, Novak (James Laurenson), needs to solve the crime quickly in order to boost his political career. So he arrests some suspicious hippie who later hangs himself in a prison cell. Though Marek is ordered to close the case, he continues to work on it on his own. He rents an old gas station and a house in the area where the murders took place. Working from a drawing done by one of the murdered girls he tries to find the clues for the identity of the killer. Marek becomes so obsessed with his quest that when he meets Milena (Lynsey Baxter), a single young woman with a little daughter (Perdita Weeks), he does not hesitate to use the child as the bait for the criminal. Though the film plot bears a strong resemblance to Sean Penn's movie The Pledge, it is actually a remake of the 1958 German film It Happened in Broad Daylight, scripted by Swiss writer Friedrich Dürrenmatt, who later reworked his original screenplay into the novel The Pledge. ~ Yuri German, Rovi
- Starring:
- Richard E. Grant, Lynsey Baxter, (more)
A temperamental London lawyer adapts to the challenges of fatherhood when he is left with sole responsibility for his infant daughter in this well-performed British comedy-drama. Richard E. Grant stars as Jack, a high-pressure attorney who believes his life is on the right track: a successful career, a beautiful wife (Imogen Stubbs), and a baby on the way. Tragedy strikes, however, when his wife dies during labor, leaving Jack to raise his daughter Sarah, named in his wife's honor. Shocked and depressed, Jack is forced to deal with his grief for the sake of the new child. At first reluctant to turn to others, he receives help from a local derelict (Ian McKellen) who begins to act as Jack's butler, and a charming young American woman, Amy (Samantha Mathis), who becomes Sarah's nanny. The new challenges of fatherhood provide Jack with his solace and eventually lead him reevaluate his life and behavior. The debut film of writer-director Tim Sullivan, Jack and Sarah follows a well-worn path, but Grant's nuanced central performance and a strong supporting cast elevate the material above its predictable outline. ~ Judd Blaise, Rovi
- Starring:
- Richard E. Grant, Samantha Mathis, (more)
- 1996
The line between reality and fiction becomes increasingly blurred as an ailing screenwriter struggles with a story that seems to come to life before his eyes. A self-destructive loaner whose battle with pancreatic cancer has left him embittered and in great pain, Daniel Feeld (Albert Finney) decides to focus his attention on an a new screenplay entitled "Karaoke." A lurid tale concerning the murder of a young girl working in a seedy karaoke bar, the story soon begins to invade Feeld's reality when he overhears people speaking the dialogue that he had written and finds that the people working in a local karaoke dive not only share his character's names, but their lives as well. Drawn to the suspiciously familiar plight of hostess Sandra (Saffron Burrows), Feeld's suspicions of thuggish club-owner Arthur "Pig" Mallion (Hywel Bennett) begin to mount as Feeld increasingly questions both his health and sanity. ~ Jason Buchanan, Rovi
- Starring:
- Albert Finney, Richard E. Grant, (more)
- 1996
- PG13
Jane Campion directed this expressive adaptation of the classic novel by Henry James. Isabel Archer (Nicole Kidman) is a young American woman who, after the death of her parents, has been sent to England to visit relatives. While her family's tragedy has left her penniless, Isabel's beauty has earned her the attentions of a number of eligible men. When Isabel turns down a proposal of marriage from the wealthy Lord Warburton (Richard E. Grant) because she does not love him, her cousin Ralph (Martin Donovan), who is also smitten with her, arranges for his father to leave her a fortune before succumbing to tuberculosis so that she may live as an independent woman. Isabel takes a tour of Europe, where she meets Madame Merle (Barbara Hershey), a jaded sophisticate and matchmaker who introduces her to Gilbert Osmond (John Malkovich), a widowed American artist living abroad. Isabel falls in love with Gilbert and they marry, but his sloth and opportunism soon begin to wear on her, and three years later she is desperate to get out of their relationship. The Portrait of a Lady also stars John Gielgud, Mary-Louise Parker, Christian Bale, and Shelley Winters. ~ Mark Deming, Rovi
- Starring:
- Nicole Kidman, John Malkovich, (more)
The classic Shakespearean comedy about mistaken identity and gender confusion is brought to the screen once again in this British production, courtesy of screenwriter-director Trevor Nunn. Nunn has transferred the time period to the Victorian Era of the late 19th century. Two twins, Viola (Imogen Stubbs) and Sebastian (Steven MacKintosh), are separated when their ship capsizes. Each believes that the other has drowned. Viola washes ashore on the coast of Illyria. She disguises herself as a man and assumes the name Cesario so that she can take a position as an aide to the Duke, Orsinio (Toby Stephens). Orsinio desires Olivia (Helena Bonham Carter), who refuses his attentions. He also flirts with Maria (Imelda Staunton), Olivia's maid. Orsinio sends Cesario as an emissary to Olivia. The foppish Sir Andrew Aguecheek (Richard E. Grant) also seeks Olivia's love. He is a friend of her besotted uncle, Sir Toby Belch (Mel Smith). With the clownish philosopher Feste (Ben Kingsley), all these members of Olivia's household plot to embarrass the dour Malvolio (Nigel Hawthorne), a butler who has no tolerance for frivolity. They fool Malvolio into thinking that Olivia desires him, and when he confesses his love, Olivia orders him imprisoned as a madman. Sebastian then turns up and is mistaken for Cesario. A series of mishaps follows. ~ Michael Betzold, Rovi
- Starring:
- Helena Bonham Carter, Imogen Stubbs, (more)
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