Tim Graham Movies

During a scuffle between Buffy (Anissa Jones) and Jody (Johnnie Whitaker), Buffy's beloved doll Mrs. Beasley suffers a broken arm. Bill (Brian Keith) rushes the damaged plaything to a doll hospital, while Buffy frets over the fact that Mrs. Beasley is due to go "under the knife." And even if the surgery is successful, will Buffy's hurt feelings ever be mended? ~ Hal Erickson, Rovi

This sentimental children's film is based on the true adventures of author Albert Payson Terhune's collie dog, as immortalized in Terhune's early 1920's novel. The story about the dog Lad's saving graces is very much directed toward the youngest moppets whose love of animals has yet to be jaded by ruined carpets, chewed-up books, or all-night barking. Lad comes to the rescue again and again, implying in more than one instance that dogs can be smarter than at least a few people. The canine saves his little mistress Angela (a nine-year-old Angela Cartwright just before her role in TV's Lost in Space) from a poisonous snake bite and is mistakenly ill-treated as a consequence, his actions help cure her need for a wheelchair, and furthermore, the dog prevents a local troublemaker from torching the family's barn. A younger Carroll O'Connor of redneck Archie Bunker TV fame, plays a crotchety neighbor. ~ Eleanor Mannikka, Rovi

Both Wally (Tony Dow) and Eddie (Ken Osmond) are up for a job at the local ice cream emporium, but it's Wally who lands the position. He also wins the adoring attention of the pretty girls who frequent the establishment, making Eddie mighty jealous. Hoping to get even, Eddie and Lumpy (Frank Bank) cook up a scheme whereby Wally will deliver six quarts of ice cream to the home of Mary Ellen Rogers (Pamela Baird) during a girls-only slumber party -- thereby incurring the wrath of Mary Ellen's father. In the episode's uproarious climax, Wally concludes that revenge is a dish best served cold (as cold as ice cream). ~ Hal Erickson, Rovi

Bret (James Garner) feels mighty lucky when he thinks he's won some prize cattle in a poker game. Imagine his dismay when discovers that his "prize" is actually a large flock of sheep--and that he is now smack in the middle of a violent range war. While looking for someone willing to buy the sheep, Bret poses as a Federal inspector in order to avoid being shot full of holes by the angry cattlemen. This episode was directed by Arthur Lubin, who was somewhat of an expert in "animal" stories by virtue of his work on the "Francis the Talking Mule" movie series (to say nothing of his later duties on TV's Mister Ed). ~ Hal Erickson, Rovi

In the town of Arroyo, Bart (Jack Kelly) is hired to protect gambling-hall proprietor Dave Lindell (Gerald Mohr) from a vengeful cowpoke named Brazos (Ray Daley). But it is Brazos who ends up being killed, whereupon Bart chases after the killer--unaware that he is a pawn in a sinister scheme that will culminate in his own demise. This prime example of "western noir" was written and directed by 77 Sunset Strip stalwart George WaGGner, who invariably billed himself in this curious fashion. ~ Hal Erickson, Rovi

When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, Rovi

An urban legend comes to life in this episode, as Bret Maverick (James Garner) offers a ride on his buckboard to a hauntingly beautiful young woman named Mary Shane (Joanna Barnes). After making several pointed comments about a local undertaker who is trafficking in stolen goods, the woman abruptly disappears--and when Bret goes to look for her the next day, he is told that Mary Shane has been dead for at least a week. Featured in the cast is a newcomer to the Warner Bros. stable, Edd Byrnes, who would soon rise to fame as the relentlessly hip "Kookie" on 77 Sunset Strip. ~ Hal Erickson, Rovi

Forced to leave New York in a hurry, impoverished gambler Charlie Raymond (Peter Lawford) answers a newspaper ad from a fellow Londoner named Walter Hendricks (John Williams), who wants someone to drive with him to San Francisco and share expenses. En route to the West Coast, Raymond discovers that Hendricks is on his way to collect a huge inheritance. Seizing the opportunity, Raymond murders Hendricks and assumes his identity, certain that the Frisco authorities will fall for the ruse and that he will fall heir to 200,000 dollars. Want to bet that things don't quite work out as planned for our "hero"? ~ Hal Erickson, Rovi

Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction. ~ Hal Erickson, Rovi

Also known as City on a Hunt, No Escape stars Lew Ayres and Marjorie Steele as mixed-up victims of circumstance. John Tracy (Ayres), a drunken songwriter, has reason to believe that he's murdered artist Peter Hayden (James Griffith). So does Pat Peterson (Steele), a blue-collar girl whom Hayden had tried to seduce. Both John and Pat take it on the lam, with her boyfriend, police detective Simon Shayne (Sonny Tufts), in hot pursuit. The twist ending isn't much of a surprise, but it's still crammed with suspense. No Escape represents a rare directorial effort by screenwriter Charles Bennett, whose previous scripting credits include several Alfred Hitchcock thrillers. ~ Hal Erickson, Rovi

This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, Rovi

Peggy Brookfield (Diana Lynn) is one of many aspirants for the position of Queen of the annual Tournament of Roses in Pasadena, Calfornia. Also competing is Peggy's sister Susan (Barbara Lawrence). Both girls make the trek from Ohio to Pasadena in the company of their father (Charles Coburn), a retired professor. Peggy would seem to have the advantage in the contest, save for one small drawback: she is secretly married to Johnny Higgins (Rock Hudson), and the rules clearly stipulate that the Rose Queen must be single. And that's just one of the many comic complications packed into Peggy's chucklesome 77 minutes. ~ Hal Erickson, Rovi