Greta Granstedt Movies
Born Irene Granstedt, this Swedish starlet changed her first name for obvious reasons when entering films in 1928. No one, however, mistook Granstedt for Garbo and she went on to play a series of hardboiled roles seemingly deemed too small for the likes of Veda Ann Borg. Growing up in Mountain View, CA, Granstedt first made headlines when at 14 she shot and critically wounded a boyfriend who had committed the sin of accompanying another girl to a church social. According to newspaper reports, Greta Granstedt was sentenced "to leave Mountain View and never return."By the mid-'20s, she had recovered enough from the ordeal to appear opposite Joseph Schildkraut in a Los Angeles production of From Hell Came a Lady and had taken the second of her seven husbands. She made her screen debut in a small role in Buck Privates (1928), with European idol Lya de Putti, and her talkie debut in The Last Performance (1929). Again the role was miniscule and Granstedt would make her biggest impact in low-budget action films, including two serials. Her unfortunate past was dredged up again when she married musician Ramon Ramos but her reputation as the "Tragedy Girl" failed to open any new doors in Hollywood and she continued to play mainly bit parts. Some of these, however, were quite good and she is memorable as Beulah Bondi's daughter in the crime drama Street Scene (1931) and as Margo's hardboiled friend in the New York-lensed Crime Without Passion (1934).
While in New York, Granstedt appeared in a couple of Broadway plays before returning to Hollywood for perhaps her best remembered role, that of Anna, one of the resistance workers in Beasts of Berlin (1939), the exploitation drama that put ramshackle PRC on the map. Her other 1940s roles were minor and she had to wait until 1958 and The Return of Dracula to make any kind of impact. In this not-as-bad-as-it-sounds horror pastiche she played a stout California housewife welcoming Francis Lederer's count to her suburban home -- with the expected results. Retiring permanently from the screen in 1970, Granstedt relocated to Canada and raised Appaloosa horses. ~ Hans J. Wollstein, Rovi
- 1970
Captain Lee Mitchell (Stuart Whitman) is the American officer who joins the British in an attempt to smuggle scientist Von Heinken (Pinkas Braun) out of Germany. The group also assists refugees trying to escape the wrath of the Nazis. Mitchell must quickly mold an inexperienced unit of British soldiers into an effective unit before the Russian tank squadron invades Munich. SS troops and Allies engage in fierce combat as both sides try to capture the noted scientist in this routine World War II drama. The film was made in 1968 but not released until 1970. ~ Dan Pavlides, Rovi
- Starring:
- Stuart Whitman, John Collin, (more)
- 1964
Although he no longer works for the insurance company that had hired him to track down the stolen Jokarta Diamond, shady private detective Jack Mallory (Michael Pate) has never given up the chase. Worming his way into the confidence of Katherine Stewart (Phyllis Hill), Mallory puts a tail on Katherine's husband Philip (Phillip Pine), recently released from prison after serving a manslaughter charge--and the primary suspect in the theft of the elusive diamond. After a confrontation in which he demands that Phillip reveal the diamond's whereabouts, Mallory is murdered--and Perry Mason (Raymond Burr) is hired to prevent "number one suspect" Phillip Stewart from going back to prison for keeps. ~ Hal Erickson, Rovi
- 1962
While vacationing in the small town of Price Hill, Perry Mason (Raymond Burr) agrees to speak before the local board of education on behalf of English teacher Jane Wardman (Mona Freeman), who may lose her job because of an anonymous letter accusing her of "playing around" with her male students. Things get worse for Jane when local barkeep Gus Wiler (Chris Alcaide) is killed, and the townsfolk are reminded of an earlier incident wherein a troubled student befriended by Jane likewise died under mysterious circumstances. The outcome of the story takes place during an impromptu hearing in the school gymnasium, presided over by avuncular judge Edward Dally (the ever-popular Edgar Buchanan). This episode is based on "The Man with Half a Face", a short story by Hugh Pentecost. ~ Hal Erickson, Rovi
