Fred Graham Movies

Two modern day cowboys smuggle a herd of cows across the border in this loosely amiable comedy. Jim Kane (Paul Newman) is a cowboy who unexpectedly finds himself deep in debt and in need of some fast cash. A less-than-scrupulous businessman approaches Kane and offers him a handsome payday to escort 200 head of cattle from Mexico into the United States for use of the rodeo circuit. While the deal seems dubious, Kane goes along with it, and persuades his friend Leonard (Lee Marvin) to tag along. However, the cattle drive proves to be more of a challenge than the men expected, with a number of less-than-welcome adventures following the cattlemen along the way. Pocket Money also features Strother Martin, Hector Elizondo and Wayne Rogers; keep an eye peeled for a cameo appearance by Terrence Malick, who wrote the film's screenplay years before directing the acclaimed Badlands and Days of Heaven. ~ Mark Deming, Rovi

Seven Ways from Sundown is a well-wrought western by director Harry Keller, starring Audie Murphy in the title role (his character's "first" name is the same as the title). Young "Seven" is a talented but novice Texas Ranger who is in the process of learning the tricks of the trade from veteran Ranger Sergeant Hennessey (John McIntire). The two are currently hunting down the flamboyant outlaw Jim Flood (Barry Sullivan), crafty enough not only to elude them, but to take a surprise offensive against them as well. In the end, it will take all of "Seven's" abilities to capture the wanted criminal. ~ Eleanor Mannikka, Rovi

John Wayne's directorial debut The Alamo is set in 1836: Wayne plays Col. Davy Crockett, who, together with Colonels Jim Bowie (Richard Widmark) and William Travis (Laurence Harvey) and 184 hardy Americans and Texicans, defends the Alamo mission against the troops of Mexican general Santa Ana. There's a lot of macho byplay before the actual attack, including the famous "letter" scene in which Wayne craftily rouses the patriotic ire of his subordinates. Also appearing are Richard Boone as Sam Houston, and Chill Wills (whose somewhat tasteless Oscar campaign has since become legendary in the annals of shameless self-promotion) as Beekeeper. Wayne's production crew was compelled to reconstruct the Alamo in Bracketville, Texas, about a hundred miles from the actual site. Dimitri Tiomkin's score, including The Green Leaves of Summer, received generous airplay on the Top-40 radio outlets of America. Rumors persist that Wayne's old pal John Ford directed most of The Alamo; cut to 161 minutes for its general release, the film was restored to its original, 192-minute length in 1992. ~ Hal Erickson, Rovi

Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy land baron Nathan Burdette (John Russell), who owns a big chunk of the county and can buy all the hired guns he doesn't already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow-looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty -- this starts a verbal duel between the two of them that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight. Wheeler is murdered by one of Burgette's hired guns who is, in turn, killed by Dude in an intense confrontation in a saloon. Colorado throws in with Chance after his boss is killed and picks up some of the slack left by Dude, who isn't quite over his need for a drink or the shakes that come with trying to stop. Chance and Burdette keep raising the ante on each other, Chance, Dude, and Colorado killing enough of the rancher's men that he's got to double what he's paying to make it worth the risk, and the undertaker (Joseph Shimada) gets plenty of business from Burdette before the two sides arrive at a stalemate -- Burdette is holding Dude and will release him in exchange for Joe. This leads to the final, bloody confrontation between Chance and Burdette, where the wagons brought to town by the murdered Wheeler play an unexpected and essential role in tipping the balance. ~ Bruce Eder, Rovi

Based on an actual Civil War mission, Colonel Marlowe (John Wayne) and Major Kendall (William Holden) are ordered by General Grant to take three regiments 300 miles into enemy territory. They must destroy the railroad line between Newton Station and Vicksburg in hopes of choking off supplies to the South. Marlowe encounters a Southern belle loyal to the enemy, and keeps her in sight throughout the journey so she can't warn the Confederates. Kendall, a Northern surgeon, and the crusty Marlowe have their differences along the way. Action, romance and gory battlefield surgery accompany the army as the mission is completed. John Ford directed this film based on a novel by Harold Sinclair. ~ Dan Pavlides, Rovi

