Wilton Graff Movies

In films from 1945, Wilton Graff carved a screen career out of playing judges, doctors, DAs and the like. Graff's movie assignments ranged from bits in "A" pictures to sizeable supporting roles in programmers. He could be seen as the maitre d' in the crucial Gregory Peck-John Garfield restaurant scene in Gentleman's Agreement (1947), and as Baron Fitzwalter, Robin Hood's father-in-law, in Rogues of Sherwood Forest (1950). Wilton Graff's only starring role was as Dr. Belleau, the crazed sportsman who hunted human quarry in the 1961 Most Dangerous Game knock-off Bloodlust. ~ Hal Erickson, All Movie Guide
1963  
 
Victor Jory stars as veteran police officer Paul Reardon, who vows to avenge the murder of his rookie-cop son, Philip (Peter Brown). Although ordered by the higher-ups to lay off, Paul is determined to bring drug kingpin Herbie Lane (Lawrence Tierney), the man responsible for Peter's death in a shoot-out, to justice. In fact, Paul will go to any length to settle accounts with Herbie -- even if his efforts kill both men. This 300th episode of Alfred Hitchcock's popular TV anthology is also the final episode of the series' eighth season. ~ Hal Erickson, All Movie Guide

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Starring:
Victor JoryPeter Brown, (more)
1963  
 
In this crime drama, naive Lonnie allows a Spanish revolutionary and his henchman to rent his car. Unfortuantely, the duo use the car to escape after pulling off a diamond heist (the money will be used help support the Spaniard's cause). Lonnie begins investigating and along the way learns that his long-lost love has also joined the cause and works as a hooker to make her own financial contributions. Later, the Spaniard captures Lonnie and makes him drive the boat they commandeered. Also on board is the former owner's lovely daughter, with whom Lonnie falls in love. Together, Lonnie and the girl manage to stop the criminal activities of the "revolutionary" for good. ~ Sandra Brennan, All Movie Guide

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1961  
 
In this comedy caper based on a novel by Nathaniel Benchley, a gang of crooks begin exploiting an innocent ex-Navy officer who, wanting to impress his employer's daughter, is sailing a fleet of ramshackle scows. One of the crooks cons the fellow into believing he is a shipwright. The thief then plots to use the vessel for a bank robbery. The hero is then forced to sail the ship himself after he and his girlfriend are captured. Meanwhile another villain tries to commandeer the vessel, but the officer is able to signal the Coast Guard by using his girl friend's bra as a slingshot. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert WagnerDolores Hart, (more)
1961  
 
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If anything, this star-studded sequel is even sillier than the original, adding to its problems by completely recasting all the roles, combining several of them into existing characters. Carol Lynley is the heroine this time, and she leaves Peyton Place for New York to write a book about the hypocrisy of her hometown. The book causes lots of trouble back home, getting Mike (Robert Sterling) fired as principal, angering Lynley's mother (Eleanor Parker), and stirring such horrible memories in Selena (Tuesday Weld) that she brains her new boyfriend with a fireplace poker, thinking he is her dead rapist stepfather. The film really belongs to Mary Astor, in a hilarious turn as a smotheringly possessive mother. She tries to come between her son and his new bride (Luciana Paluzzi) in some unintentionally hilarious scenes, causing Paluzzi to fling herself down a ski slope in an attempt at a self-induced miscarriage. Overwrought and overblown, the film is still a treat for fans of campy "suburban sin" melodramas. Look for Bob Crane as an unctuous talk show sidekick. ~ Robert Firsching, All Movie Guide

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Starring:
Carol LynleyJeff Chandler, (more)
1960  
 
Widow Carol Taylor (Rebecca Welles) hires Perry (Raymond Burr) to prove that her late husband didn't steal $130,000 before his death in a plane crash. As it turns out, Carol will need Perry more than she imagined: when Howard Walters (Simon Oakland) turns up murdered, Carol is arrested for the crime. While mounting Carol's defense, Perry unearths a hotbed of intrigue involving (among other things) a double murder and some VERY creative bookkeeping. ~ Hal Erickson, All Movie Guide

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1960  
 
In big trouble after delivering some "hot" money, Lucy Stevens (Connie Hines) fakes her own suicide by driving her empty car into the ocean. She then assumes the identity of her own (fictional) cousin, Carole Morgan, and assumes that her problems are over. Perry Mason (Raymond Burr) enters the scene when the body of Marjorie Ralston (Mary Webster) is found in the wreckage of the "empty" car and Lucy is charged with her murder. ~ Hal Erickson, All Movie Guide

