John Phillips Movies

A Jewish Londoner embarks on a journey to find himself after learning some shocking news about his past in this eccentric British comedy. As the film begins, Leon (Mark Frankel) is already in a time of transition, having quit his job for moral reasons and assumed a position in his mother's catering firm. His life is thrown into even more disarray when a bizarre coincidence reveals the truth behind his birth: not only was his birth the result of artificial insemination, but a lab mix-up means that his real, biological father is a complete stranger. The confused Leon sets out to find his "real" dad, and unexpectedly discovers that he is descended from a family of Yorkshire pig farmers. Co-directors Vadim Jean and Gary Sinyor move their story in fits and starts, allowing room for countless digressions, from a torrid affair with a outrageous artist (Maryam d'Abo) to the accidental breeding of a rather unique pig. While the film proves uneven, fans of the quirkier varieties of British comedy should find Leon the Pig Farmer's off-beat tone and taste for surrealistic details suitably entertaining. ~ Judd Blaise, Rovi

In this actioner, a Middle-Eastern leader is threatening to detonate a nuclear bomb that he has planted in Miami and now a crack team of American and Russian soldiers must somehow stop him. This entry in the series is the first made without its original star, Chuck Norris. ~ Sandra Brennan, Rovi

British filmmaker Derek Jarman combines his standard erotic imagery with innovative documentary techniques in his Last of England. The film traces the decline and fall of Britain as seen from the vantage points of London and Belfast. Old home movies, newly shot hand-held 8 millimeter photography, "straight" newsreel-style footage and a barrage of familiar music and street sounds all combine to create a jaw-dropping mosaic of apocalyptic allusions. Obviously not geared to everyone's taste, Last of England is an eloquent cry of anguish from one of the most accomplished British filmmakers of the 1980s. Jarman also wrote the book on which this film is based. ~ Hal Erickson, Rovi

This film version of the Who's rock opera Quadrophenia makes a few tentative stabs at "explaining" the alienation of 1960s British working-class youth, but its major selling point is its nonstop rock-and-R&B musical score, including the hit single "Love Reign O'er Me." Phil Daniels (replacing the original opera's Roger Daltrey) plays Jimmy, a member of a well-dressed, drugged-up teenaged gang called the Mods, forever duking it out with the cycle-punk Rockers. The rivalry between the two gangs comes to a head during three tempestuous days in the seaside town of Brighton. Here Jimmy makes love to lovely local Steph (Leslie Ash), and forges a strong friendship with unofficial Mod leader Ace Face (Sting). A series of disappointments and setbacks in his own London neighborhood convinces Jimmy to return to Brighton to pick up the pieces. If you aren't fascinated by the visual pyrotechnics of Quadrophenia, just close your eyes and revel to the soundtrack music of the Who, James Brown, Marvin Gaye, the Chiffons, Manfred Man, and many others. ~ Hal Erickson, Rovi

A sleepy English town is stirred awake by a series of deaths thought to be the result of an epidemic. Instead, vampires are at the root of the problem. ~ John Bush, Rovi

A murderous mummy is on the loose and it's got the Hammer Films stamp on it, but this tame terror flick never gets the bandages off when it comes to thrills, chills, and gore. A British archeological team consisting of Sir Basil Walden (Andre Morrell), Paul Preston (David Buck), a photographer (Tim Barrett), and psychic linguist Claire (Maggie Kimberley) discover the tomb of Kah-to-Bey, a young heir to Pharaoh who died trying to escape a rebellion. The boy was buried by a loyal slave named Prem, whose mummy stands in a Cairo museum. The expedition is joined by Preston's wealthy, press-hungry father Stanley (John Phillips), who insists they return to Cairo with the body despite warnings of a curse by the tomb's guardian. The curse soon proves to be true as the slave's mummy is reanimated by the guardian and begins murdering each of the explorers who entered the tomb. While Stanley Preston unsuccessfully tries to save his own skin, Paul and Claire find themselves in a showdown with the seemingly indestructible mummy -- until they discover that the strange writing on the boy Pharaoh's shroud may be the secret to their survival. ~ Patrick Legare, Rovi

In this British wartime comedy, a group of captured con-artists must choose between jail terms or military service. Naturally they choose the army. Once they are assigned to a post they set up successful gambling and liquor operations. When they go overseas, they do the same thing. They are then asked to start a social club to boost morale. They do so, and the operation is only a hair's breadth away from being a brothel. They attempt to keep the joint a secret from visiting Parliamentary members, but it is not long before the cathouse is out of the bag. ~ Sandra Brennan, Rovi

