Farley Granger Movies
While still a teenager Farley Granger appeared in a Los Angeles little theater production, where he was spotted by a scout. Sam Goldwyn signed him to a film contract and he debuted onscreen as a Russian youth in The North Star (1943). Typecast as a troubled pretty boy or a vulnerable, sensitive, soulful young hero, Granger appeared in one more film and then served in World War II. After the war, he returned to the screen as an intellectual thrill-killer in Alfred Hitchcock's Rope (1948) Early predictions that Granger would become a major star failed to come true, however; his career was mismanaged and he never lived up to his potential. After making a series of minor Hollywood films, he moved to Italy in the mid '50s and made one film there, then returned to Hollywood for two more movies before giving up his screen career in favor of work on stage, doing repertory theatre and Broadway productions like The Seagull and The Glass Menagerie. In the late '60s Granger returned to Italy and began living there for much of the year, appearing onscreen in little-known Italian productions, and returning to America less frequently to participate in American projects. He eventually played a psychiatrist and head of a family on the TV soap opera One Life to Live, but mainly specialize in horror films and thrillers as the following decades unfolded, appearing in movies like 1974's Death Will Have Your Eyes and 1985's Deathmask. The actor enjoyed a state of semi-retirement as the years went on, however, stepping in front of the camera in the '90s and 2000s mostly as a participant in documentaries about Hollywood and Alfred Hitchcock, like 1995's The Celluloid Closet and 2001's Goldwyn: The Man and His Movies. Granger passed away in March of 2011 at the age of 85. ~ Rovi- 2002
Legendary Italian filmmaker Luchino Visconti's life and remarkable cinematic achievements are investigated in depth in Adam Low's 2002 documentary produced by the BBC entitled The Life and Times of Count Luchino Visconti. Born into Italian aristocracy in 1906, Visconti's life was one of discontented listlessness until he took a position on French director Jean Renoir's 1936 film Une Partie de Campagne. This development would greatly influence the young Italian's own entry -- not to mention his entire career -- into filmmaking, starting in 1943 with Ossessione, which was simultaneously his directorial debut and the masterwork that launched the Italian neorealist movement. Many of Visconti's colleagues and contemporaries are interviewed by Low, including such luminaries as Claudia Cardinale, Farley Granger, Franco Zeffirelli, and Helmut Berger. The Life and Times of Count Luchino Visconti premiered at the 2002 London Film Festival in connection with a Visconti retrospective produced by the British Film Institute in 2003. ~ Ryan Shriver, Rovi
- Starring:
- Helmut Berger, Meralda Caracciolo Di Melito, (more)
- 2001
- NR
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This documentary, produced for PBS's American Masters series, is based on A. Scott Berg's well-received biography of Samuel L. Goldwyn (1882-1974), Hollywood's first and likely still greatest independent producer. (Berg cowrote the screenplay.) Like many Hollywood pioneers, Goldwyn was born in Europe in modest circumstances, began his professional life in America in another business (selling gloves), and then fell into motion pictures, in Goldwyn's case, just as production was moving to the West Coast. His first film, with partner Jessie L. Lasky, was The Squaw Man, directed by Cecil B. DeMille and shot on location in the newly minted community of Hollywood. Goldwyn's career was slow getting started, but he hit his stride in the sound era, with literary adaptations of Sinclair Lewis's Arrowsmith and Dodsworth, Lillian Hellman's These Three and The Little Foxes (which Goldwyn, famous for slips of speech, always referred to as The Three Little Foxes), Sidney Kingsley's Dead End, and Emily Bronte's Wuthering Heights. He also made the first two screen versions of the venerable weepie, Stella Dallas, produced Eddie Cantor's big foray into film, Whoopee, and made the iconic baseball biography, Pride of the Yankees. Goldwyn finally reached the pinnacle of movie success in 1946 with The Best Years of Our Lives, which brought him his first Oscar for Best Picture. His postwar career arc was largely downward; two big musicals, Guys and Dolls and especially Porgy and Bess, failed to capture the public attention in spite of lavish production values and big-name casts. The newly filmed interviews, mostly with the surviving members of the Goldwyn family, including his son Sam Goldwyn, Jr., his daughter from his first marriage, Ruth Capps, and his actor grandson Tony Goldwyn, offer insights into Goldwyn the man, while excerpts from vintage interviews with Bette Davis, William Wyler, John Huston, Rouben Mamoulian, Lillian Hellman, Danny Kaye, Dana Andrews, Merle Oberon, and Laurence Olivier (doing a hilarious impression of Goldwyn) offer glimpses into his working persona. ~ Tom Wiener, Rovi
