Johnny Grant Movies

Four mere mortals adapt the personas of their favorite superhero characters, and filmmaker Matt Ogens chronicles the lives and ambitions of this curious quartet in a documentary that explores the allure of fame on the sidewalks of Hollywood Boulevard. Being a superhero isn't as easy as it appears in the flickering light of a darkened theater, but sometimes on the Walk of Fame it feels that anything is possible. Joe McQueen's journey began when he sold his Super Nintendo for a bus ticket to Hollywood and assumed the identity of The Incredible Hulk. Meanwhile, much like the character of Bruce Wayne, Maxwell Allen struggles with anger issues while assuming the guise of Gotham crime-fighter Batman. Now far from her former days as a Midwest beauty queen, Jennifer Gehrt walks the city streets dressed as whip-wielding do-gooder Wonder Woman. Some days, it seems that Christopher Dennis' every thought is consumed by how the character of Superman, whose cape he dons on a daily basis, would react to the chaos of Tinseltown. From mere fascination to all-consuming obsession, each one of these everyday superheroes are forced balance their own identities with the personas of the characters they portray as they struggle to achieve fame in a town where heroes are cheap, and stars come priced at a dime a dozen. ~ Jason Buchanan, All Movie Guide

A heartless actor scrambles to the top of show business' sleazy summit in this drama. Frank Fane (Stephen Boyd) is a Hollywood leading man who is desperate to boost his career by winning an Academy Award, and he doesn't care who he has to betray to achieve his goals -- including his former best friend and PR man, Hymie Kelly (Tony Bennett), lonely acting coach Sophie Cantaro (Eleanor Parker), slimy agent Kappy Kapstetter (Milton Berle), and long-suffering girlfriend Kay Bergdahl (Elke Sommer). However, as Frank waits for his name to be called, certain that victory is in his grasp, fate has a little secret in store for him. The Oscar marked Tony Bennett's onscreen acting debut. The screenplay, based on the novel by Richard Sale, was written in part by award-winning author Harlan Ellison, who is known to often take comical potshots at the film, which he considers a low point in his career. ~ Mark Deming, All Movie Guide

Dr. James Moran (George Coulouris) is a scientist whose goals are beyond the pale of established medical science. While on an expedition to a remote part of the Amazon jungles, he encounters a huge plant being worshipped by a mysterious race descended from the Incas -- a plant that feeds off of women, devouring them almost like a giant Venus flytrap, and which also generates a fluid that can bring the dead back to life. Five years later, Moran has moved the plant into a laboratory in his basement, complete with a member of the tribe of worshipers who is capable of caring for it, and begins to experiment with it -- but he must find women to feed to it. Moran believes that using his scientific approach, the plant's sap will not only reanimate the dead, but could give its recipients immortality. He proceeds with his experiments despite the inquiries of the police, who are investigating the disappearances of several young women. He adds to the inevitable complications of his deceit when he brings in a pretty local girl (Vera Day) to assist his middle-aged housekeeper (Joyce Gregg), evoking deep and ultimately murderous jealousy from the older woman, who loves the doctor and also hasn't a clue as to what he's been up to in the basement laboratory, which is always locked. He's forced to kill her, and she becomes the object of his first serum experiment -- but she returns to life as a mindless zombie, and Moran realizes that all of his work, and the murders he's committed, have been for nothing. He recognizes that he has a monstrosity in his home, but it's still protected by that tribesman, who cares about nothing except the good of the plant. ~ Bruce Eder, All Movie Guide

White Christmas, Paramount's belated follow-up to the 1942 hit Holiday Inn, was the studio's first VistaVision production. A veritable warehouse full of oldie-but-goodie Irving Berlin tunes are woven into the film's simplistic plotline, along with a handful of new songs, of which "What Can You Do With a General?" is the least memorable. Bing Crosby and Danny Kaye (replacing an ailing Donald O'Connor) play nightclub entertainers Bob Wallace and Phil Davis, while Rosemary Clooney and Vera-Ellen are cast as singing-sister act Betty and Judy. The foursome travel to Vermont to visit Bob and Phil's WII commanding officer, General Waverly (Dean Jagger, who looks and sounds like Dwight D. Eisenhower!), who now runs a rustic old inn. Discovering that the general is in dire financial straits, the four entertainers secretly make plans to bail the old guy out with a big musical show, enlisting the aid of Bob and Phil's army buddies. Corny in the extreme, White Christmas evidently struck a responsive note with film fans; it was the high-grossing picture of 1954, and a decade later proved to be a ratings bonanza when it was given its network-TV premiere. Of the four stars, Crosby comes off best, especially when singing the title song at the beginning and end of the film; Kaye is a bit overshadowed this time out, though he's quite funny camping it up in a "drag" version of Irving Berlin's "Sisters." Still a big favorite on the home-video circuit, White Christmas may not be the best Bing Crosby musical on the market, but it's certainly one of the most heartwarming. ~ Hal Erickson, All Movie Guide

The Plan 9 From Outer Space of baseball biopics, The Babe Ruth Story is definitely in the "So Bad It's Good" category. An outrageously miscast William Bendix stars as George Herman "Babe" Ruth, who as depicted herein is a childish, misunderstood oaf who happens to be one of the greatest ballplayers of all time. With an almost perverse disregard for the facts, the film chronicles Babe's school days in Baltimore, his brief tenure with the Baltimore Orioles, his glory days with the New York Yankees, his precedent-breaking 60th homer, his "called shot" of 1932, his fall from grace with the Boston Braves, and his slow death from an unnamed but obviously cancerous illness. Along the way, Ruth marries nightclub performer Claire Hodgson (Claire Trevor) with whom he spends many happy years (the earlier Mrs. Ruth, Helen Woodford, is ignored as if she never existed, as is Babe's daughter Dorothy). It's difficult to remember all of the film's howling innacuracies, which include Claire Hodgson's performance of "Singin' in the Rain" ten years before the song was written, the Yankee Stadium billboard for Ballantine Beer in the middle of Prohibition, and Babe's promise to a dying child that he'd hit a homer during the 1932 World Series (this famous incident actually occured in 1927, and the kid wasn't dying). It's also fun to note that Babe's spiritual mentor Brother Matthias (Charles Bickford) remains steadfastly the same age from 1914 to 1948. It was probably to much to expect the truth from coscripter Grantland Rice, who during his newspaper career spent most of his time covering up Ruth's many sexual and alcoholic peccadilloes "for the good of baseball." Despite its multitude of flaws, The Babe Ruth Story is worth sitting through if only for the jaw-dropping final scene (which is even more ridiculous than the earlier vignette in which a Ruth home run enables a crippled child to walk for the first time!) Yes, it's awful, almost stupefyingly so, but The Babe Ruth Story is an experience not to be missed. ~ Hal Erickson, All Movie Guide