- 1958
Originally released as The Return of Dracula (and also known by the irrelevant title The Fantastic Disappearing Man), this interesting vampire variant on Shadow of a Doubt finds the infamous Count (Francis Lederer) leaving his castle digs in Transylvania and departing for the United States after killing an artist and assuming his identity. Passing himself off as a distant relative, he settles in with the Mayberry family in California, where he begins seeking fresh victims. The suspicions of young Rachel Mayberry (Norma Eberhardt) regarding her pale visitor's eerie nocturnal habits prove well-founded after the mysterious death of her best friend, and she soon discovers her own ghastly role in the Count's master plan; her only hope lies with an expatriate police inspector, who may be familiar with the ways of the undead. Played refreshingly straight, this modest Universal production benefits from Lederer's compelling performance as the seductive Count and several unique plot twists (including a blind girl who becomes sighted on turning into a vampire). ~ Cavett Binion, Rovi
- Starring:
- Francis Lederer, Norma Eberhardt, (more)
- 1957
Friday (Jack Webb) and Smith (Ben Alexander) are summoned to a bakery where two of the owners have been shot during a holdup. Shortly afterward, the detectives receive a taunting letter from the elusive assailant, who promises to repeat his crime in the near future. Can the bragging perp be stopped before more blood is shed? Featured as the sister of one of the crime victims is statuesque 1950s starlet Greta Thyssen, better known for her appearances in such Three Stooges comedies as Quiz Whizz and Sappy Bullfighters. This final episode of Dragnet's sixth TV season is based on a radio play first heard on September 14, 1950. ~ Hal Erickson, Rovi
- 1953
Eddie Cantor, beloved "banjo eyed" entertainer who conquered stage, films, radio and television, is given the Hollywood biopic treatment in this largely uninvolving film. Cantor is portrayed by Keefe Brasselle, a minor nightclub performer of the 1950s who couldn't hope to come within shouting distance of Cantor's appeal. The storyline charts Cantor's professional progress, from the lower East Side boyhood to his ascendancy as star of The Ziegfeld Follies. It also chronicles his enduring marriage to wife Ida (Marilyn Erskine). Surprisingly shortchanged in the film was Cantor's humanitarian work (primarily on behalf of the March of Dimes and various Jewish causes); instead, screen time is wasted on Aline MacMahon, as lachrymose as possible in the role of Eddie's grandmother, and Jackie Barnett, giving a gosh-awful performance as Jimmy Durante. At the beginning and end of the film, the real Eddie and Ida Cantor appear, ostensibly to watch the unspooling of The Eddie Cantor Story in a Warner Bros. screening room. At the fade-out, Eddie turns to Ida and says "I've never been so happy in my life." Now that was great acting! ~ Hal Erickson, Rovi
- Starring:
- Keefe Brasselle, Marilyn Erskine, (more)
- 1953
A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, Rovi
- Starring:
- Kirk Douglas, Milly Vitale, (more)
- 1951
While a man recuperates from a heart-attack, he obsesses with the thought that his wife and his doctor are having an affair, so decides to write a letter to the D.A. accusing the two of trying to kill him. After his wife mails the letter for him, he tells her of its contents which provokes his anger and he attacks her, dying on the spot from another heart attack. Though innocent, she is nevertheless desperate to somehow get the letter back. ~ Kristie Hassen, Rovi
- Starring:
- Loretta Young, Barry Sullivan, (more)
