Margot Grahame

After an extensive talent search, producer-director Otto Preminger selected a 17-year-old unknown from Iowa, Jean Seberg, to play Joan of Arc, a role traditionally portrayed by actresses twice to three times Seberg's age. Seberg is cast opposite such venerable pros as Richard Todd (as Dunois), Anton Walbrook (the Bishop of Beauvais), John Gielgud (Earl of Warwick) and Felix Aylmer (The Inquisitor). Cast as the vacillating Dauphin is Richard Widmark. Graham Greene's screenplay refashions the original Shaw text in the form of a flashback. Seberg eventually became an accomplished actress by virtue of her appearances in such nouvelle vague films as Breathless, but it was too late to salvage Saint Joan, which was figuratively burned at the stake by critics and filmgoers alike. ~ Hal Erickson, All Movie Guide

Laurence Olivier makes his singing debut in this lively adaptation of John Gay's 18th century theatrical piece The Beggar's Opera. Olivier stars as Captain MacHeath, the leader of all bandits and cutthroats in England. MacHeath is in love with Polly Peachum (Dorothy Tutin), the daughter of beggar king Peachum (George Devine). He has also dallied with Lucy (Daphne Anderson), the offspring of corrupt constable (Stanley Holloway) Lockit. Since it is in the best interest for both Peachum and Lockit to rid the world of MacHeath, the two conspire to imprison and hang the scoundrel, but an unexpected turn of events rescues MacHeath from the executioner's noose. Adapted for the screen by Dennis Canaan and Christopher Fry, The Beggar's Opera manages to retain the raffish charm of the stage original while still being wholly cinematic in approach and execution. The same basic story was later retooled by Bertolt Brecht and Kurt Weill as The Threepenny Opera. ~ Hal Erickson, All Movie Guide

Half affectionate parody and half enthusiastic tribute to the swashbuckling pirate epics of the 1930's and 40's, The Crimson Pirate stars Burt Lancaster as Captain Vallo, the smiling leader of a pack of unscrupulous pirates. While on the high seas, Vallo and his men spy a well-stocked merchant ship, and waste no time in relieving it of its contents. One of the passengers on the cargo vessel, Baron Gruda (Leslie E. Bradley), informs Vallo that a political revolt is shaking a island nation in the Caribbean to its foundations. The pirates set their course to the island, hoping to sell the arms they've just stolen to rebel leader Sebastian (Frederick Leister), while planning to later double their profit by turning him in to the Government leaders who are offering a reward for his capture. Vallo's plans change when he meets Sebastian's daughter Consuelo (Eva Bartok) and falls in love, while she teaches the pirate the wisdom of her father's philosophies. Vallo and his faithful sidekick Ojo (Nick Cravat) soon join Sebastian's men, and fight with them in a valiant struggle for freedom. Burt Lancaster and Nick Cravat were once partners in their early days as circus acrobats, and they got to put their skills to good use in this picture; keep an eye peeled for an early performance by future horror movie great Christopher Lee. ~ Mark Deming, All Movie Guide

This British drama was originally titled Naughy Arlette. The title character, played by future director Mai Zetterling, is a French exchange student at a British art school. Teacher Hugh Williams is unable to resist Arlette's seductive charms, a fact that brings about his downfall. The girl's randiness also adversely affects Williams' daughter Petula Clark. Based on Serge Weber's novel Lycee des jeaunes filles, The Romantic Age lacks the stylishness demanded by its subject matter. ~ Hal Erickson, All Movie Guide

This disaster movie is based on the true story of ways in which a diverse group of plane passengers managed to survive after their plane crashed in the Swiss Alps. Some of the surviving passengers were publically prominent people. All of them had to face new challenges that tested their inner strength. The rescue of the passengers is particulary dramatic. ~ Sandra Brennan, All Movie Guide

Cecil B. DeMille's The Buccaneer stars Fredric March, complete with curly hair, pencil moustache and florid "Sacre Bleu!" French accent, as 18th century pirate Jean Lafitte. Operating out of a "buccaneer's haven" of the coast of New Orleans, Lafitte plunders all passing ships for their wealth, but refuses to attack any vessel flying the American flag. During one seafaring skirmish, he rescues Dutch maiden Gretchen (Franziska Gaal) from a sunken ship. Gretchen falls madly in love with the dashing Lafitte, but he has eyes only for aristocratic Louisana belle Annette (Margot Grahame). During the War of 1812, Lafitte is offered a pardon by Andrew Jackson (Hugh Sothern) if he and his pirates will fight on the American side. As good as his word, Lafitte stands shoulder to shoulder with Jackson as they ward off the British at the Battle of New Orleans. During a Victory Ball in his honor, Lafitte is confronted with evidence that he unknowingly caused the death of Annette's younger sister Marie (Louise Campbell) during a previous act of piracy. The assembled guests are all for hanging Lafitte on the spot, but General Jackson offers the pirate an hour's head start out of New Orleans, provided he never set foot on American soil again. This naturally costs Lafitte the love of Annette; fortunately, Gretchen is awaiting him on board his ship with open arms. From the opening scene in which Dolly Madison (Spring Byington) rescues the Declaration of Independence during the burning of Washington to the closing clinch between Lafitte and Gretchen, The Buccaneer is one of DeMille's most exhilarating films. It was remade less successfully in 1958 under the direction of Cecil B's son-in-law Anthony Quinn, who played the supporting role of Beluche in the original film. ~ Hal Erickson, All Movie Guide