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1959  
 
The target of a smear campaign instigated by crooked hospital committeeman Marshall Scott (Bartlett Robinson), Waring County DA Brander Harris (Hugh Marlowe) faces political ruin when he is framed by a compromising photograph. The situation becomes more serious when Scott is murdered and Harris is charged with the crime. In order to handle this case, Perry Mason (Raymond Burr) must keep a grand jury in session, requiring him to become a temporary DA himself! ~ Hal Erickson, All Movie Guide

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1959  
 
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Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

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Starring:
Orson WellesDean Stockwell, (more)
1959  
 
One of producer Walt Disney's more blatant efforts to duplicate the success of his early TV miniseries Davy Crockett, the eight-part Swamp Fox featured another flamboyant frontiersman hero who wore coonskin-style headgear and whose adventures were introduced with a catchy, memorable theme song. Based on a book by Dr. Robert D. Bass, The Swamp Fox stars Leslie Nielsen as real-life American patriot Francis Marion, a wealthy landowner who during the Revolutionary War led a hardy band of guerilla fighters against the Redcoats and pro-British tories in his native South Carolina. The villain of the piece (at least in the first few episodes) was another actual historical figure, the ruthless Banastre Tarleton (John Sutton), an officer in the British Green Dragoons (Marion and Tarleton later served as the models for the hero and villain, respectively, of the 1999 Mel Gibson film Patriot). In the first episode, Marion is prevailed upon by his friends and neighbors to help free South Carolina from the grip of British rule. His task is made difficult by the fact that his sweetheart, Mary Videaux (Joy Page), is from a pro-Tory family. "The Birth of the Swamp Fox" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, All Movie Guide

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1959  
 
Botany teacher Norman Logan (Dick York) is surprised to find that his bank account is short 200 dollars. Reporting this loss as an error, Norman confronts officious clerk Mr. Tritt (Philip Coolidge), who insists that the bank never, but never, makes a mistake. To prove Tritt wrong, and to extract a personal vengeance, Norman decides to get his money back by way of a nocturnal robbery -- with the "dusty drawer" of the title figuring prominently in the outcome of the story. ~ Hal Erickson, All Movie Guide

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1959  
 
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Richard Connell's story The Most Dangerous Game has offered a big, fat target for dull low-budget thrillers since the dawn of movie-making itself, and this is truly one of the dullest. The first (and apparently the last) directorial effort from Ralph Brooke was saved from cinematic obscurity only through its movie-trivia value, thanks to the presence of Brady Bunch dad Robert Reed as the thick, hunky non-hero in upsettingly-tight clothing. There is little variation on the timeworn theme of a wealthy madman (Wilton Graff) hunting shipwreck survivors for sport -- perhaps aside from this villain's tendency to store his human trophies in cleverly-designed, glass-walled dioramas which presaged the popular horror model kits of the 1960's. ~ Cavett Binion, All Movie Guide

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1959  
 
Prosperous Poughkeepsie undertaker Arthur Motherwell (John McGiver) is looking forward to handling the funeral for Stanton C. Barryvale (Howard Smith), the richest man in town. Barryvale's family members have insisted upon a huge and ostentatious funeral -- and, of course, the cost is no object. But as he prepares to embalm Barryvale, Motherwell is shocked when the dead man suddenly arises from the dead...and then demands that his own personal funeral arrangements be carried out. This episode is based on a story by writer/director Garson Kanin, of Born Yesterday and Adam's Rib fame. ~ Hal Erickson, All Movie Guide

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1956  
 
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This filmed biography of Vincent Van Gogh was adapted by Norman Corwin from the best-selling novel by Irving Stone, which was in turn inspired by the written correspondence between Van Gogh and his brother Theo. Kirk Douglas plays the tormented genius, whose obsessive devotion to his art engulfs, consumes, and finally destroys him. James Donald costars as Theo Van Gogh, who provides financial and moral support to his brother from the time Vincent leaves his Holland home in 1878 to his death in Auvers in 1890. Anthony Quinn won an Oscar for his eight-minute turn as Van Gogh's fast friend and erstwhile rival Paul Gaugin. Nearly 200 of Van Gogh's original paintings were borrowed from private collections for brief display in the film: some are "recreated" before our eyes, as the artist stands before his easel, spattered with paint and with a look of white-hot intensity burned into his countenance. ~ Hal Erickson, All Movie Guide

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Starring:
Kirk DouglasAnthony Quinn, (more)
1956  
 