Based on Vito Russo's groundbreaking 1981 work of film history, The Celluloid Closet gathers clips from dozens of mainstream Hollywood films to illustrate how the movies have dealt explicitly -- and more importantly, implicitly -- with gay and lesbian themes. Layered between the clips are interviews with filmmakers whose works have touched on that subject. The popular films of the Golden Age could only hint at homosexuality and often portrayed gays as simpering characters, objects of scorn or merriment, or insidious villains. With the strictures of the old Production Code loosening, bolder presentations were possible, but often over the objections of studio executives who feared a public backlash against a film that dealt with a long taboo subject. Among the films discussed are Philadelphia, The Children's Hour, Making Love, Rope, and Spartacus. Gore Vidal, Tom Hanks, Susan Sarandon, and director John Schlesinger are among the film's strongest interview subjects. ~ Tom Wiener, Rovi
- 1990
Jessica (Angela Lansbury) shows up on Wall Street, there to make her very first personal investment in the stock market. As inevitably as night follows day, Jessica's stockbroker promptly turns up murdered. The police figure that the dead man's secretary is the culprit...but as usual, Jessica doesn't take stock (ouch!) in the conventional wisdom, and sets out to find the real murderer on her own. ~ Hal Erickson, Rovi
In a convoluted story of one man's obsession, widower Roger Blackwell (Michael Nouri) has been a media advisor to countless politicians, probably one too many as it turns out. Blackwell is set on using his experience to make a film about the manipulation of the media by unscrupulous politicos. His video obsession is apparent when he has an actress dress up as his deceased wife (a suicide he could have prevented) and films her for playback on monitors around the house. Blackwell hypes an incriminating tape in his possession that implicates the President of the U.S. in some dirty (not sexual!) dealings. Then he cons an old enemy, Molly Grainger (Anne Twomey) into covering his public unveiling of the tape which he plans to do on a talk show. What happens next is a series of events that lead to a surprise ending -- and more questions about whether or not the media is shafting the politicians as well. ~ Eleanor Mannikka, Rovi
- Starring:
- Michael Nouri, Anne Twomey, (more)
In this comedy, a relocation to Florida throws lowlife New Yorkers Barney (Paul Rodriguez) and Jake (Michael O'Keefe) into a dilemma when Jake falls for a beautiful schoolteacher, Olivia Farragut (Lucinda Jenney), who is struggling to find enough money to keep her school open. However, when they discover that Olivia stands to inherit a fortune, if only she will marry a true gentlemen, Jake decides to transform himself into the epitome of good breeding. ~ Iotis Erlewine, Rovi
- Starring:
- Michael O'Keefe, Paul Rodriguez, (more)
- 1985
- R
Never released theatrically, this sex comedy is set in an apartment in Moscow with one bathroom, one kitchen and 31 inhabitants. While this may make the rent affordable for everyone, it's no help when filming inside such a set. A few of the major characters are Vera (Lee Taylor Allen), whose mother Galina (Shelley Winters) is trying to match her up with her alcoholic boss Kiril (Paul Sorvino). Meanwhile, Vera is pretending to carry on a lesbian affair with a neighbor for no reason other than to drive their local gossips up the wall. The lack of privacy and overwrought slapstick make this a hard pill to swallow. ~ Eleanor Mannikka, Rovi
- Starring:
- Shelley Winters, Paul Sorvino, (more)
- 1985
Downbeat, morbid, and dark, this well-wrought suspense drama stars Farley Granger as Doug Andrews, a chief medical investigator with a not-so magnificent obsession. In 1970 the body of a four-year-old boy was found in the woods and his killers were never brought to justice. The examiner joins forces with a local policeman as they try to track down the identity of the boy and his murderer, but they get nowhere and the case is dropped. Spurred on by the need to exorcise his own demons after the drowning death of his own daughter, Andrews carries the deathmask of the four-year old with him and never gives up on the case. This engaging drama is based on a true story. ~ Eleanor Mannikka, Rovi
- Starring:
- Farley Granger, Lee Bryant, (more)
In this gory (the special effects are especially well done) slice-n-dicer, the happiness and the sanity of a W.W.II vet is destroyed when he returns home and finds his girl in the arms of another at the town's annual dance. Outraged, he kills both with a pitchfork and the town does not hold the dance again for the next 35 years. The story jumps to the future and the town prepares to hold the dance again. Unfortunately, the vet hears about the dance and comes back to do a little more killing. ~ Sandra Brennan, Rovi
- Starring:
- Vicki Dawson, Christopher Goutman, (more)
- 1978