Humphrey Bogart plays Martin Ferguson, a prosecutor about to put Albert Mendoza (Everett Sloane), the head of a murder-for-hire ring, on trial. But the night before the trial, his key witness, Joe Rico (Ted de Corsia), dies in a fall out of the window of the room in which he's been guarded, part of an abortive escape attempt to keep from testifying. His case in shambles, Ferguson and detective Captain Nelson (Roy Roberts) try to piece the entire four-year investigation back together from square one, trying to find something that might give them another way to prosecute Mendoza. The main body of the movie is told in flashback, starting when a small-time hood named Duke Malloy (Michael Tolan, then billed as Lawrence Tolan) walks into a police station to turn himself in for killing his girlfriend -- and says that someone made him kill her. He babbles to the bewildered detectives about "hits" and "contracts" and men nicknamed Philadelphia, Big Babe, and Smiley. The body isn't found, but they arrest Malloy, who hangs himself in his cell. That dead end leads, almost by accident, to Philadelphia Tom Zaca (Jack Lambert), an asylum inmate who has to be put under sedation at the mention of Malloy's name. They find another suspect's body burning in his building's incinerator, and then Big Babe Lazick (Zero Mostel), a two-bit hood, hiding in a church in mortal fear of his life. He begins weaving a tale of a murder-by-contract ring and its head operator, Joe Rico, of a murder contract that Duke Malloy never filled on a girl who had to change her name, of mistaken identity and the murder of the girl's cab-driver father, and the connection between that and a murder that they both witnessed eight years earlier. In the midst of all of those interlocking stories (spread across ten years), there's something Ferguson missed -- when he had Rico to testify -- that he has to sort out from the reams of testimony and evidence, and he has to figure it out before Mendoza does, or lose the last witness he has. ~ Bruce Eder, Rovi
- Starring:
- Humphrey Bogart, Zero Mostel, (more)
Though he had previously appeared in David Bradley's film adaptation of Julius Caesar, Dark City marked Charlton Heston's first role in a major Hollywood production. Danny (Heston) and his pals Augie (Jack Webb), Soldier (Henry Morgan), and Barney (Ed Begley Sr.) set up a poker game to take Arthur Winant (Don DeFore) for all his money, but after the fact they discover that the money he lost wasn't really his and, in desperation, Arthur killed himself. Arthur's brother Sidney (Mike Mazurki), a large man not known for his emotional stability, becomes enraged when he learns the facts about Arthur's death, and he vows to kill the men responsible. When his friends start dropping like flies, Danny hides out with his girlfriend, nightclub singer Fran Garland (Lizabeth Scott), and pays a visit to Arthur's widow Victoria (Viveca Lindfors) in hopes of finding out who the killer might be. Jack Webb and Henry Morgan later reformed after their first appearance together as criminals when they co-starred in the TV show Dragnet. ~ Mark Deming, Rovi
- Starring:
- Charlton Heston, Lizabeth Scott, (more)
- 1949
This drama tells about a juvenile delinquent that wavers between loyalty to a fellow crook and a kind-hearted reform school guard. ~ Rovi
- Starring:
- William Bendix, Allen Martin, Jr., (more)
Samson and Delilah is Cecil B. DeMille's characteristically expansive retelling of the events found in the Old Testament passages of Judges 13-16. Victor Mature plays Samson, the superstrong young Danite. Samson aspires to marry Philistine noblewoman Semadar (Angela Lansbury), but she is killed when her people attack Samson as a blood enemy. Seeking revenge, Semadar's younger sister Delilah (Hedy Lamarr) woos Samson in hopes of discovering the secret of his strength, thus enabling her to destroy him. When she learns that his source of his virility is his long hair, Delilah plies Samson with drink, then does gives him the Old Testament equivalent of a buzzcut while he snores away. She delivers the helpless Samson to the Philistines, ordering that he be put to work as a slave. Blinded and humiliated by his enemies, Samson is a sorry shell of his former self. Ultimately, Samson's hair grows back, thus setting the stage for the rousing climax wherein Samson literally brings down the house upon the wayward Philistines. Hedy Lamarr is pretty hopeless as Delilah, but Victor Mature is surprisingly good as Samson, even when mouthing such idiotic lines as "That's all right. It's only a young lion". Even better is George Sanders as The Saran of Gaza, who wisely opts to underplay his florid villainy. The spectacular climax to Samson and Delilah allows us to forget such dubious highlights as Samson's struggle with a distressing phony lion and the tedious cat-and-mouse romantic scenes. ~ Hal Erickson, Rovi