Former lawman Troy Carver (Wilton Graff), an old friend of Marshal Matt Dillon (James Arness), arrives in Dodge with a travelling sideshow, where Troy is making a living showing off his sharpshooting skills. Lee Polen (Martin Kingsley), a farmer with long-standing grudge against Carver, also shows up in town intent upon killing the old man. Though Matt is aware that Carver is going blind, the aging gunman defiantly insists upon handling Polen himself--thus setting the stage for a surprising, and ironic, finale. This episode is based on the Gunsmoke radio broadcast of July 18, 1955. ~ Hal Erickson, All Movie Guide

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1955  
 
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John Wayne plays anti-Nazi Prussian sea captain Karl Erlich in Sea Chase, one of the many film commentaries released post WWII. Though staunchly opposed to the Nazi regime, Karl (Wayne) feels it would nevertheless be unpatriotic should he refuse to save his ship from destruction. His ship--an old, rusty 5,000 ton freighter named the Ergenstrasse--is being pursued by a British warship on his journey from Australia back to Germany. Captain Erlich does everything he can to save his ship and his crew, but the process is long and dangerous, particularly without a plentiful supply of fuel and provisions. Erlich must face obstacles ranging from horrendous sea storms and shark attacks to false murder accusations, and it seems his only devotee is Elsa (Lana Turner), a beautiful German spy. Despite nearly falling to the determined English ship and a mutiny attempt by his own crew, Captain Erlich manages to survive what was anything but a routine trip back to his home country. ~ Tracie Cooper, All Movie Guide

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Starring:
John WayneLana Turner, (more)
1954  
 
Roundly panned when it was first released, this CinemaScope film version of Sir Walter Scott's The Talisman can now be enjoyed on a "high camp" level. George Sanders plays King Richard the Lionhearted, while his arch-foe Saladin is over-acted by Rex Harrison. One of Richard's objectives during the Crusades is to reclaim the Holy Grail from Saladin's Mohammedan hordes. On the home front, Richard must contend with a group of conspirators dedicated to toppling him from his throne. In the middle of all this is the fictional Lady Edith,a British noblewoman played by Virginia Mayo in a manner that can best be described as overbaked. It is Ms. Mayo who delivers the film's classic line "Oh, fight, fight, fight! That's all you ever think of, Dickie Plantagenet!" In his American film debut, Laurence Harvey is as hammy as the rest of the cast as Sir Kenneth, Richard's right-hand man. ~ Hal Erickson, All Movie Guide

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Starring:
Rex HarrisonVirginia Mayo, (more)
1953  
 
Greer Garson and Walter Pidgeon were together again for the last time in Scandal at Scourie. Filmed on location in Canada, the plot concerns a childless Protestant couple, the McChesneys (Garson and Pidgeon), whose lives are profoundly altered by an orphaned Catholic girl named Patsy (Donna Corcoran). Through a series of far-fetched coincidences, Patsy wanders into the McChesney home, immediately capturing the heart of Mrs. McChesney. Mr. McC, a local politician, is a bit harder to win over, but eventually his wife convinces him to adopt the child. This stirs up a tempest in a teapot, as McChesney's political enemies accuse him of using Patsy to win over his Catholic constituents, while one of Patsy's former orphanage classmates spreads a rumor (backed up by circumstantial evidence) that the little girl is a "firebug." Sentimental to a fault, Scandal at Scourie is also undeniably effective. ~ Hal Erickson, All Movie Guide

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Starring:
Greer GarsonWalter Pidgeon, (more)
1953  
 
Set in New Caledonia (though filmed in Hawaii), Miss Sadie Thompson is a heavily laundered adaptation of Somerset Maugham's Rain, with Rita Hayworth in the title role and José Ferrer as the pious Alfred Davidson. To satisfy the censors, Sadie is no longer a whore but a nightclub entertainer "with a past," while Davidson is not a minister but a lay preacher. The end result, however, is about the same, with Davidson trying to save Sadie's soul, only to lose his own in the process. Aldo Ray co-stars in the beefed-up role of the marine sergeant who harbors a crush for the colorful Miss Thompson. Highlights include Rita Hayworth's rendition of the musical numbers "The Heat is On" (later parodied by Muriel Landers in the 1957 Three Stooges comedy Sweet and Hot), "Blue Pacific Blues," and ""Hear No Evil, Seek No Evil."" ~ Hal Erickson, All Movie Guide

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Starring:
Rita HayworthJosé Ferrer, (more)
1952  
 
The Young Man with Ideas in this MGM production is idealistic lawyer Maxwell Webster (Glenn Ford). Too self-effacing for his own good, Webster vegetates in Montana with his wife Julie (Ruth Roman) and children for nearly 10 years before starting life anew in California. Living penuriously while studying for his California bar exam, Webster tries out several moneymaking schemes, most of which come acropper. Along the way, he inadvertently gets involved with a bookie ring, culminating in a climactic courtroom scene wherein Webster defends himself -- and surprise, he doesn't have a fool for a client. In typical Hollywood fashion, the script requires the talented Ruth Roman to express jealousy when a brace of lovely females played by Nina Foch and Denise Darcel briefly set their caps for the ingenuous Glenn Ford. ~ Hal Erickson, All Movie Guide