- R
This blood-soaked horror outing stars Farley Granger as a writer of mysteries who becomes a sex-crazed, maniacal killer. ~ Sandra Brennan, Rovi
- 1974
- R
When a series of adulterous women begin to turn up dead, a police officer (Farley Granger) must hunt down their crazed killer. ~ Iotis Erlewine, Rovi
- 1974
In this drama, a country girl moves to the city and gets involved with an older man. ~ Sandra Brennan, Rovi
- 1973
The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, Rovi
In this convoluted spy thriller, a Russian ambassador places his life on the line when he steals classified documents and defects to the U.S. The papers he carries could rock the free world. Unfortunately, the C.I.A. must first prove that they are real. The film is also known as The Serpent. ~ Sandra Brennan, Rovi
- Starring:
- Yul Brynner, Henry Fonda, (more)
- 1972
This kinky thriller stars Barbara Bouchet as a secretary who comes to the swampland home of writer Richard Stewart (Farley Granger) and his wife Eleonor (Rosalba Neri). Her predecessor was murdered by a local fisherman-rapist (Dino Mele), but there's more to the story than meets the eye, and Bouchet soon finds herself in mortal danger. Typical of the genre, the film is full of nudity and violence, as well as some deftly-handled red herrings. Umberto Raho shows up as the butler, who gets a gaffing hook rammed through his neck for good measure. Director Silvio Amadio has crafted a sick, scary, entertaining little film which will please most Euro-thriller fans. Amadio went on to make the even better Il Sorriso Della Iena, also with Neri. ~ Robert Firsching, Rovi
- 1972
- R
The Man Called Noon is a western about a man who is called "Noon" (Richard Crenna) because he has amnesia and has no other name. As he searches for his identity, it becomes clear that he is on a mission to avenge the deaths of his wife and child. His quest is furthered by the outlaw Rimes (Stephen Boyd) and he receives comfort from a lady named Fan (Rosanna Schiaffino). The villain proves to be Judge Niland (Farley Granger), and the trio go to extraordinary lengths to put him out of action. ~ Clarke Fountain, Rovi
- Starring:
- Richard Crenna, Stephen Boyd, (more)
- 1970
- G
In order to protect a group of Mormons from Mexican bandidos, two brothers are forced to convert in this comedic spoof of spaghetti westerns. Trinity is Still My Name is the title of the sequel. ~ Kristie Hassen, Rovi
- 1968
Completed in 1968, the made-for-TV The Challengers wasn't telecast until one year later. This Grand Prix melodrama top-bills Darren McGavin as a veteran racer whose wife (Juliet Mills) wants him to retire. A secondary plot involves Sean Garrison and Nico Minardos, who carry their on-track rivalry into their private lives. Anne Baxter, Susan Clark, and Sal Mineo are also on hand to urge on the winners, comfort the losers, and spout the cliches. Location footage of the actual Grand Prix is the sole tangible asset of The Challengers. ~ Hal Erickson, Rovi
- 1968
Roger Smith plays private eye Richard Rogue in this cinematic revival of the old radio series. Rogue gallantly tries to help would-be suicide Greta Baldwyn. This selfless act enmeshes him in a murder scheme, with himself as the fall guy. The film's chief value is its veteran supporting cast, including Dennis Morgan, Farley Granger, Edgar Bergen, Mala Powers and Brian Donlevy. Never given a theatrical release, Rogue's Gallery premiered as an NBC network movie presentation in 1972. ~ Hal Erickson, Rovi
- 1967
Advice columnist Francesca Kirby (Lee Grant) is being plagued by death threats and attempts on her life, prompting Francesca's old friend Ironside (Raymond Burr) to offer his protection. It turns out that there are several people in San Francisco who'd probably prefer to see Francesca dead, among them her two-timing husband Mitch (Farley Granger) and her own sister Doris (Maria Lennard). Quincy Jones, who composed the Ironside theme music, appears in a key supporting role; also, Raymond Burr's longtime stand-in Lee Miller shows up in a speaking part. ~ Hal Erickson, Rovi
- 1957
This presentation of The DuPont Show of the Month represented the first time that a novel by A.J. Cronin had been adapted for American television. In the early part of the 20th century, Canadian youth Paul Burgess (Farley Granger) discovers that his father, long believed dead, is languishing in a British prison, serving a life sentence for murder. Heading to England to get the full story, Paul is disheartened when everybody whom he meets assures him that his father was convicted fairly and squarely. On the verge of returning home, Paul comes into possession of an unexpected piece of evidence, sending him off to a new direction, with the hopeful end result of clearing his dad's name--much to the dismay of the other people involved in the case. "Beyond This Place" was originally telecast live. ~ Hal Erickson, Rovi
- Starring:
- Farley Granger, Shelley Winters, (more)
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