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James Grant Movies

2001  
 
In one of the most startling examples of "playing against type" in TV history, beloved sitcom icon Mary Tyler Moore stars as Sante Chamber Kimes, a woman who was accurately described during her trial for murder as "...a sociopath of unremitting violence, the most remorseless degenerate ever to appear in this courtroom..." Based on a true story, this CBS TV movie details the events leading up to the killing of wealthy, lonely socialite Irene Silverman (Jean Stapleton), a murder orchestrated by the evil-incarnate Sante and carried out by her loving son Kenny (Gabriel Olds). The film is unsparing in its depiction of the coldblooded, sexually promiscuous Sante, who throughout her life managed to wheedle and manipulate other people to do her bidding, no matter how odious and repellant that bidding was. Without giving away the film's ending, it is a matter of record that, as of this writing, Sante and Kenny Kimes are serving prison terms with a combined total of 246 years. Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes was originally broadcast on May 20, 2001. ~ Hal Erickson, Rovi

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Starring:
Mary Tyler MooreJean Stapleton, (more)
 
1995  
 
The Near Room, a British crime drama in the noir tradition, tells the story of reporter Charlie Colquhoun (Adrian Dunbar), a man who finds himself the prime suspect in both a kiddie porn ring and a murder. Hired by his ex-wife, Charlie begins his own investigation looking for his daughter, Tommy, whom he gave away as a baby. He discovers that Tommy is the crucial link in a kiddie porn ring run by Clegg (Peter McDougall), who was a former employer of Tommy. Several murders occur, and Charlie finds himself fighting for his life. The film combines social issues with the noir view of the grim reality of life. The performances are uniformly good, and director David Hayman moves the story with an eye to detail and character, making this an above-average crime thriller. ~ Linda Rasmussen, Rovi

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1993  
R  
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A young man unthinkingly throws himself into a world of political and sexual turmoil in John Schlesinger's adaptation of the novel by Ian McEwan. Leonard Markham (Campbell Scott) is a British communications and surveillance expert who is sent to Germany in the early 1950s, at the height of the Cold War. Leonard is put under the command of Bob Glass (Anthony Hopkins), an American agent who goes out of his way to show him around town. Leonard is woefully naive about most subjects not directly involving his job, and when Bob takes him to a typically decadent Berlin nightclub, he is astonished to discover that Maria (Isabella Rossellini), a beautiful and mysterious woman, announces that she's quite attracted to him. Soon Leonard is no longer a 24-year-old virgin, but (as one might expect) Maria's interest in him is not entirely a matter of physical attraction. Bob's secret project is a hidden tunnel beneath Berlin that allows his forces to tap into Russian telephone transmissions, which is Leonard's responsibility. But the Americans are also obtaining coded information that they aren't passing along to the British; while Leonard helps Bob, he's also finding out what Bob knows and passing it along to the British. However, Maria is also looking for certain information, and she sees the innocent and gullible Leonard as an easy way to get it. The Innocent was originally completed in 1993, but it was not shown in the United States until 1996, when it was given a brief theatrical release before appearing on home video. ~ Mark Deming, Rovi

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Starring:
Isabella RosselliniAnthony Hopkins, (more)
 
1992  
R  
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Director Peter Jackson's second feature cheerfully trumps the gross-out quotient of his splatterfest debut, the appropriately named Bad Taste. The tone is cartoonishly comic, and the premise is simple: The village dweeb (Timothy Balme) is trying to maintain a budding romance with the sweet Paquita (Diana Penalver) while concealing the fact that his overbearing mum (Elizabeth Moody, in an amazing good-sport performance) is a flesh-eating zombie. (She owes her condition to a bite from a "Sumatran Rat Monkey" at the local zoo.) Complicating matters even further is Les, a greedy uncle (Ian Watkin), who suspects that his sister has died and is eager to occupy her elegantly furnished Victorian mansion. The climax is a housewarming party Les throws to celebrate his "inheritance;" what he really gets is his comeuppance, thanks to his sister and her similarly afflicted zombie pals, who burst out of their basement prison to turn the guests into appetizers. Our hero finally cuts a wide swath through the zombie party crashers with the help of a rotary blade lawn mower, leaving the house awash in blood and body parts in order to save his romance. ~ Tom Wiener, Rovi

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Starring:
Timothy BalmeDiana Penalver, (more)
 
1987  
R  
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This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, Rovi

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Starring:
Gary OldmanAlfred Molina, (more)
 
1986  
 
The deadly serious issue of the exploitation of uranium and bauxite deposits in the northern half of Australia is the focus of this excellent documentary. In league with the mining companies are the U.S. National Regulatory Commission and the former U.S. Atomic Energy Commision (a part of the U.S. Dept. of Energy and of the NRC since 1974). Representatives from the latter commission are on the boards of directors of the companies and the NRC is a partner of the mining groups. At issue is the land that belongs to the Aborigines and the quality of their lives, as well as the environment and the ecology. As more and more Aboriginal councils are forced to deed over land due to pressure from the companies and people involved in the deals, some Australians react with astounding insensitivity to the true situation of the Native Australians in this area. Some of the elder Aborigines fully sense the dangers to the survival of their people as fishing, subsistence agriculture, and hunting are all threatened by the burgeoning growth of the mines. ~ Eleanor Mannikka, Rovi

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