Michael Granger Movies

Lt. Kojak (Telly Savalas) faces an inter-departmental crisis when his fellow detective Bobby Crocker (Kevin Dobson) accidentally shoots and disables fashion model Polly Ames (Carol Lynley), who was caught in the crossfire during a fur robbery. With Crocker's future on the Force in serious jeopardy, Kojak searches desperately for a means of clearing his friend and colleague. The supporting cast features a young--and impressively threatening--Christopher Walken. ~ Hal Erickson, All Movie Guide

In this extremely low-budget exploitation film, directed and produced by Boris Petroff (as Brooke L. Peters), a psychotic killer murders all who were supposedly involved in his brother's execution. This seedy, bloody film attempts to capitalize on the success of Alfred Hitchcock's Psycho, which has been released the previous year. Indifferently directed, with a cast of unknowns, Anatomy of a Psycho has little to recommend it. ~ Linda Rasmussen, All Movie Guide

Wounded in the French-Algerian war, Sgt. Andre Doniere (Jacques Bergerac) heads back to France in the company of his friend Marcel (Marcel Dalio), who lost a leg saving Andre's life. Although Doniere's return is eagerly awaited by his adoring fiancée, Sybil (Lilyan Chauvin), he is consumed by guilt over the fact that, during his hospital stay, he has fallen in love with another woman named Therese (Susan Kohner). It falls to Marcel to "rescue" his comrade for a second time. This is one of the few Hitchcock episodes without a humorous epilogue -- and for good reason. ~ Hal Erickson, All Movie Guide

The highly variable Tab Hunter delivers his best film performance in the grim western Gunman's Walk. Hunter plays Ed Hackett, the son of gunslinger-turned-land baron Lee Hackett (Van Heflin). Out of respect (and fear) of his father, the hotheaded Ed is given a wide berth by the resentful townsfolk. The elder Hackett doesn't make things any better when he tacitly approves of Ed's violent behavior, all the while giving short shrift to his law-abiding younger son Davy (James Darren). Inevitably, Ed goes one step too far, forcing his father to make a devastating decision. Kathryn Grant, future wife of Bing Crosby, registers well as the half-breed girl with whom Davy falls in love. Gunman's Walk is seen at a disadvantage on television; director Phil Karlson's inventive use of the CinemaScope lens will be largely lost on a 22-inch screen. ~ Hal Erickson, All Movie Guide

In this episode of the long-running "Bowery Boys" series, Sach reminisces about the time he and the gang spent helping the Allies in North Africa during WW II. The boys were working as spies and were assigned to bring in "The Hawk" a key member of the African underground. ~ Sandra Brennan, All Movie Guide

Though released by 20th Century-Fox, Mohawk was produced independently by Edward L. Alperson, who also doubled as the film's musical composer. Scott Brady stars as an 18th century Boston artist, sent to Mohawk Valley to paint landscapes and portraits of Native Americans. Brady is forced to pack up his easel when he becomes embroiled in a war between the Indians and avaricious land baron John Hoyt. The villain intends to play both ends against the middle, then claim what's left when the Mohawks and settlers wipe each other out. Brady not only defies Hoyt, but also battles near-psychotic Mohawk warrior Neville Brand. ~ Hal Erickson, All Movie Guide

Soft-hearted Kitty (Amanda Blake) is persuaded to hide handsome Steve Esler (Brett Halsey) from a lynch mob comprised of cattlemen. Steve insists he has been rustling cattle merely to avenge his father, who years earlier was brutally beaten by a trail crew. Matt (James Arness) is as sympathetic as Kitty towards Steve. But crusty old Doc suspects that the baby-faced fugitive is manipulating everyone's feelings--and that he is nowhere near the innocent lamb he makes out to be. This episode is based on the Gunsmoke radio broadcast of September 27, 1954. ~ Hal Erickson, All Movie Guide

Like most Sam Katzman efforts of the late 1950s, Miami Expose laid claim to being "torn from today's headlines." Lensed on location, the film stars Lee J. Cobb as dedicated police lieutenant Bart Scott. Though he'd like nothing better than to smash Miami's gambling racketeers, Scott is forever stymied by legal loopholes. It becomes personal when an old friend of Scott's is killed during a turf war between ageing gambling czar Raymond Sheridan (Alan Napier) and hot-headed upstart Louie Ascot (Michael Granger). Patricia Medina plays Lila Hodges, sole witness to the murder, who is placed in protective custody by Scott all part of a master plan to bring the syndicate bosses out in the open. Also appearing as a "bought" politician is Edward Arnold, who died during production. ~ Hal Erickson, All Movie Guide

A gangster is killed by a big man who pays no attention to bullets, and who leaves glowing fingerprints. Police scientist Chet Walker (Richard Denning) discovers that the fingerprints are radioactive -- as well as those of a dead man. We soon learn that this walking corpse was created by Dr. Wilhelm Steigg (Gregory Gaye); he's allowing secretly-returned deported gangster Buchanan (Michael Granger) to get revenge on those who were responsible for his conviction. Steigg removes part of the brains of recently-dead men, and replaces them with a device that allows them to control the body from a distance, like a robot; they can even see through the creature's eyes via television. Another atomic zombie kills the district attorney who convicted Buchanan, which leads Chet and his homicide detective friend Dave Harris (S. John Launer) to deduce that the killings are connected to the Buchanan case. Warnings are issued to other possible targets, but they're unable to prevent another death. The last two go into hiding. The movie concludes with a headline: "Creatures with the Atomic Brains Destroyed." This entertaining but cheesy little movie is completely unpretentious. Broad, surprisingly gruesome and well-paced, it's obviously aimed straight at the juvenile market -- and it hits it, too. A sterling artifact of its time: brisk, efficient and entertaining, even if it is awfully silly. ~ Bill Warren, All Movie Guide

Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.

Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, All Movie Guide

"Her Salome Will Steal Your Breath Away" was the classic advertising slogan attached to this opulent Rita Hayworth epic -- a slogan which became laughable whenever a radio announcer would mispronounce Salome as "salami." Using the very sketchy Biblical story of the death of John the Baptist as its springboard, Salome depicts its title character, the stepdaughter of King Herod, as a victim of circumstance rather than a wanton temptress. Banished from Rome because of an unfortunate romance with the nephew of Caesar, Salome (Rita Hayworth) declares that all men are her enemies, but her resolve weakens when she falls in love with Claudius (Stewart Granger), the military commander of Galilee. Meanwhile, Salome's wicked mother, Herodias (Judith Anderson), plots the demise of John the Baptist (Alan Badel), who currently enjoys the protection of the superstitious Herod (Charles Laughton). At this point, the story departs radically from Scripture. Salome is no longer coerced by Herodias to demand the head of John the Baptist; instead, Herodias, on her own, promises Herod that Salome will perform the "Dance of the Seven Veils" for him -- but only if he beheads John first (Salome has been misinformed that the dance will save John from the headsman's sword). Somehow, scriptwriter Jesse Lasky Jr. even manages to concoct a happy ending for poor Salome, which is a lot more than Oscar Wilde or Richard Strauss were able to do. Considered an artistic flop in 1953, Salome seems somewhat better today, if only because of that powerhouse cast. ~ Hal Erickson, All Movie Guide

The title characters of Tarzan and the She-Devil are played by Lex Barker and Monique Van Vooren. He, of course, is the loin-clothed Lord of the Jungle; she is the beautiful-but-deadly Lyra, head of a gang of ivory thieves. To expedite her crooked operation, Lyra has managed to enslave an East African tribe to do her bidding. Tarzan intervenes, only to be captured, tied up (several times) and imprisoned for his troubles. Finally able to free himself, Tarzan rescues the tribe -- and, incidentally, his mate Jane (Joyce McKenzie) -- by summoning forth his elephant friends. Raymond Burr co-stars as Lyra's slovenly, unshaven chief henchman, who ends up trampled to death by the rampaging pachyderms. Many of the jungle scenes in Tarzan and the She-Devil were lifted from the 1934 Frank Buck documentary Wild Cargo. ~ Hal Erickson, All Movie Guide

Curt Siodmak's The Magnetic Monster (1953) is a truly novel science fiction film, in terms of its rather cerebral plot and low-key, quietly intense execution. As much a mystery and, in its first half, a manhunt, as it is a sci-fi-thriller, the movie pushed lots of suspense buttons for viewers in 1953 and still holds up more than a half century later. Richard Carlson (who also co-produced) plays Dr. Jeff Stewart, an agent for the Office of Scientific Investigation. Stewart and his colleague, Dr. Dan Forbes (King Donovan), begin searching for a dangerously radioactive element, which they have good reason to believe is somewhere in the Los Angeles area. They soon learn that this is no ordinary investigation -- among its other attributes, the unknown element generates enough radiation to kill, and also manifests a powerful magnetic field. The trail leads them to Dr. Howard Denker (Leonard Mudie), a rogue scientist who, working on his own, has created a new isotope of an element called serranium, which proves to be not only highly radioactive, but dangerously unstable in ways that science has never seen before. Every 11 hours, the serranium mass enters a growth cycle requiring massive amounts of energy, which it obtains by absorbing the energy from the atomic structure of any matter around it, releasing huge amounts of radiation in the process. The serranium mass doubles in size with each cycle, doubling its energy needs in the process, as well as the potential destructiveness of the next cycle. The danger lies not only in the potential for destruction in the serranium's rapidly increasing energy absorbtion, but its ever-increasing mass, which, at some point, will threaten to unbalance the Earth itself, in its rotation and orbit. Long before that, however, the resulting radiation is going to start killing large numbers of people, and the destructive force accompanying it will threaten to split the Earth's surface apart. Stewart and Forbes soon recognize that the only hope they have of stopping the process is to get ahead of it, by bombarding the serranium with enough energy to force it to divide into two relatively stable elements. The only possible source of sufficient energy is the world's largest cyclotron, which has been built by the Canadian government in Nove Scotia -- but is even it powerful enough to do the job, and can they get the deadly isotope there in time? ~ Bruce Eder, All Movie Guide