Julie Graham Movies

Coronation Street scribe John Fay pens this three-part conspiracy thriller concerning a mobile phone engineer who blames his job for giving him an inoperable brain tumor, and who becomes the prime suspect in a murder investigation when a drug dealer is shot dead and a mobile phone mast is destroyed. Set against the backdrop of the Iraq War, the film opens as mobile phone engineer Eddie (Neil Fitzmaurice) is diagnosed with a deadly brain tumor. Though his wife Donna (Julie Graham) and their two children vow to make his final days truly memorable, all vengeful Eddie can think about is making sure that someone pays. Eddie's efforts to track down the responsible party backfires though when a murdered drug dealer and a destroyed cell phone mast lead police to suspect that he may be responsible for a series of murders around the city. Also hungry for vengeance is broken soldier Maurice Stone (Jamie Draven), whose wife and son were killed by a driver that was talking on their cell phone. That driver has never been found, and Maurice won't rest easy until he's gotten his revenge. Later, when the identity of the hit-and-run driver is finally revealed, the true mastermind behind this mobile phone terror plot finally steps out from the shadows as a labyrinthine conspiracy slowly comes to light. ~ Jason Buchanan, Rovi

Unprepared for the drastic life changes after giving birth to twins, Ellie (Julie Graham) accepts help from Fiona (Hermione Norris), a friendly widow she meets in the supermarket. However, Fiona's ulterior motives are soon revealed when she tries to take over Ellie's life. ~ Karen Kelty, Rovi

Old New Borrowed Blue is a bittersweet love story of modern times. Rosie and Vincent are desperately trying to have a baby, but this is causing an unavoidable stress on their sex life. When Benoit, a French postal worker and teenage pen pal of Rosie's, arrives on their doorstep with romantic intentions, Vincent is not as thrilled as Rosie. Having found out that his over-the-channel sweetheart is now married, Benoit settles in as her houseguest. Vincent is unhappy with the arrangement and tries to cure his wounded ego in an affair with his old flame, the local hairdresser, Cathy. Rosie and Vincent find themselves facing choices they had never imagined they would have to make. ~ Gönül Dönmez-Colin, Rovi

A young man learns that love hurts (or at least it does if you're doing it right) in this saucy comedy from England. Henry Harding (Tom Bell) is a member of British Parliament and a self-styled moral crusader who is deeply disturbed by reports that Tanya Cheex (Guinevere Turner), a dominatrix from the U.S., has opened a night club for S&M enthusiasts in England. Harding is determined to put Cheex out of business, but first he needs to collect evidence of her activities, so Harding persuades Peter Emery (Christian Anholt) -- a young man with political ambitions, Christian principles, and his virginity intact -- to attend the club incognito and videotape the proceedings. To Peter's great surprise, he discovers that he rather likes a bit of spanking and leather fetishism, and he soon becomes quite infatuated with Tanya, making him all the less inclined to help shut down her club. Preaching to the Perverted presented Guinevere Turner in her first starring role after her breakthrough in the acclaimed independent feature Go Fish. ~ Mark Deming, Rovi

The title may be Blonde Fist, but that doesn't mean that the leading characters have yellow hair growing from their knuckles. This British actioner deals with the specialized world of female boxers. People essential to the action bear such monikers as "Crazy Sue" (Susan Atkins) and "Big Alice" (Jane Poter). Veteran Hollywood leading lady Carrol Baker shows up as a don't-mess-with-me promoter. There are some attempts at social satire, contrasting the female pugilists with "proper" British ladies, but Blonde Fist is essentially an excuse to show scantily clad women duke it out and sweat a lot. ~ Hal Erickson, Rovi

Based on a true story, this drama follows the exploits (both real and imagined) of the murderer Larry Winters (Iain Glen), who achieved fame as a writer and poet while he was in prison for his crimes. He is best known for his elegaic stories about boyhood life in the Scottish Highlands. Flashback memories of actual events are mixed with fantasy scenes, as this outwardly tough prisoner attempts to cope with his confinement. ~ Clarke Fountain, Rovi

The bluntly titled The Fruit Machine stars Emile Charles and Tony Forsyth as a pair of homosexual Liverpool teenagers. Though their sexual orientation may be the same, Charles and Forsyth hold diametrically opposed outlooks on life. Gradually, a romance develops between the two -- but before things progress much farther, the film suddenly switches emotional gears. Witnessing a gangland execution, Charles and Forsyth are forced to defend their lives against an onslaught of villains. The Fruit Machine seems unsure of what sort of movie it would like to be, though many of its individual components are handled with utmost confidence by director Philip Saville. The film was originally titled Wonderland. ~ Hal Erickson, Rovi