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Starring:
Glenn FordRuth Roman, (more)
1952  
 
Mitzi Gaynor plays legendary vaudeville headliner Eva Tanguay, whose signature tune was the bouncy "I Don't Care". The film's actual producer George Jessel costars as "himself;" the gimmick is that Jessel wants to produce a biopic based on Tanguay, but can't get a handle on the story until he interviews all those who remember the lady. This throughline allows Gaynor to impersonate Tanguay without the added encumbrance of a plot. Well, there is a love story involving Tanguay and her vaudeville partner (David Wayne), and some welcome comic relief from "professional neurotic" Oscar Levant, but otherwise The I Don't Care Girl is more a revue than a movie. At the end, inveterate scene-stealer George Jessel shows up backstage during one of the flashback sequences, "Just to see how the story will turn out." ~ Hal Erickson, All Movie Guide

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Starring:
Mitzi GaynorDavid Wayne, (more)
1952  
 
Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperPhyllis Thaxter, (more)
1952  
 
Something for the Birds is a toothless satire of Washington, filmed during the McCarthy era. For lack of a political target that wouldn't get them labeled as Communists, the producers decided to go after lobbyists. Patricia Neal comes to Washington on behalf of the preservation of the California Condor; she finds herself the object of ridicule for almost everyone, including leading man Victor Mature, a lobbyist for the oil interests who threatens a large bird sanctuary. Edmund Gwenn is one of the few Washingtonians willing to financially back Neal's cause; unfortunately he turns out to be a charlatan with nary a nickel to his name. Eventually Mature is made to realize that the plight of the Condor is worthy worrying about, and he is able to dissuade the agreeable oil executives from drilling on the bird's territory. ~ Hal Erickson, All Movie Guide

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Starring:
Victor MaturePatricia Neal, (more)
1952  
 
Who else but Esther Williams could star in a romantic drama (with musical numbers) bearing a title like this? In Million Dollar Mermaid, Williams plays Annette Kellerman, a real-life Australian swimming star who took up the sport as a child to strengthen her legs, which were severely weakened by a birth defect. The treatment proves effective, and as she grows to adulthood, Annette shows that she has the talent to be a champion swimmer, though she prefers to follow her dream of becoming a ballet dancer. When Annette's father Frederick (Walter Pidgeon) accepts a position in London teaching music, Annette opts to go with him, and along the way she meets James Sullivan (Victor Mature) and Doc Cronnol (Jesse White), the joint-owners of a boxing kangaroo they intend to exhibit in London. James is already aware of Annette's abilities as a competitive swimmer, and he offers to be her manager and help her earn a living from her aquatic skills. At first Annette isn't interested, but when Frederick's job falls through and she can't find work as a dancer, Annette reluctantly agrees to work with James. He arranges a publicity stunt in which Annette swims 30 miles down the Thames River, which attracts the avid attention of the British press and wins her some work as a dancer. Convinced that the big money is in America, James persuades Annette to travel with him to the U.S., where she creates a scandal in Boston by staging another long swim in a one-piece bathing suit, considered shockingly-revealing at the turn of the Century. The stunt nearly lands Annette in jail, but she escapes the long arm of the law and becomes the star of a water ballet revue. Annette had fallen in love with James, but after an argument, he resigns as her manager and Annette takes up with Alfred Harper (David Brian), the male lead in her show. Annette and Alfred agree to marry while working on a movie together, but James returns on the last day of shooting, determined to win back the heart of the woman he loves. Legendary choreographer Busby Berkeley staged the film's elaborate water-ballet sequences. ~ Mark Deming, All Movie Guide

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Starring:
Esther WilliamsVictor Mature, (more)
1952  
 
The unbreakable bond between a young man and his pet lion provides the action in this comedy. The trouble begins when the young man becomes a private in the army. Because he cannot bear to sell his lion Fagan to a mean-spirited circus trainer, the private asks his sergeant to help him find a good home for his pet. Naturally, the sergeant at first disbelieves his charge. He becomes a believer after the big kitty escapes from his cage and the Army must send out search parties to get him back. Thanks to Army publicity, a good home is found for the lion. Unfortunately, the loyal feline again escapes to search for his master. He causes chaos during troop maneuvers. ~ Sandra Brennan, All Movie Guide

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Starring:
Janet LeighCarleton Carpenter, (more)

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