From Richard Lester, the director of 1980's Superman II and the 1964 A Hard Day's Night, comes this less-successful sequel to the The Mouse that Roared. The Prime Minister of the Duchy of Grand Fenwick (Ron Moody) is in a bind because he has no money to renovate his castle and there is a serious problem with his small country's main export, wine. The stuff tends to explode. So the Prime Minister asks the U.S. for aid to develop space research, knowing full well they are not going to give him money to remodel his castle. Once the U.S. grants a cool million to the country, Russia adds in a used rocket, and things start popping. Like it or not, the Duchy is suddenly involved in space research and contributing to the madness is the discovery that its unique wine makes good rocket fuel. ~ Eleanor Mannikka, Rovi

This effective crime caper involves an attempted robbery of no one less than the U.S. Army, a heist which has its beginnings when Turpin (Stanley Baker) is drummed out of the service for his black-market activities. Apparently chaffing at this unjust treatment and also fueled by greed, Turpin enlists two cohorts -- Swavek and Fenner (Helmut Schmid and Tom Bell) to help him carry out his revenge. After much rehearsal of his plan, the three put on uniforms and walk into an army camp just before the troops are mustered out to the Middle East during a crisis over the Suez Canal. The trio's intention is to rob the payroll ($700,000), stash the cash in a spare tire, and drive out of there. That is the plan, but the reality turns out quite different, after one of the three gets a reaction to a vaccination and another is called up for KP duty ("kitchen police"). ~ Eleanor Mannikka, Rovi

Filmed in England, this final episode of One Step Beyond is set in 1883--August 25, 1883, to be exact. While sitting at his desk in Boston, newspaperman Henry Soames thinks that he hears four explosions. Suddenly going into a trance, Soames turns out a story about the volcano island of Krakatoa--one day before its famous eruption, and 15,000 miles from where the event will take place. If one can believe the rest of this story, one will accept the neat twist at the climax. ~ Hal Erickson, Rovi

Peter Ustinov went the auteur route as writer, director, producer, and star of this Cold War farce, based on his play and very similar to the equally well-regarded The Mouse That Roared (1959). Ustinov is "the general," leader of the tiny European nation Concordia, which is so small that it does not appear on any maps, and each government employee holds two positions (the general's chauffeur is also ambassador to the U.S.). Despite its diminutive size, Concordia is a full-fledged member of the United Nations. A vote on an important measure is split evenly, with Concordia getting the deciding vote, so the general abstains and goes home, giving fits to the U.S. and U.S.S.R., Cold War rivals which are on opposing sides of the issue. A campaign of persuasion is launched to sway Concordia to one side or another, but the canny general wants to keep his country neutral, so he schemes to introduce the Russian ambassador's son Igor Romanoff (John Gavin) to Juliet Moulsworth (Sandra Dee), the daughter of the U.S. representative. Shakespearean-style romance between the two attractive young people inevitably ensues, much to the chagrin of their home countries and the general's delight. ~ Karl Williams, Rovi

Something is seriously amiss in the tiny British village of Midwich. At 11 a.m. one morning, every village resident suddenly falls asleep -- and then, just as suddenly, everyone wakes up, completely unaffected by the phenomenon. Well, not completely: virtually every woman of childbearing years has become pregnant. All the babies are born on the same night, at precisely the same moment. All look the same, weigh the same, and even have the same curious cross-hatched hair and underdeveloped fingernails. Four years later, the children have all prematurely reached the age of nine or so -- and all behave in a weird, conspiratorial manner, comporting themselves more like adults than kids. Resident scientist George Sanders, one of the fathers, surmises that the bizarre manner of the children -- from their zombie-like movements to their cold, staring eyes -- is the result of radioactivity, possibly extraterrestrial in nature. One thing is certain: the children possess powers far beyond those of ordinary mortals. And they must be stopped. One of the most influential science fiction films of the 1960s, Village of the Damned was based on the equally eerie John Wyndham novel The Midwich Cuckoos. The more explicit 1995 remake was widely panned in comparison. ~ Hal Erickson, Rovi

Robert Stack stars in this sea-faring historical epic as John Paul Jones, the first great hero of the American Navy. While originally a loyal soldier of the King's army, Jones in time becomes a fervent supporter of the American Revolutionaries, and he volunteers to lead the colonists' ragtag fleet to impressive victories against the British Navy; during a battle against the British ship Serapis, Jones utters the deathless words "I have not yet begun to fight." While his brave and intelligent leadership helps win America its freedom, his appeals to Benjamin Franklin (Charles Coburn) and the other leaders of Congress to strengthen the United States Navy fall on deaf ears; Jones is eventually branded a troublemaker, and in time, he is ordered to Russia, where he is to help guide the fleet of Catherine The Great (Bette Davis). Jones leads the Russian Navy to stunning victories in the Black Sea, reestablishing his reputation as one of the great military minds of his day. John Paul Jones also features a rousing score by the great film composer Max Steiner. ~ Mark Deming, Rovi