- Starring:
- Hedy Lamarr, Victor Mature, (more)
Postwar films were festooned with amnesiac ex-GIs who found themselves mixed up with crime. In The Crooked Way, John Payne plays memory-deficient veteran Eddie Rice, who runs afoul of mobster Vince Alexander (Sonny Tufts) and police inspector Lt. Williams (Rhys Williams). Both the crooks and the cops seem to have good reason to despise Rice, and he'd like to find out why. He won't get any help from his wife Nina (Ellen Drew), however, since she is as hostile towards Rice as everyone else. Gradually, Rice puts the pieces together and discovers that he's far better off not remembering his former self. Film noir habitues Percy Helton, John Doucette and Greta Grandstedt are eminently suited to their minor roles. The Crooked Way was based on "No Blade Too Sharp", a radio drama by Robert Monroe. ~ Hal Erickson, Rovi
- Starring:
- John Payne, Sonny Tufts, (more)
- 1948
This 23rd entry in the "Blondie" film series stars, as ever, Penny Singleton and Arthur Lake as Blondie and Dagwood Bumstead respectively. It all begins as Dagwood prepares for a long-delayed vacation with the family. His boss Mr. Radcliffe (Jerome Cowan) has promised the Bumsteads that there'll be no more postponements for their holiday. But when something comes up that requires Dagwood's presence, Radcliffe hires a couple of thugs to steal Blondie and Dagwood's luggage so that they'll have to stay in town. And that's only the beginning of the frantic fun. ~ Hal Erickson, Rovi
- Starring:
- Penny Singleton, Arthur Lake, (more)
Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, Rovi
- Starring:
- Burgess Meredith, Paulette Goddard, (more)
- 1947
Having struck gold with the previous season's Dillinger, the King Brothers returned to Monogram as producers of The Gangster. Adapted by Daniel Fuchs from his own novel Low Company, the film stars Barry Sullivan as flint-faced racketeer Shubunka. Shown to be a product of the slums, Shubunka spends his adulthood in pursuit of power and riches, with no time for friendship or romance. Wounded in a gangland shootout, Shubunka ruminates on his past, present and (unlikely) future, wondering if it's all been worth it. Promoted as a "psychological" drama, The Gangster has plenty of gunplay and bloodshed to satiate action fans, and a surfeit of sex appeal in the form of gangster's moll Nancy (played by Monogram's resident skating star Belita). Prominent in the supporting cast is the ineluctable Sheldon Leonard as Shubunka's chief rival, delivering a subtler variation on his patented tough-guy screen persona. The Gangster was directed by Oscar-winning art director Gordon Wiles, later a mainstay of such TV series as Land of the Lost and Rowan and Martin's Laugh-In. ~ Hal Erickson, Rovi
- Starring:
- Barry Sullivan, Belita, (more)
- 1946
The moody mystery melodrama Nocturne was produced by longtime Alfred Hitchcock associate Joan Harrison. The film wastes no time getting started, with a caddish Hollywood composer (Edward Ashley) dropping dead right after the opening credits. The police think it's a suicide, but maverick lieutenent Joe Warne (George Raft) suspects foul play. Checking around, Warne discovers that the dead man had broken at least ten female hearts in the past few years, providing a motive for murder for all ten. The principal suspect is Frances Ransom (Lynn Bari), who may or may not have been avenging her sister, nightclub thrush Carol Page (Virginia Huston). Pursuing the case with such dogged diligence that he's eventually tossed off the police force, Warne nonetheless refuses to give up, and by film's end he has collared the murderer. It wouldn't be fair to reveal the killer's identity, except to note that the actor in question went on to quite a different career at Universal Pictures. Like the previous RKO George Raft vehicle Johnny Angel, Nocturne was a box-office bonanza, posting a then-impressive profit of $568,000. ~ Hal Erickson, Rovi
