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Campbell Grant Movies

1949  
G  
Add The Adventures of Ichabod and Mr. Toad to Queue Add The Adventures of Ichabod and Mr. Toad to top of Queue  
Ichabod and Mr. Toad is a two-part Walt Disney cartoon feature based on a pair of well known stories. The first half of the film is an adaptation of Washington Irving's The Legend of Sleepy Hollow, all about gawky 17th century schoolteacher Ichabod Crane and his love for the beautiful Katrina. The girl's vengeful ex-beau Brom Bones decides to scare Ichabod out of Sleepy Hollow by filling the impressionable teacher's brain with stories about the ghostly Headless Horseman--who of course makes an appearance that very night! The second half of Ichabod and Mr. Toad is based on the "Toad of Toad Hall" stories from Kenneth Grahame's The Wind and the Willows. The aristocratic but childish Mr. Toad loves motorcars, but his affection leads him to a jail term when he is accused of stealing an automobile. It's up to Toad's faithful friends to break Toad out of jail and expose the real crooks. One of Disney's better "omnibus" cartoon features, Ichabod and Mr. Toad is enhanced by the narrative skills of Bing Crosby in the Ichabod segment and Basil Rathbone in the Mr. Toad sequence. ~ Hal Erickson, Rovi

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Starring:
Bing CrosbyBasil Rathbone, (more)
 
1940  
G  
Add Fantasia to Queue Add Fantasia to top of Queue  
Fantasia, Walt Disney's animated masterpiece of the 1940s, grew from a short-subject cartoon picturization of the Paul Dukas musical piece The Sorcerer's Apprentice. Mickey Mouse was starred in this eight-minute effort, while the orchestra was under the direction of Leopold Stokowski. Disney and Stokowski eventually decided that the notion of marrying classical music with animation was too good to confine to a mere short subject; thus the notion was expanded into a two-hour feature, incorporating seven musical selections and a bridging narration by music critic Deems Taylor. The first piece, Bach's "Toccata and Fugue in D Minor", was used to underscore a series of abstract images. The next selection, Tschiakovsky's "Nutcracker Suite", is performed by dancing wood-sprites, mushrooms, flowers, goldfish, thistles, milkweeds and frost fairies. The Mickey Mouse version of "Sorcerer's Apprentice" is next, followed by Stravinsky's "Rite of Spring", which serves as leitmotif for the story of the creation of the world, replete with dinosaurs and volcanoes. After a brief jam session involving the live-action musicians comes Beethoven's "Pastorale Symphony", enacted against a Greek-mythology tapestry by centaurs, unicorns, cupids and a besotted Bacchus. Ponchielli's "Dance of the Hours" is performed by a Corps de Ballet consisting of hippos, ostriches and alligators. The program comes to a conclusion with a fearsome visualization of Mussorgsky's "Night on Bald Mountain", dominated by the black god Tchernobog (referred to in the pencil tests as "Yensid", which is guess-what spelled backwards); this study of the "sacred and profane" segues into a reverent rendition of Schubert's "Ave Maria". Originally, Debussy's "Clair de Lune" was part of the film, but was cut from the final release print; also cut, due to budgetary considerations, was Disney's intention of issuing an annual "update" of Fantasia with new musical highlights and animated sequences. A box-office disappointment upon its first release (due partly to Disney's notion of releasing the film in an early stereophonic-sound process which few theatres could accommodate), Fantasia eventually recouped its cost in its many reissues. For one of the return engagements, the film was retitled Fantasia Will Amaze-ya, while the 1963 reissue saw the film "squashed" to conform with the Cinemascope aspect ratio. Other re-releases pruned the picture from 120 to 88 minutes, and in 1983, Disney redistributed the film with newly orchestrated music and Tim Matheson replacing Deems Taylor as narrator. Once and for all, a restored Fantasia was made available to filmgoers in 1990. A sequel, Fantasia 2000, was released in theaters in 1999. ~ Hal Erickson, Rovi

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1940  
G  
Add Pinocchio to Queue Add Pinocchio to top of Queue  
When the gentle woodcarver Geppetto (Christian Rub) builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio (Dick Jones), is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish. But, even with the help of Jiminy (Cliff Edwards), a cricket who the fairy assigns to be Pinocchio's conscience, the marionette goes astray. He joins a puppet show instead of going to school, he lies instead of telling the truth, and he travels to Pleasure Island instead of going straight home. Yet, when Pinocchio discovers that a whale has swallowed Geppetto, the puppet single-mindedly journeys into the ocean and selflessly risks his life to save his father, thereby displaying that he deserves to be a real boy. Based on a series of stories by 19th century Italian author Carlo Collodi, Pinocchio came under fire for being a sugarcoated version of its original tale, but the film's moral did have a strong educational effect on children. Soon enough, a 16 mm excerpt from the picture, titled "Pinocchio: A Lesson in Honesty," was released for teachers to use in schools. ~ Aubry Anne D'Arminio, Rovi

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Starring:
Dick JonesCliff Edwards, (more)