In the town of San Sebastian, Paladin (Richard Boone) is hired by wealthy Scotsman Ian Crown (Judson Pratt) to track down Sancho Fernandez (Simon Oakland), a bandit who has been terrorizing the countryside. It soon becomes obvious that there is more to this situation than a simple manhunt: at the center of the intrigue is a valuable religious relic that has allegedly been stolen by Fernandez--and is highly coveted by the tight-fisted Mr. Crown. This is the final episode of Have Gun--Will Travel's first season. ~ Hal Erickson, Rovi

A veritable honor roll of famed western heroes and villains appears in the fanciful oater Badman's Country. It all begins when Sheriff Pat Garrett (George Montgomery) draws up plans to lure the Hole-in-the-Wall Gang, headed by Butch Cassidy (Neville Brand) and the Sundance Kid (Russell Johnson) into a trap. To do this, he enlists the aid of fellow peacekeepers Wyatt Earp (Buster Crabbe), Bat Masterson (Gregory Walcott) and Buffalo Bill Cody (Malcolm Atterbury). By the time everyone is introduced, the film is half over. No matter: Badman's Country is redeemed by a truly impressive climactic gun duel. ~ Hal Erickson, Rovi

Among the reasons that Doris Cole (Hillary Brooke) has left her husband Peter (John McNamara) is that she once awoke to find him standing over her bed, brandishing a knife. Peter insists that he is a chronic sleepwalker and had no idea what he was doing. Even so, when Phillip Kendall (Harry Hickox), an extortionist who has threatened to block the divorce that Peter so desperately wants, is found stabbed to death, Peter is charged with murder. It is up to Perry Mason (Raymond Burr) to prove Cole's innocence--and to reveal the guilty party. This episode is based on a 1936 novel by Perry Mason creator Erle Stanley Gardner) ~ Hal Erickson, Rovi

A decidedly pre-Dukes of Hazzard Denver Pyle appears in this episode as Hank Shinn, who swaggers around Dodge City bragging about his skills as a gunfighter. To "prove" his speed with a six-shooter, Hank provokes a duel with a drunken man and kills him. Though disgusted by Hank's actions, Matt can do nothing, since technically he was defending himself. But Sam's comeuppance finally arrives in the former of professional gunslinger Al James (John Doucette) who never speaks when shooting will do. This episode is adapted from the Gunsmoke radio broadcast of May 21, 1955. ~ Hal Erickson, Rovi

Set in the West of the late 19th century, Richard Brooks' film stars Robert Taylor as Charles Gilson, a brutal buffalo hunter who kills purely for sport and enjoyment. Stewart Granger portrays Sandy McKenzie, a former hunter on whom Gilson is seeking revenge. ~ Jason Ankeny, Rovi

In the historical epic The Conqueror, John Wayne stars as Temujin, better known as Genghis Khan. Red-haired Susan Hayward costars as Bortai, the Tartar princess whom Temujin claims as the spoils of battle. Eventually, Bortai's hatred for her captor metamorphoses into love, while Temujin's hordes lay claim to the entire Gobi Desert. Director Dick Powell, many of the actors (John Wayne, Susan Hayward, Pedro Armendariz, Thomas Gomez, Agnes Moorehead), and several of the crew members later fell victim to cancer, allegedly the result of producer Howard Hughes' decision to lens the film on location near the atomic testing grounds in the Utah desert. ~ Hal Erickson, Rovi

The Steel Jungle is the prison where most of this film takes place. Perry Lopez heads the cast as two-bit bookie Ed Novak, who goes to jail rather than squeal on his Syndicate higher-ups. Novak's silence exacts a toll on his wife Frances (Beverly Garland), who is expecting a child. The longer he remains in prison, the more Novak becomes aware that the mob has deserted him--and the more he's willing to spill what he knows. Fellow prisoner Steve Marlin (Ted De Corsia) intends to see that Novak keeps his mouth shut permananently. Produced independently, The Steel Jungle was distributed by Warner Bros. ~ Hal Erickson, Rovi

The witness of the title is Barbara Stanwyck, who insists she's seen a man strangling a girl in the apartment across the street. The murderer is George Sanders, an ex-Nazi with plenty of experience in covering his tracks. Deftly disposing of body and clues, Sanders is able to convince the authorities that Stanwyck is hallucinating. But Stanwyck persists, forcing Sanders to show his hand in a fateful climax. Witness to Murder is far beneath the talents of its stars, though both Stanwyck and Sanders, pros that they are, give the material the old "Academy Award" treatment. ~ Hal Erickson, Rovi