- Starring:
- George Raft, Lynn Bari, (more)
After several years' service with the Marines in World War II, Tyrone Power made his much anticipated return to the screen in The Razor's Edge. Power is appropriately cast as disillusioned World War I vet Larry Darrell, who returns from hostilities questioning his old values. To find himself, Larry joins several other members of the Lost Generation in Paris. He is disillusioned once more when the society deb whom he loves, Isabel Bradley (Gene Tierney), marries another for wealth and position. She returns to Larry's life to break up his romance with unstable, alcoholic Sophie MacDonald (Anne Baxter in a powerhouse Oscar-winning performance). After Sophie's death, Larry determines that the life offered him by Isabel is not to his liking, and continues seeking his true place in the scheme of things. Acting as a respite between the plot's various intrigues is Clifton Webb as a waspish social arbiter, who ends up a lonely, dying man, imperiously dictating arrangements for his own funeral. The Razor's Edge was based on the novel by W. Somerset Maugham, who appears onscreen in the form of Herbert Marshall. The film would be remade in 1984, with Bill Murray in the Tyrone Power role. This film re-teamed Tierney and Webb two years after their appearance together in Laura. ~ Hal Erickson, Rovi
- Starring:
- Tyrone Power, Demetrius Alexis, (more)
- 1945
This odd combination of roughneck comedy and serious domestic drama was adapted by Louise Randall Pierson from her own autobiographical novel. Rosalind Russell is cast as young Louise Randall, the headstrong daughter of a New England merchant. Inheriting her father's business, Louise intends to persevere in a "man's world," and to that ends takes business courses at Yale. Here she meets and marries banker's son Rodney Crane (Donald Woods), with whom she has four children. When wishy-washy Rodney runs off with another woman, Louise marries a second time to irresponsible but likable gambler Harold Pierson (Jack Carson) -- and gets pregnant again. Though Louise and Harold are as different as night and day, theirs is a lasting union, which remains solid despite whatever misfortunes come their way. The story ends at the outbreak of WW II, with Louise and Rodney bidding a tearful but hopeful goodbye to their three grown sons as the boys prepare to enter military service. ~ Hal Erickson, Rovi
- Starring:
- Ray Collins, Kathleen Lockhart, (more)
- 1945
An earnest rural melodrama set among Norwegian immigrants in Wisconsin, Our Vines Have Tender Grapes is a slightly updated version of George Victor Martin's 1940 novel. Edward G. Robinson stars as Martinius Jacobson, a farmer devoted to his wife Bruna (Agnes Moorehead) and precocious seven-year-old daughter Selma (Margaret O'Brien), whom he lovingly calls "Jente Mi." Along with her freckle-faced five-year-old cousin, Arnold (Jackie "Butch" Jenkins), Selma lives a carefree, joyous life, which is only temporarily clouded by the sudden death of Ingeborg Jensen (Dorothy Morris), an emotionally disturbed young women whose stern father (Charles Middleton) had refused to let her attend school despite the pleas of newly arrived schoolmarm Viola Johnson (Frances Gifford). The latter is quietly falling in love with Nels Halvorson (James Craig), the town newspaper editor, but cannot envision herself as a rural wife. She changes her mind when, inspired by young Selma, the entire town of Fuller Junction come to the aid of Bjorn Bjornson (Morris Carnovsky), who has lost his livestock when lightning struck a newly erected barn. When Selma generously donates her pet calf to the impoverished farmer, the townspeople in general, and Martinius in particular, follow suit, prompting Viola to reconsider her harsh views of country life and retract her letter of resignation to the school board. ~ Hans J. Wollstein, Rovi
- Starring:
- Edward G. Robinson, James Craig, (more)
- 1944