Attorney Lee Tracy gains renown for his flamboyant courtroom tactics, which nearly always result in acquittal for his clients. Though none too honest, Tracy rises to the position of district attorney. Unbeknownst to the public, the D.A. is in the pocket of local gangster interests, who hope that their courtroom connections will allow them to operate unmolested. His conscience awakened by his faithful girlfriend (Margot Grahame), Tracy turns his back on his mobster cronies; his career is ruined, but he is "clean" for the first time in his life. Criminal Court is a remake of the 1932 John Barrymore vehicle State's Attorney; the later film makes several concessions to the now more stringent censors, especially when it comes to detailing the former profession of the D.A.'s lady friend. ~ Hal Erickson, All Movie Guide

A woman framed for a bond theft gets out of prison and takes a job at a waterfront cafe, where she witnesses a murder. She is in love with the man the victim was going to meet and is reluctant to talk. He tells her that he was going to haul a load of gold bullion for the victim, and soon they are caught between cops and crooks after the gold. ~ Steve Huey, All Movie Guide

In this British gangster movie, a Chicago gang goes to cool their heels in London. There they try to overtake the town. Meanwhile the mob boss searches for the perfect job. He convinces a millionaire, the owner of a department store, to help his gang rob the store blind. The plot fails and the gangsters battle it out with the bobbies. ~ Sandra Brennan, All Movie Guide

In this crime drama, a federal agent goes undercover to join a gang of counterfeiters. He pretends to be a murder. The trouble begins when the gang kidnaps an engraver from Treasury Department. They force him to make a set of plates to print the fake cash. The agent manages to break up the ring. Justice is served. ~ Sandra Brennan, All Movie Guide

The Informer, Liam O'Flaherty's novel of the the Irish "troubles" of the early 1920s, was first filmed in England in 1929, with Cyril McLaglen in the lead. When director John Ford remade The Informer in 1935, the role of the tragic Irish roisterer Gypo Nolan went to Cyril's brother Victor McLaglen. The scene is Dublin, during the Sinn Fein rebellion. Gypo has tried to join the IRA, but has been bounced because he lacked full commitment to the cause. Gypo's best friend is Frankie McPhillip (Wallace Ford) a fugitive from the British "Black and Tans" with a price on his head. Hoping to start a new life with his streetwalker girlfriend Katie Madden (Margot Grahame), Gypo informs on Frankie, collecting the twenty-pound reward. Frankie is cornered and killed by the British troops; Gypo briefly suffers the pangs of conscience, but is too simple-minded to grasp the full impact of his betrayal. Suspecting that Gypo has turned in Frankie, IRA commander Gallegher (Preston Foster) orders his men to keep tabs on the big lout. As Gypo stupidly squanders his money on food, drink and entertainment, Gallegher's lieutenants keep tab of every penny spent. Finally dragged before the rebel court, Gypo tries to bluff his way out of trouble, fingering another man (Donald Meek) as the informer, but this subterfuge quickly falls apart. Sobbingly, Gypo confesses his treachery. Before his execution can be carried out, he escapes, but his hiding place is given away inadvertently by Katie. Regretfully, because they realize Gypo is too childish to be fully responsible for his actions, the IRA members shoot the man down. With his last ounce of strength, Gypo drags himself into the church where Frankie's mother (Una O'Connor) prays for his son's soul. "Twas I informed on your son, Mrs. McPhillip," Gypo weeps, "Forgive me." "Ah, Gypo, I forgive you," the grieving mother replies. "You didn't know what you were doing." Exultantly, Gypo looks heavenward, and, just before succumbing to his wounds, bellows "Frankie! Frankie! Your mother forgives me!" The Informer earned Victor McLaglen an Oscar, as well as several other nominations; the film did poorly at the box office, but John Ford had anticipated this reaction, reportedly waiving his considerable salary just to make certain that picture--a labor of love for the director, who was himself a native of Ireland--would be completed. The film was remade in 1968, relocated to the black ghetto of Los Angeles and retitled Uptight!. ~ Hal Erickson, All Movie Guide

The venerable Warwick Deeping story Sorrell and Son was dusted off again for this 1934 screen incarnation. Repeating his role from the 1927 film version, H.B. Warner plays Captain Stephen Sorrell, a WW I hero reduced to scrubbing floors in a hotel. This he does for the sake of his beloved son Kit (Hugh Williams), who thanks to his father's sacrifices becomes a successful surgeon. The film's emotional undercurrents boil over in the climax, when Kit must decide whether or not to put his father out of his misery when the old man is stricken with a fatal disease. The most memorable characterization is delivered by Wally Patch as a sadistic bellboy, whose bullying of Sorrell senior literally makes the flesh creep. Featured in a minor role is Louis Hayward, just before embarking upon his Hollywood career. ~ Hal Erickson, All Movie Guide

In this interesting drama, an opera singer, falsely convicted of murdering his wife's lover, must escape from Devil's Island. His success inspires him to write an opera. ~ Sandra Brennan, All Movie Guide