This peppy wartime musical stars Bing Crosby as radio crooner Johnny Cabot, the heartthrob of millions. To escape his frenzied fans, Johnny joins the Navy, where is he ordering to aid a WAVE recruiting drive. He is helped(?) in this endeavor by Betty Hutton, amusingly cast in a dual role as twin sisters Susie and Rosemary, one a shy retiring brunette, the other a bold and brassy blonde (Vera Marshe doubles for Hutton is some scenes). Part of Johnny's recruiting strategy is to stage a musical show, as good an excuse as any for a steady stream of bouncy musical numbers. This is the film in which Bing Crosby and Sonny Tufts, both in blackface, introduce the Johnny Mercer-Harold Arlen standard "Ac-Cent-Tchu-Ate the Positive." Sharp-eyed viewers will spot Yvonne de Carlo, Mona Freeman, Mae Clarke, and Noel "Lois Lane" Neill in small roles. Here Come the Waves was partially remade by Martin & Lewis as Sailor Beware. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Betty Hutton, (more)
- 1943
With a title like I Escaped from the Gestapo, it's a wonder that there's any suspense at all in this Monogram programmer. Dean Jagger stars as Lane, an imprisoned counterfeiter who is sprung from jail by a group of sinister-looking gentlemen. It soon develops that Lane is expected to apply his counterfeiting skills on behalf of the Nazis, who hope to destroy America's economy by flooding the market with phony money. But Lane's patriotism outweighs his mercenary instincts, and he turns the tables on the villains. Particularly well cast, I Escaped from the Gestapo features such reliables as John Carradine, Sidney Blackmer and Ian Keith, as well as Mary Brian in one of her handful of "comeback" films. ~ Hal Erickson, Rovi
- Starring:
- Dean Jagger, John Carradine, (more)
- 1943
With Dorothy Arzner in the director's chair, it's no wonder that First Comes Courage has a more feminist slant than most WWII "underground" films. Merle Oberon plays Nicole Larsen, a member of the Norwegian resistance. To obtain important war information, Nicole romances Nazi major Paul Dichter Carl Esmond, enduring the slings and arrows of those villagers unaware of her motives. Her mission is further complicated when she is reunited with British commando Allan Lowell Brian Aherne, with whom she'd had a prewar affair. Forced to choose between love and duty, Nicole makes the only decision possible under the circumstances. First Comes Courage was based on The Commados, a novel by Elliot Arnold. ~ Hal Erickson, Rovi
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1942
The Lady Bodyguard of the title is pretty but somewhat physically frail A. C. Baker (Anne Shirley). An advertising representative for an insurance company, A. C. gets into trouble when she okays several $1000 life-insurance policies as a publicity stunt. One of the recipients is Terry Moore (Eddie Albert), who, thanks to a typographical error, finds that he's been insured for one million dollars. Desperately, A. C. tries to talk Terry into cancelling the policy, but his avaricious beneficiaries don't want this to happen. There are laughs and thrills aplenty as a sleep-benumbed Terry pilots an airplane carrying A. C. and all of those vultures who'd benefit mightily from his demise. ~ Hal Erickson, Rovi
- Starring:
- Eddie Albert, Anne Shirley, (more)
Dangerous Lady is yet another variation on the "Thin Man" formula, courtesy this time from bargain-basement PRC Pictures. Neil Hamilton and June Storey star as private detective Duke Martindel and his lawyer wife Phyllis. Putting their heads together (which they seem to enjoy doing), Duke and Phyllis try to save Hester Engel (Evelyn Brent), the "dangerous lady" of the title who has been falsely accused of murder. Police detective Brent (Douglas Fowley) would prefer that the Martindels mind their own business, but even he has to admit that they're quicker on the clue-gathering and suspect-fingering than he is. Far better written than most PRC productions, Dangerous Lady is enhanced by Clarence Wheeler's sprightly musical score. ~ Hal Erickson, Rovi
- Starring:
- June Storey, Neil Hamilton, (more)
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